Luisa

Lucía and Ofelia, two sisters, finally meet after 7 years of cold relationships upon Lucia 's wedding. But when Juan, Lucia's husband, and Ofelia meet, they feel like a disruptive fantasy have enchanted their minds and bodies...

Recently escaped from reformatory, Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other's arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.

Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.

มาทิลเด หญิงชราผู้ถูกหลอกหลอนด้วยเงาอดีตสามีที่ชอบทำร้ายร่างกาย ได้ผูกมิตรกับมิเกล เพื่อนบ้านหนุ่มผู้มีปัญหา ทั้งคู่ต่างช่วยเหลือกันและกันเพื่อเผชิญหน้ากับบาดแผลในอดีตและเยียวยาจิตใจ

โรเบร์โต ดูรัน ในตำนานและ เรย์ อาร์เซล ผู้ฝึกสอนในตำนานของเขาที่เปลี่ยนชีวิตของกันและกัน

Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complimentary or if they strive to eliminate one another.

Julia, a 25 year-old university student, two weeks pregnant, with no criminal record, is sent to prison. Julia murdered the father of her child. This story addresses maternity, jail and Justice; confinement, guilt and solitude; but above all it deals with Julia and her son, Tomas, born inside an Argentinean prison.

Lola and Cuau, a progressive middle-class pair, and Iñigo and Majo, a young conservative, well-heeled duo, turn to artificial insemination as a last resort to have children. In a madcap twist based on actual events, a mix-up at the clinic results in each mom-to-be carrying the other one's baby.

Beneath Bruce Garrett's under-confident, overweight exterior, the passionate heart of a salsa king lies dormant. Now, one woman is about to reignite his Latin fire.