Luisa

Lucía and Ofelia, two sisters, finally meet after 7 years of cold relationships upon Lucia 's wedding. But when Juan, Lucia's husband, and Ofelia meet, they feel like a disruptive fantasy have enchanted their minds and bodies...

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.

Recently escaped from reformatory, Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other's arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.

Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.

Mikel, a young cook, meets with his father Juan, who had been missing for 30 years. While trying to keep his restaurant afloat, Mikel has to take care of crazed Juan, a former cook who suffers from a mental condition that prevents him from recognizing neither the aforementioned time gap nor his son Mikel.

Julia, a 25 year-old university student, two weeks pregnant, with no criminal record, is sent to prison. Julia murdered the father of her child. This story addresses maternity, jail and Justice; confinement, guilt and solitude; but above all it deals with Julia and her son, Tomas, born inside an Argentinean prison.

Bruno is thirty years old and has a girlfriend, Juliana, with whom he is about to celebrate a decade of love.He loves her, but feels that she no longer captivates him. She wants to be a mother. He doesn't know if he wants to take that step. He fears it could be a mistake, perhaps Juliana is not the woman of his life or perhaps it is too soon. To make matters worse, he is attracted to Lara, his new sexy and young employee. Further confused, Bruno only finds comfort in the company of his father and his old bass. This confusion pushes Bruno to reunite with an old love: music.

Lola and Cuau, a progressive middle-class pair, and Iñigo and Majo, a young conservative, well-heeled duo, turn to artificial insemination as a last resort to have children. In a madcap twist based on actual events, a mix-up at the clinic results in each mom-to-be carrying the other one's baby.

Silvia is a young girl marked by a dark childhood. When she is barely twenty-five, she decides to start over and to face the people, feelings and emotions that keep her bound to the past. In her fight against adversity and against herself, she will learn to control her fears and become an adult, responsible for her own actions.

After the death of her abusive husband, Matilde finds her new best friend in Miguel, her young, insecure, and disoriented neighbor.