Phyu Pyar Muya Thuzar is a Burmese film made in 1975. It is a remake ofU Nyarna's novel Thuzar, directed by the acclaimed actress Khin Than Nu.
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Phyu Pyar Muya Thuzar is a Burmese film made in 1975. It is a remake ofU Nyarna's novel Thuzar, directed by the acclaimed actress Khin Than Nu.
Part three of four.
A film by Manuel Bento and Victor Reia Baptista.
Marcel Marceau mime performance
A modern parable about the man who learns to build walls and houses.
Experimental short / Optical Color / 16mm Film / 9 min.
A company management tries to use religion as an instrument of adaptation.
When kindergarten pupil Raita and her friends learn that their beloved horse Orlik is in danger, the children do everything they can to save him.
An experimental film about the eternal life of music, and about how it belongs to all.
The nature of the relationship connecting the camera and subject with some kind of energy, filmed in 3 parts. For example, in the third part the camera is hanged from a tree, running out one roll of film three minutes ni length filming the flowers in a garden. This minimalism was conceived from the filmmaker's possessing a very simple camera with no screw holes for a tripod.
Horseflesh is an artifact of a year spent living on a horse farm in Vermont listening to Charles Mingus and John Coltrane. A meditation on country living, and our weird, anthropomorphic relationship to horses.
The robot firefighter takes a trip to the countryside.
"Halloween Special" was a hosted horror Halloween special with Robert Foster as "Grimsley" presenting this Halloween special for KTLA, Channel 5 Los Angeles, California in October 1975.
CROSBY STREET (1975, 18 minutes) takes a look at the various economic, social, and esthetic strata on a New York City street. The film includes interviews with residents and merchants and scenes of the homeless.
A little boy is waiting for a bird to come out of an egg, but a snake comes out. This cartoon is made to explain to children that different animals can come out of eggs.
A cartoonist receives a scary visitor.
A documentary about Karagiozis - a shadow puppet and fictional character of Greek folklore.
a Leszek Komorowski cartoon
Filming and calling the result a diary is literary. It is filmic to write a film diary and have this writing scroll by as film.
In February 1974, workers at the Darboy printing factory in Montreuil, refusing to be laid off without compensation, decided to occupy their company, to do without their boss and, on the model clearly claimed by the LIP workers in Besançon, to live, eat, work and fight together for three months.
One of the few Chilean exile films made in the US, A los pueblos del mundo became one of the more widely distributed and seen shorts of this context. A record of the Pinochet dictatorship's mass crimes, with the murdered president's sister, Laura Allende Gossens and MIR activist – and future filmmaker – Carmen Castillo, as witnesses.
Directed by Prabhakar Manajirao Nayak. With Usha Chavan, Mohan Choti, Vatsala Deshmukh, Dinkar Inamdar.
Directed by Anant Mane. With Jaymala Adarsh, Nargis Banu, Jayshree Gadkar, Shankar Gajadhar.
With Kamini Bhatia, Vatsala Deshmukh, Surekha Gujarathi, Leena Kakodkar.
With Anupama, Ramesh Deo, Sanjay Jog.
Directed by Rajdutt. With Padma Chavan, Ramesh Deo, Seema Deo, Raja Gosavi.
A beautiful woman, who is a school teacher in a village, falls in love with a man but under brutal circumstances gets raped by the 'Mukhiya' of the village.
Several fragments of life in la Ramats, an isolated village of the Piedmont mountains, between 1973 and 1975.
The dawning of the day across the interior of a shared home and the slow awakening of the occupants. A poster on the wall says 'Sisterhood feels good'.
Begins with raccoon in a rose light, ends with fading face of child.
Han Ok-hee's Three Mirrors fantastically expresses the world of a woman's desires, and the surrealist screen composition, the image of a symbolized candle, the nude female body, and the everyday will to break the suffocating wall of reality are poignantly reflected in the flow of the image.
Soundtrack: EBONY CONCERTO, by Igor Stravinsky.
Soundtrack: THIRD CONSTRUCTION, by John Cage.
Peter Bundy film
Experimental film.
Recovered Zulueta short.
The aptly named Spare Parts is composed of four sections – all comprised of discarded or “found” footage.
A walk through the streets of the city. Work on the edge of a paradox, because it touches the problem of ideology in its own more ambiguous boundaries, hovering between the message of proselytizing and critical reflection, including the assumption of public responsibility by the artist - here he becomes almost a peaceful militant and political agitator, well beyond his role - and the “secret” size of the politics as entirely subjective passion and enthusiasm for life, but also as a moral obligation.
The film describes the cause and effect of the undernourishment of Colombian children in five chapters and has the form of a black book of capitalism. The tenor of the film is aggressive... the projector nails the faces and deeds of the enemy to the screen, makes them targets of a camera that sees itself as a weapon.
Bob Harris presents a concert special from the BBC Television Theatre in Shepherd's Bush, first broadcast on 25 November 1975, featuring the zany antics of Dr. Hook.
Vignettes illustrating situations in which children feel angry at others.
Art documentary on the sculptures of the Mediterranean highway.
Dialogue is based on a poem, which is absurd, erotic and poetic. (Filmform)
Beach, sky and water are presented in prismatic formations that transform themselves into abstract imagery and studies of the light spectrum.
The story of a teenager in the 70s and a very subjective view of his family.
Social critique, made on the occasion of the 1100 year birthday of the settlement of Iceland in 1974.
Early B&W 16mm SFAI Class film by George Kuchar
Greenland is in the middle of a process of industrial development, a stark contrast to the former way of life. In the film, which was shot in Sisimiut (Holsteinsborg), a group of Greenlandic women talk about their work and their position in the workplace, about the need to organize themselves, to stand shoulder to shoulder in order to improve working conditions and wages. The women, working as shrimp pillers, tell with bitterness, but also humor, about their lives and the double work that they have to endure. The 'royal' hand-picked Greenlandic prawns are viewed here in relation to the repeated abdominal infections the women suffer from, and their political struggle related to labor and gender.
Gusts of wind on Hampstead Heath give shape to an exploratory film that seeks to present landscape in a different way.
A local film showing Harlow's then new 'dial-a-bus' scheme.
Cort merges video theater, early imaging technology and interactivity. In At Maple Tree Farm and Beyond, he employs the "Video Art Transposer" (an early electronic imaging device) to transform images during the recording process, manipulating staged events in a real-time, interactive electronic theater.