Cinematic Era: 1929 Vintage

An English bore has his handkerchief spiked with pepper, and consequently sneezes his way through an anecdote.

A tour of the sights and attractions of Berlin.

Lost Dora Film production

Map showing the course of the Main River. Landscapes with streams, old towns, romantic spots, and castles. Map showing the Reichsbahn railway connections to the city of Bayreuth. Cityscapes, buildings, theater, market square, churches. Wagner's Villa Wahnfried. Wagner's final resting place. Franz List's grave. Garden of the Erimitage. Fountains and statues in the park. Kulmbach. Pan across the city and city views. Plassenburg Castle. Ascent to the castle. The Hohe Bastei with Christiansburg Castle. Castle images and tournament courtyard.

A set of camera shots of the city of Hercules in the 1920s: popular festivals, activity in the port, streets in the city centre, churches...

A Screen Songs short.

The first Screen Songs cartoon.

A lost Screen Songs cartoon.

“A film made to illustrate the changing scenery, architecture, garments and face of the Danube Bank.” - BFI.

Cityscapes from the capital of Latvia.

First outing for an imperial airship, traveling from Bedfordshire to London and back again.

Japanese horror movie from 1929.

Screen song by the Fleischer Studios

Walther Barth’s son William (now deceased) donated the film to the Tennessee Archive of Moving Image and Sound (TAMIS) in 2008 as part of a 101 reel 16mm film collection. FEE shows a young Barth with an unidentified girlfriend. The films of the Barth Collection start in Germany in 1927 and continue into the early 1960s, long after Barth moved to the United States. Barth worked for Agfa in Germany, and later Binghamton, New York. Barth visited both Knoxville and the Great Smoky Mountains during the 1930s, shooting 16mm home movies, and then moved to Knoxville late in life (1970s), to be closer to his son, then working at the University of Tennessee. Zschornewitz is a village and a former municipality on the southwestern edge of the Wittenberg district in Saxony-Anhalt, Germany. The Zschornewitz Power Plant, seen in the background, was once the world’s biggest brown-coal-fired power station.

Two women embark on a beach vacation. One adopts a witty, sarcastic demeanor, while the other plays the straight-laced counterpart. Their contrasting personalities lead to comedic observations and interactions with the beachgoers around them. Considered lost.

A fairy-tale fantasy set in the backdrop of Snow White.

Glimpses of Iceland at the end of the 1920s.

Daffy Doings in Doodlebugville Kinex

A Kinex short starring Chip, the Wooden Man.

The Doodlebug Fire Department responds to a fire and saves a lady from the top floor of the burning building. 1929 stop-motion film.

A colourised silent film about the massive construction site of the Hämeensilta bridge in Tampere in the years 1928–1929. The film offers a precise and at times a humorous image of the Tampere city centre from nearly a hundred years ago. The four sculptures on the bridge, made by Wäinö Aaltonen, were donated by factory owner Rafael Haarla.

About three young people who graduated from the village school and went to Seoul to enter the university.

'Variety artists Patricia Rossborough and Bobbie Alderson perform Walking with Susie, You Can't Make Me Feel Blue, She's Gotta Have Me and She's Funny That Way.' (BFI)

Three couples rehearse a scene in the car.

Ladies acting and blowing kisses.

The story of a humble girl, who manages to make a fortune that will allow her to marry an aristocrat.

Toots and Casper comedy.

A travelogue shot on 35 mm by Walter and Aloha Wanderwell, capture the 1920 era’s ongoing enthrallment with the speed and range offered by motorized wheels.

Indigenous women at Lake San Pablo

Road construction

Children playing

Love triangle

Faces Bullfighters

Part of BFI collection "On Yer Bike."

In North Lincolnshire the villagers of Haxey and Westwoodside tussle with one another whilst pursuing the 'hood'.

If bending the stalks turn the hectic life in the city against the harmony of man and nature in the countryside. The film presents a lyrical impression of rural life and is particularly special by the camera work of the famous French cameraman Jean Dréville.

This film deals with the struggle for effective cotton production during the years of collectivization

Directed by Jonas Turkow.

A straight vaudeville performance of an all-girl ensemble. The leader is dressed in something like a lord Fauntleroy outfit, and the orchestra members wear matching dresses, with a patch in the shape of their individual instruments in front. Their tunes are slower than usual Vitaphone dance band entries, including a Victor Herbert selection.

This story is built up with filmed documents in an experimental fashion.

Felix is in love with a fair maiden. When serenading her, his rival spots him and tries anything he can come up with to get his girl back.

Filmed for the Irrigation Commission of the Water and Irrigation Directorate of the Ministry of Public Works.

It contains: information about the National Holidays.

Theatre and Cinema Company.

It contains: aviators Pinillos and Zegarra arrive in Lima; street accidents; inauguration of the Ronald passage in Callao; the last horse racing meeting; social notes.

It contains: the plane crash of Captain Vásquez and Ensign Garland; the arrival of the frigate Sarmiento in Callao; the Atahualpa Classic; the arrival of the first airmail from New York; and social notes.

It contains: the inauguration of the new Italian Bank building; the party in the San Jerónimo industrial park; the last horse race meeting; the arrival of aviators Jiménez and Iglesias.

It contains: the inauguration of the San Miguel Lawn Tennis Club and the horse racing season; the tribute to President Leguía held on April 10; the new Palace of Justice; men of the day; and the diplomatic gallery.

It includes: the municipal banquet; the open-air mass in Bolognesi Square; the people's demonstration; the Army and Navy parade; the Police presentation; the inauguration of the Reserve Park; and the illuminations in Lima.

It contains: the visit to Callao by the Chilean Minister of Finance; a tribute to the memory of General Foch; Holy Week in Lima; the triumph of the mantilla; and Uruguayan aviators at Jorge Chávez Airfield.

Lima Theatre Company.

The Abysses of Life was the only film produced by Peru Film Company, a company run by the Polish Stefanía Socha. Three years after arriving in Peru, she decided to undertake the production of a feature film, for which she enlisted the collaboration of journalist and writer of costumbrista works and zarzuelas, Julio Alfonso Hernández, who wrote the screenplay. Students from the acting school she ran played the central roles in the film.