Condemned and Possessed

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.

No one would have bet on Jérémy, stuck behind the counter of a video store, or on Bouna, who cleans airports. With no money, no connections, and painfully poor English, who could have predicted they’d one day become big-name agents in the NBA? What they lack in experience, they will make up for in audacity, while remaining true to their one credo, doing business with a human touch. Scouting raw talent while improvising their way up, they’ll fake it until they make it – chasing their American Dream and landing multi-million-dollar deals.

An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.

Neil, a self-proclaimed film geek and owner of Gumshoe video, has always been content to live vicariously through his favorite films noir. But when he meets Violet, a real-life femme fatale, his mundane world gets turned upside down and the line between reality and the movies quickly begins to blur.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

An unathletic college freshman ridiculed by his peers for his mannerisms strives to become popular by making the football team.

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

The life of four best friends in Paris: Antoine (a gym school teacher), Jeff (director of a monthly journal), Alex (Jeff's associate in the monthly journal and a Don Juan) and Manu (owner of fine food store). Their time is shared between their respective jobs, their relationship with women (their own and others...) and the times they meet together to discuss about life and play sport lottery.