Cinematic Era: 1994 Vintage

Just in time, Róza Riedlová returns from the grave to beneficially intervene in the life of timid Jana, who is full of doubts about everything and especially about herself. If Róza, that charming older lady, is a ghost at all, then she is definitely one of the kindest ones in our world. Otherwise, she would not be able to bring such wonderful order to human relationships, not only in Jana's family and at school, but everywhere she appears. An appealing comedy story that has won awards both at home and abroad. In 1995, a jury in Montevideo named it the best film for children, and in 1994, it won first prize in the children's film category at the Ota Hofman Festival in Ostrov, with Iva Janžurová winning the award for most likable adult actor for her role as Róza.

The filmmaker portrays himself exploring potentials and limitations of Super 8 with sync sound.

'Blinking' 2D rendition of one of Ken Jacobs' Nervous System performances first presented in 1994.

The unity of past and present time is shown in a symbolic way. The basic material of the film is archival footage taken by cameramen during the Warsaw Uprising (from the WFD archives) and shots of today's Warsaw, especially the Powązki Cemetery on All Saints' Day.

This film tells the story of Karlsøya, a remote Island in the north of Norway. Karlsøya is a mixture of people from everywhere. All with their dreams and hopes for the future.

Bettina Bayerl has turned situations from everyday life that reflect a certain mindset and images that symbolize success into a pitch-black satire on reality TV, exaggerated trend worship, and conformist stupidity.

The second part of the Kafka trilogy. In the evening, the fluffy bookmaker arrives at his home, in the elevator engine room, and finds an immense, humming egg on his table.

Join Ron Kenoly live at the Atlantic Civic Centre. Experience the energy, the joy, and excitement as you join 4,000 enthusiastic worshippers in an event celebrating God's power to prevail. Featuring 15 dynamic praise and worship songs, this event is full of expression and creativity.

Lada is a product of "educational“ or "corrective“ institutions. Not only is he not educated or corrected, he simply does not understand anything about life. He solves his problems in his own way – by swallowing sharp objects.

A meditation on the concept of waiting and the internal emotional life of women relegated to that role.

Starring Dawn Zulueta,Gardo Versoza and Gloria Romero

In 1993, Grateful Dead took the stage at Buckeye Lake Music Center in Hebron, OH. On hand that night was Peter Shapiro, at the time a Northwestern film student spending a month on summer tour alongside cameraman Philip Bruell. The Buckeye Lake show opens and the Heads document the swelling Dead scene.

A romantic film

In search of something new, 19-year-old Beyhan from Turkey has left home. But her journey leads her to the same landscape she knows, and the people talk about experiences she already had as a child. Her travel experiences blur with her dreams and memories. When she returns, defeated, she meets a Japanese poet who asks her to go with him to a party for Beyhan.

Animated film about the life of the 45th Yokozuna, Wakanohana Kanji I.

The story begins on a hilltop, at an old castle that served as a German observation post in 1942. The traces of German fascism have also left their mark on this landscape.

A musical experimental film about racist and homophobic violence.

Even on Christmas Eve, Heinz Becker's wife Hilde and son Stefan are not granted any peace and quiet, as their head of the family with the Batschkapp and the eternally chattering mouth turns the celebration of love into a less than contemplative horror trip for the whole family. Even the question of whether sausages should be served hot or cold with the potato salad leads to disputes under the Christmas tree - which Heinz can only force into balance with brute force. When the Christmas tree figure remains untraceable, the oven develops volcanic heat and mother Hilde completes the chaos with her unconditional desire for harmony, Heinz is proven right once again when he says: "Christmas is a matter of nerves".

Blur playing two hits, in less than 10 minutes

As four people lip-synch to the grand, passionate sounds of the Richard Strauss opera Elektra, the contrast between the banality of modern life and the primal desires that swirl beneath the surface is heightened. Four-screen projection. Video.

Sharon Lockhart's debut film from 1994 is divided into three parts. All parts are linked in showing the progression of a devastating skin disease of two ten-year-old boys which is successively revealed to be the progression of a skilfully applied special effects make-up. Shot against coloured backdrops, the first sections show portraits of the boys who are introduced by preceding titles as Khalil and Shaun. The third section is a dramatic sequence based on one of the last scenes in John Cassavetes's film A Woman Under the Influence (1974). Lockhart refrains from reproducing the scene literally. Instead, she places and collapses several moments into one, amplifying the main theme of the film - the attempt to pretend that everything is okay. Shaun is presented with his face horribly disfigured by blisters and wounds. His mother's pledges of future happiness thus become rather ominous.

After two years in jail, El Isleño returns to the island of La Fe, ruled by the dictator Francisco Gavilán. He arrives with a cinematograph and exhibits "Robin Hood" to the people. The next day the bridge that communicates La Fe to the mainland has been destroyed, and the people plan to overthrow Gavilán.

A woman is forced to confront her apathy to the murders she witnesses every evening.

Greater Tuna presents a day in the life of the town of Tuna, Texas and its twenty or so eccentric characters. Here's the kicker: All of those characters -- who range the gamut from adolescent to elderly, male and female, with all kinds of personalities and personal characteristics -- are portrayed by only two men (ably played by Kyle McClaran and Landon Starnes in Garland Civic Theatre's entertaining production). - by Richard Goulde

Sazen is tasked with uncovering the killers of a mysterious spirit regularly seen on the Okawa River.

The Phi Pop ghost returns.

2045. In a town where women's desire for pleasure is glamorous, men have become female guinea pigs

Unidentified Flying Objects have been reported and investigated since time began. Many sightings can be explained in rational terms, but 10% of all reports remain mysterious. In this provocative film, award winning filmmaker Lawrence Moore, a founding member of the British UFO Research Association, analyzes video footage of sightings, photographic and radar evidence, as well as statements of eyewitnesses in the U.S., Europe and - for the first time ever - the former Soviet Union.

A 10 minute short by George Kuchar which documents a visit with producer Christopher Coppola (nephew of Francis Ford Coppola and brother of Nicolas Cage), during which Coppola rambles on about cooking, film tricks, and his shaved head.

This film tells about the love triangle of young people. A young man from the countryside brought sheep and cows to pay for his tuition. the movie continues as it is.

This is a documentary of a trip into the Sacred Mountains of China with Red Pine (Bill Porter) to meet Buddhist and Taoist monks and nuns who live as hermits and practice their religion. These are some of the people about whom Red Pine wrote in his book, Road to Heaven: Encounters with Chinese Hermits.

Hole performs in the short film "Doll Parts" from the album "Live Through This." The music video begins with a black and white sequence of Courtney Love in a white room and later in a bed as she sings. She plays with the band in a room with yellow painted walls.

A documentary about Jamalutdin Muslimov, an eccentric folk dancer and choreographer from the remote village of Chukna in Dagestan, who walked across the entire republic to revive forgotten dances — and was lovingly called a "crank" for his obsession.

Short film about a young girl's rude retaliation for paternal humiliation. In voice over a young woman tells a subversive tale which interweaves suburban kitsch with childhood defiance. The film focuses its point of view on a child's gaze which interacts with the recounted story producing a sense of irony and challenging the truthfulness of the interpretation of events.

Music, art, guided meditations, and insights from well-known authors guide the viewer on a journey to discover our Guardian Angels and how to develop a deep relationship with Nature Spirits and Archangels in service to the planet.

After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his early masterpieces, offering a combinatory adaptation of five stories by the renowned Brazilian novelist João Guimarães Rosa. Openly embracing a mode of magical realism, dos Santos' celebrated film tells the story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank. While offering an evocative vision of rural Brazil as a timeless land of mystery and solemnity, The Third Bank of the River is also bitingly satiric in the remarkable depiction of religious belief when the family moves to the city and its youngest member, a mesmerizing little girl, is revealed to be a kind of saint, capable of miraculous acts. -Harvard Film Archive

Rhoma (Rhoma Irama), succeeds in rescuing a young woman, Maya (Ria Irawan), who was forced into making pornographic movies by a gang led by Santos (Leroy Osmani). This causes tension between Rhoma and his wife, Aida (Ida Iasha), who misunderstands the situation. In the meantime, Rhoma is abducted by the Santos gang to exploit as a partner for Maya in a pornographic film. Everything turns out all right for Rhoma, Aida and Maya.

Reibenbach describes: "In my parents kitchen, Holocaust survivors, I read precisely and gracefully the trace of history, which even in the folds of silence refuses to be forgotten".

1. Time Machine . 2. Children Of The Grave 3. I Witness 4. Mob Rules 5. Into The Void 6. Anno Mundi 7. Black Sabbath 8. Neon Knights 9. Psychophobia 10. Wizard 11. Cross Of Thorns 12. Symptom Of The Universe 13. Headless Cross 14. Paranoid 15. Iron Man 16. Sabbath Bloody Sabbath Cross Purposes Live is a live album recorded by the British metal band Black Sabbath. It was released in 1995. It is the only live-record with singer Tony Martin. It was available only as part of CD and VHS double-pack. The CD was housed within an oversize videotape-case but had its own inserts and jewel-case. It was recorded at the Hammersmith Apollo, London, on Wednesday 13 April 1994. In Dec 2010 an officially licensed by Eagle Rock Entertainment complete 87min version NTSC region 2 DVD was finally released in Japan only.

A collection of music videos by raison d'être, Sakral Wounds was originally released on PAL VHS in an ultra limited edition of 40 copies on B.o.C.a. tapes in 1994. B.o.C.a. was Peter Andersson's private label at that time. Very simple technology, a large amount of sampled clips, and practically no budget were involved in the production.

A story of love, manatees, and compulsive licking.

An Edinburgh detective is hired to find a missing husband.

A concise poetic summary of butch identity.

Short film by Bent Hamer, no dialogue, only music.

Contains studio versions of tracks accompanied by 'psychedelic' visual effects. The band appears in live cuts, but no actual live music is played.

Marie is a petty thief, Joe her law-abiding lover; both dream of becoming music stars, and they have to leave their Swiss coastal town after Marie shoots a man during an abortive robbery, hoping to escape to America.

Carrying an 8mm camera fitted with a wide-angle lens and an ND filter, I descended the mountain while turning the bulb crank, performing long exposures along the way. With each step, the body swayed. That movement was inscribed onto the film through dappled sunlight filtering through the trees. The blue of the sky, the white of the clouds, and the green of the leaves merged and mixed directly on the film surface. This work marks the beginning of the “light drawing” series using 8mm film. While employing the methodology developed in the previous work Prominence, this piece moves away from its static approach. Instead, it embraces the unavoidable blur inherent in the process and incorporates it more actively, treating motion itself as a dynamic element of the image.

Conrad Brooks must stop a werewolf from killing him.

Mahrokhak and Golabatoon are two sisters. As they escape a mandatory wedding, they enter the jungle and look for the young man who can save them. In the meanwhile, they are trapped by an old wicked predator who wants to hunt them. To escape from this trap, each of them must make a sacrifice for the other.

The unhappy employees of a company that puts out a product called "Cankers Away" are made even more unhappy when the company is taken over by a dictatorial executive and his nasty assistant. Things get so bad that the employees are forced to plot an uprising against their new bosses.

Two neighborhood gangs are constantly fighting over territory, especially on Estrella Street. The mayor decides to hold an Olympics between the two gangs, where the losing gang must leave the neighborhood.

The 19th-century tragedy by Alexandre Dumas fils reimagined in the Saigon's nightclub scene of late 1990s, where a young man falls helplessly in love with the famed dancer Y Lan.

A short animation based on the drawings of an elephant and a giraffe by the filmmaker's seven year old daughter Anna.

The Dead Man returns, but it's too late to save us. We are already dead.

Fourth installment of the crazy jokes with hidden camera

A circus caravan of computer-driven creatures inspired by human gesture, move with an odd blend of mathematical precision and wild unpredictability. The highly structured yet simple overall design of the film is the landscape from which these characters evolve and express their human complexities. These pedestrians express the light and the dark, the contradictory emotions and responses to both the world they have created and the to each other.