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Cut

Mikala Dwyer's video Cut (1994) uses an editing device called the "jump cut" to establish a dialogue between two seemingly unrelated subjects: meat processing and television hardware. The industrial machinery that processes meat speaks to the physical world of modernism and can be seen in contrast to screen-based technologies of post-modern networks, referenced by the video cabling that the work focuses on.

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Overview

Mikala Dwyer's video Cut (1994) uses an editing device called the "jump cut" to establish a dialogue between two seemingly unrelated subjects: meat processing and television hardware. The industrial machinery that processes meat speaks to the physical world of modernism and can be seen in contrast to screen-based technologies of post-modern networks, referenced by the video cabling that the work focuses on.

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