Cinematic Era: 1976 Vintage

To mark his 70th Birthday, the Poet Laureate, Sir John Betjeman, recalls key moments from his childhood and adolescence.

Manipulating the way the camera captures light and the use of filters, this film configures a kaleidoscope of abstract lights of different colours, reflections, fragmented irises, peepholes, circular forms, flashes of lights in the dark punctuated by images of almost white skies.

An ear of wheat is taken by a bird.

A year in the life of the Sami boy Ante. He is the son of a reindeer herder, and he dreams of taking over from his father. He loves life on the Arctic tundra, but when fall comes he has to start boarding school, while the family follows the reindeer on winter pastures. He struggles to adapt at school, but gradually he gets to know Per, who becomes his best friend. Together they plan the future. When the family has to make a difficult choice, Ante feels betrayed and disappointed. But Ante does not give up on his dream of a life on the tundra.

The male/female, subject/object investigation in A Bit of Matter and a Little Bit More has no titillating introduction; the appetite is not whetted beforehand. Hardcore, the opening shot, shows the crotch areas of a male and female body engaged in coitus. At the end of the tape a male voice says, "Some questions and five answers relative to moved pictures, five questions and some answers relative to moved pictures—" a reference to the artists' book, 100 Rocks on a Wall.

An expressionistic, surrealistic portrait of a Latin American woman.

A wild and unruly landmark feminist film about female sexuality, that not only touches the areas of paranoia, fear and doubt, which women experience in relation to their bodies and physical self-image, but which is also joyful, erotic and funny.

The foreign spy Thomas arrives in Sofia. In order to get his hands on some documents, he decides to use the young man Boyan as his cover. The action takes place at the "Orient Express". A young foreigner-drug addict, the train attendant and the secretary conduct the mission. The train attendant and the drug addict are killed. Boyan is a major suspect. However, Thomas is a very naive man. The Bulgarian counterintelligence discovers the plot.

A film discussing the various forms of energy used by man.

The life and work of Rear Admiral Samuel Eliot Morison, the official historian of U.S. naval operations in World War II and a Pulitzer Prize-winning scholar of maritime history.

Set in northern Nigeria towards the end of the 19th century, Shaihu Umar begins with a discussion between Islamic students and their renowned teacher, the wise man Shaihu Umar. Asked about his origins, Umar begins to tell his story: he comes from a modest background and is separated from his mother after his father dies and his stepfather is banished. His subsequent trials and tribulations are marked by slavery, and he is put to any number of tests until he finally becomes the adopted son of his Arabic master Abdulkarim. He attends Quranic school and is made an imam upon reaching adulthood. Following a particular dream, he resolves to search for his mother.

A look at the history of film from 1936-1972, with a special emphasis on the social impact of the medium and the way it both reflected and influenced American life.

Sonbert's vivid color palette enhances the ritualistic nature of each action observed. Set against this lush panorama, Sonbert subverts the expectation of classic cinematography with a liberal sprinkling of avant-garde techniques. The incorporation of the materiality of film, the treatment of light, and the use of a hand-held camera, all suggest the influence of Stan Brakhage (Sonbert's "hero"). Sonbert's use of the shot as the foundation of his silent montage works parallels the use of the frame as the basic filmmaking unit in the films of Gregory Markopoulos (Sonbert's "mentor"). -- Jon Gartenberg. Preserved by the Academy Film Archive in 1998.

In the pilot episode: Azteckaiser has a mystical gem on the forehead of his mask called the Star of Aztec, which grants the wearer incredible power (as well as turning him and his surroundings into anime).

Promotion film presents an overview to the series and to public service jobs.

Monique (an advertising assistant) and Christine (a semi-skilled worker) talk about how difficult it is for a woman working in a struggling factory (Lip), about issues of internal democracy within the trade union and the end of work in the current situation.

According to Peter Brook, all that is needed for an act of theatre to be engaged is for a man to walk across an empty space whilst someone else is watching him. Thus, an empty space becomes a bare stage. However, this raises countless questions about the relationship between reality, everyday presence and role-playing, something experimental filmmakers coming from the 1970s world of theatre dealt with in detail. Tibor Hajas explored the topic in a short experimental film made at BBS.

Documentary about Israel, with the theme: Why all this hatred towards Israel? First, a historical section, followed by the theological aspect.

A short Estonian animation about a rabbit who creates a mechanical being that struggles to navigate a frantic, pop-art world.

Around 1900, bushranger Rusty Swan receives a message that his mother is dying. He sets off with his partner Cecil and girlfriend Valda to see her, chased by a posse led by Sergeant Rutter. They travel through time and wind up in modern-day Surfers Paradise.

It is still one of the most popular Polish animated films. Servants prepare the table for a luxurious dinner party in a beautiful palace. Guests are gathering slowly. Suddenly they are surprised by an unexpected change of roles between the eater and the one who is eaten.

An investigation into the sighting of a blue horse with roller skates in an apartment building turns into a burlesque nightmare.

A compilation of images gathered during the year 1976: artifacts of assorted personal, pop culture, and national history.

Short educational film about the breeding of domestic pigs.

A documentary detailing the live ABC broadcasting of a 1975 college football game from the Los Angeles Memorial Colosseum, between the Ohio State Buckeyes and the UCLA Bruins, taking us behind the scenes into the fast-paced demands and technical impediments of turning a simple sport into a mass-broadcast entertainment.

Reconstruction of a smuggling operation exploiting the transit agreement by the human trafficking gang Mierendorff: This Stasi training film reenacts the operational procedures of an escape attempt. Where did they meet? Where were people hidden in the car? What tricks were used?

Set in Mexico, the dark brown voice of Barry White, a man who sings and talks of love - love is where Barry White goes - and Love Unlimited. These three girls join him in this concert which features some of his most famous hits and for the first time "Love's Theme With Words...".

Based on a poem by the Uruguayan poet Marita Carpintero de Tutté. A cut-out paper animation focused on the importance of solidarity and the union of people.

The forester's daughter learns about her mother's affair.

A documentary about Mark Trent, Montreal artist, who dedicates himself to expressing the horrors of our environment by creating shockingly realistic 'environments' of plastic resin sculpture, which depict mutilations of the human form and human condition After a public scandal over his Toronto exhibition, Trent moved to Europe, and he now works in Berlin.

A killer stalks Portland, using kitchen utensils as their weapons of choice

After his father dies, law student Adolfo (Jorge Marchand), returns to his native village in the South of Bolivia, where he falls in love with Claudina Silvia Arévalo, a beautiful chola girl nicknamed La Chaskañawi, which means "girl with big eyes" in Quechua. Falling under her spell, Adolfo forgets about his fiancee in the city, abandons his law studies, and succumbs to alcohol. Based on the 1947 novel La Chaskañawi.

This is a rare video interview with one of America’s finest film artists, shot in New York towards the end of his abruptly terminated career.

Margaret Tait documents her house, studio and garden in Buttquoy, Orkney as the seasons pass. She had lived there from the age of seven and often returned. At the time of filming, the house was about to be taken back by the council - this film is an effective 'goodbye'. Margaret Tait said it 'was meant to define a place, or the feeling of being in one place, with the sense this gives one, not of restriction but of the infinite variations available.'

This short film tells a story in the form of a poem that calls for equality for children who lack opportunities. It was created by Surapong Pinijkhar, who submitted it to the Bangkok Bank Documentary Film Festival in 1977. Despite exceeding the standards of traditional Thai documentary films, the judges were too afraid to give it the top prize, but they also couldn't deny its brilliance, so they awarded it a special prize. This documentary film is a creative masterpiece of the nation. This film has been registered as part of the National Film Heritage, first edition, in the year 2011 (B.E. 2554).

The End of the Road (also known as Alaska: The End of the Road) is a 1976 British short documentary film directed by John Armstrong. The film is about British Petroleum's Alaska operations, including the construction of the Trans-Alaska Pipeline System. It was nominated for an Academy Award for Best Documentary Short.

This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.

A lonely young woman finds unexpected refuge when a disabled puppeteer at a fairground helps her launch a career as a celebrated singer. Secretly in love, he expresses his feelings through his puppets while she rises to stardom under his gentle guidance.

A nostalgic work, which attempts to reconstruct the materials of postwar 35 mm newsreel footage given by the filmmakers’ friend and old tinted picture postcards. He frankly describes in his own coherent style of filmmaking how he was moved when he saw these films and photographs for the first time. An attempt to rediscover fresh and new images in the past products.

Two boys aged 9 and 10, Jan and Christoph, want to visit their grandma, who lives in another town. They travel by train, on their own. They buy their tickets, find the right platform and get on the right train. And they know how to behave on the train. So, as expected, the train trip to Grandma's is a safe affair and great fun for the boys.

A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, Paik creates a pastiche of Cage's performances and anecdotes, interviews with friends and colleagues, and examples of Paik's participatory music and television works that parallel Cage's strategies and concerns. The methodology and philosophies that inform Cage's radical musical aesthetic — chance, randomness, the democratization of sounds — are evident as he performs such seminal pieces as 4'33" (of complete silence) in Harvard Square, or throws the I Ching to determine performance sites. Among the collage of elements included in this work are segments from Paik's Zen for TV; Paik and Charlotte Moorman in early performances, including the TV Bra; and anecdotes from composer Alvin Lucier.

A Native American fisherman has his fishing grounds taken away by bureaucratic officials. Joe Bass goes nuts and wreaks havoc across the Michigan wilderness, ending in a brutal showdown with the local Sheriff.

Jon Pertwee (the third Doctor Who) stars in one of the most (in)famous Central Office of Information films, using the mnemonic 'SPLINK' to educate kids in the correct way to cross the road.

Screen adaptation of the story of the same name by Anna Paityk.

Wong's first colour videotape bears the influence of several artistic genres popular in the 1970s, including performance and body art. We see Kenneth Fletcher draw several millilitres of blood from his arm and inject the contents of the syringe into Paul Wong's back, just under the skin. The camera closes in on this, observing the slow response of the immune system as the skin turns red and purple. What was originally intended as a sort of ritual uniting the young men as blood brothers, with implicit reference to drug use, has become a disturbing and dangerous act, when AIDS evokes our deepest fears and anxieties.

Shot in dark colours and with an atmospheric treatment, the narrative is sketchy but the plot revolves around Koswara, a driver for Kardiman. Koswara’s brothers and sisters-in-law trade his wife, Aisah, to Kardiman, until his wife goes insane and dies. Agus Herman, son of Kardiman, is as brutal as his father and Mrs. Kardiman, also has an impure background. Her daughter, Nana, who is born without knowledge of her biological father, is almost raped by her stepfather, Kardiman. It is also suggested that Mrs. Kardiman desires Koswara. An experiment from Indonesian directing legend, Teguh Karya, that was not entirely successful.

Independent animation by Suzuki Shin'ichi.

The dream of a man from the East confronted with the realities of the West.