Possession du Condamné

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.

No one would have bet on Jérémy, stuck behind the counter of a video store, or on Bouna, who cleans airports. With no money, no connections, and painfully poor English, who could have predicted they’d one day become big-name agents in the NBA? What they lack in experience, they will make up for in audacity, while remaining true to their one credo, doing business with a human touch. Scouting raw talent while improvising their way up, they’ll fake it until they make it – chasing their American Dream and landing multi-million-dollar deals.

An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.

นีล (ซิลเลียน เมอร์ฟี่ย์) คือชายหนุ่มผู้คลั่งไคล้การดูหนังและเป็นเจ้าของร้านวีดิโอแห่งหนึ่งที่หวังว่าชีวิตของเขาจะมีอะไรเหมือนกับหนังแนวฟิล์มนัวร์ในดวงใจ จนเมื่อไวโอเล็ต (ลูซี่ ลิว) หญิงร้ายซ่อนเล่ห์ตัวจริงเข้ามาเปลี่ยนชีวิตของนีลจนแทบแยกไม่ออกระหว่างโลกความจริงกับโลกในหนัง จนบางครั้งความรักมันก็พิลึกกว่าเรื่องแต่งตั้งเยอะ

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

When a group of naive teens working at a movie theater in a small Christian town discover a mysterious film hidden in its basement, they unleash an alluring succubus who gives them a sex education…written in blood.

The Golden Ball is a wonderful children's film that tells of a young boy's dream of being a soccer player. Whenever a match is broadcast live in the village of Makono, Bandian and his brother keep their ears to the transistor radio, spinning a picture of the game from the announcer's commentary much as they fantasize themselves on the field. A gift of a real soccer ball, which Bandian paints gold, like a magical object involves him in a series of adventures which bring him in reach of his dream, but which also require him to make difficult choices.