6994 Matches Found
ECOLOGICAL DESIGN: INVENTING OUR FUTURE illuminates the emergence of ecological design in the 20th Century. The film features the ideas and prototypes of pioneering designers who have trail-blazed the development of sustainable architecture, cities, energy systems, transport, and industry.
TV movie directed by Ulla Fels.
In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.
Kiss at Monsters of Rock Brazil 1994.
Soar above vast deserts, verdant pine forests, sparkling lakes and rivers, rolling grasslands, glistening snow-capped peaks, gleaming cities and striking land forms. Arizona is home to some of the worlds most interesting natural formations and is best known for its desert landscape, but Over Arizona also takes you on an aerial tour of its snowy mountain ranges and lush forests. Get a new perspective on the states beauty by taking to the skies in Over Arizona, featuring stunning aerial cinematography.
Set 1: Frankenstein, Sparkle > Simple > Divided Sky, Harpua -> The Vibration of Life -> Harpua[1], Julius > The Horse > Silent in the Morning > Reba, Golgi Apparatus Set 2: Back in the U.S.S.R.[2] > Dear Prudence[2], Glass Onion[2] > Ob-La-Di, Ob-La-Da[2], Wild Honey Pie[2], The Continuing Story of Bungalow Bill[2], While My Guitar Gently Weeps[2], Happiness Is a Warm Gun[2], Martha My Dear[2], I'm So Tired[2], Blackbird[2], Piggies, Rocky Raccoon[2] > Don't Pass Me By[2], Why Don't We Do It in the Road?[2], I Will[2], Julia[2], Birthday[3], Yer Blues[2], Mother Nature's Son[2], Everybody's Got Something to Hide Except Me and My Monkey[2], Sexy Sadie[2], Helter Skelter[2], Long Long Long[2], Revolution 1[2], Honey Pie[2], Savoy Truffle[2], Cry Baby Cry[4] -> Revolution 9[5] Set 3: David Bowie, Bouncing Around the Room, Slave to the Traffic Light > Rift > Sleeping Monkey > Poor Heart, Run Like an Antelope
In a future society where soft drinks are only for the rich and powerful, one man owns the last remaining cans of Coca-Cola. After the last can is consumed we beginning a mind melting odyssey of surreal events as the can is used and abused by all walks of life. It is used as a sex toy for a nymphomaniac artist, a crack pipe for two desperate homeless men, a target for two drunk hayseeds who are later abducted by aliens and ultimately a talisman for a depressed young women yearning to return to nature.
An exploration of silence, love and loss.
Mikala Dwyer's video Cut (1994) uses an editing device called the "jump cut" to establish a dialogue between two seemingly unrelated subjects: meat processing and television hardware. The industrial machinery that processes meat speaks to the physical world of modernism and can be seen in contrast to screen-based technologies of post-modern networks, referenced by the video cabling that the work focuses on.
Short animation by Esfandiar Ahmadieh
Cilla, Artie and Gary invite kids of all ages to join them on a tour of the world, care of Kettle International Airways.
Experimental film by Yosuke Okawado.
Experimental film by Yosuke Okawado.
8mm film by Yosuke Okawado.
Jaganadan's daughter takes up her father's business after his sudden death. She faces many challenges as her father's enemies try to plot against her.
Aardman turn the cinema screen into a mirror and offer this delightful portrait of the typical film festival audience. Intro film for the 38th London Film Festival, which observes their pitch perfect use of cartoonish techniques with stop motion.
Waves on the sea, waves in the air. The ambient strandline experience. Super 8 time-lapse and stop-motion animation above and below water. The cycles and rhythms of the seashore - a place where elemental forces meet.
About an unsuccessful hunter who hunted a dinosaur.
This exhibition is a unique opportunity to see ‘frame by frame’ into the world of director / animator Kayla Parker. Her films have been shown on Channel 4’s Four-Mations and The Dazzling Image series, on ITV and on BBC2’s The Late Show, as well as in many festivals and exhibitions worldwide. The exhibition includes artwork from Sunset Strip and features video installation, animation drawings, props and photographs from recent films.
Documentary.
UNICEF film.
Short film.
A documentary film exploring the life of an ordinary fox in its natural habitat.
A short film by Deborah S. Phillips.
A complete live performance by Morphine, featuring The Saddest Song, Head With Wings, Mary, Candy, Thursday, All Around, Speak My Language, The Inside, Looks Like Rain, Hey Heat
A music video for the song by Shadowy Men on a Shadowy Planet.
A woman speaks her unrepresented resistance to history.
Cinematic commercial which packs a punch
Witty hit list of ‘community’ archetypes
About an identity, playing, exploring, creating new images and setting yourself free. Front-room sexual explorations.
For this film, I followed the negative development instructions to the letter to develop a Super-8 positive. Osmography stems from the desire to create a new version of My Movie Melodies. The image overlaps with the soundtrack, and optical recording was used to reproduce the sound.
A Brazilian musician living in Denmark and married to a Danish woman visits his family living in the slums of Rio.
The film was born from discovering a Super 8 film shot by her deceased father during her childhood, and unfurls through a personal archive of images and reminiscences that patch together the life of this complex and reserved individual. In its quest to deconstruct the mundane, private appeal of family memories, Doi calls the film an “anti-home movie,” yet in keeping with the diaristic quality of her previous works, My father, burned paints its portrait of memory akin to a window onto a chamber or interior space, through which ambiguous emotions resonate and resound.
A documentary filmed by Sahin Šišić in 1992-93, during the siege of Sarajevo.
In one minute, the protagonist meets Marianne Faithfull and a moose child.
UFC 2 - the return of the most dangerous martial arts contest in the world! Sixteen of the planet's toughest experts air off, in a locked steel cage and fight a bare-knuckle, full-contact combat, until one man stands undefeated. It's Karate vs. Jiu-Jitsu vs. Russian Sambo vs. Kung Fu vs. Tae Kwon Do vs. Ninjitsu vs. Pencak Silat vs. Muay Thai Kickboxing and more!
UFC 2 - the return of the most dangerous martial arts contest in the world! Sixteen of the planet's toughest experts air off, in a locked steel cage and fight a bare-knuckle, full-contact combat, until one man stands undefeated. It's Karate vs. Jiu-Jitsu vs. Russian Sambo vs. Kung Fu vs. Tae Kwon Do vs. Ninjitsu vs. Pencak Silat vs. Muay Thai Kickboxing and more!
"'DOWAGER HUNTER-GATHERER stalks the quiet, deserted streets of Belgravia, dipping her porky, St. Paul fingers into a paper bag of fluffy lemons... nibbles, lady?' The apocalyptic dada-esque nonsense of a femme fatale who unpicks the stitching from men's Y-fronts." -Viva-8 programme notes
A biographical documentary on Krzysztof Komeda, the great jazz composer who signed the scores of many of the first Roman Polanski's movies, from Noz w wodzie to Rosemary's baby. It features footage archive from Komeda concerts and from movies that have Komeda's soundtracks as well as interviews to people who worked with him and to his widow. There's also a brief dialogue between Jerzy Skolimowski and Roman Polanski, supposedly shot shortly after Komeda's death.
17th century. Spain. Before his execution, the pirate La Buse throws a map of an island where countless treasures are hidden into the angry crowd. Captain Fernand Misson, sentenced to death by the Holy Inquisition, escapes from custody. He sets off in search of the mysterious treasure island, but enrichment is not the fugitive's goal.
Eight-screen installation. An original 15-minute video clip of a street scene at a crossroad was captured and was played on a 25-inch TV screen. One corner of the TV-screened footage was filmed again to produce the 2nd video footage. This re-filming process repeated 7 times using the same focal distance (of the first re-filming's settings), and 8 video footages in 7 generations were produced. The images and sound became more abstract each time. The video installation was first staged in Hangzhou in 1996.
A critical look at the effects of alcoholism on Native American communities. Singer, a member of the Santa Clara Tewa Pueblo, introduces us to the experiences of seven Native Americans on the road to recovery from alcohol abuse. Along the way, she reveals her own first-hand experience with alcoholism. This innovative video takes an intimate approach to a problem which is both widespread and misunderstood.
A film by Milena Gierke
All the Goals and Games From Liverpool's 1993-94 Season
Short film by Fumie Kamioka
A gang of horror freaks wander through the woods and discover an abandoned trailer park. Hidden in a tree stump, they find a mysterious book, the Necronomicon. The gang breaks into a trailer and summons the spirits of the Necronomicon with the help of a witch's board, but the body of a serial killer lies buried in the trailer park's cemetery. Revived by the magic words, the killer rises from his cold grave and murders again...
On the left side of this video diptych sequences of a typical Hollywood movie of the genre "airplane catastrophy" are showing, while on the right side a man liying in a bath tub talks about how he gradually came to terms with the actual trauma of such a catastrophy and his fear of water. Not only by the contrast of documentary interview and fictional processing of the same topic, but by the redundancies of sound and images between both "panels", telling itself and being told has come to the point.
What happens when you can hire a professional film crew to shoot your vacation video? This.
Avant-garde short from Damon Barr.
A playthrough of the Philips CD-i version of Burn:Cycle. There are lots of small but noticeable differences between the two versions, and the consensus seems to be that the video quality in this version is better than the PC release.
‘Artificial Life Metropolis CELL’ presents three-dimensional plastic art as represented by a computer image using the basic principle of a cellular model as seen from an artistic point of view.