Lucía
"Lucía" is an Argentine-American evangelist propaganda color film directed by Dick Ross that was filmed in 1963 but was never released commercially in Argentina. The film was processed in Hollywood and also filmed in an English-spoken version.
"Lucía" is an Argentine-American evangelist propaganda color film directed by Dick Ross that was filmed in 1963 but was never released commercially in Argentina. The film was processed in Hollywood and also filmed in an English-spoken version.
Fernanda Mistral
Lucía De Carlo
Zelmar Gueñol
Enrique De Carlo
Jorge Barreiro
Señor Martin
María Esther Daguerre
Marita
Orestes Soriani
Empleador Lucía
Rosángela Balbó
Billy Graham
Él mismo
"Lucía" is an Argentine-American evangelist propaganda color film directed by Dick Ross that was filmed in 1963 but was never released commercially in Argentina. The film was processed in Hollywood and also filmed in an English-spoken version.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
After having a nearly fatal drug overdose, 19-year-old Argentine Martin is sent to Madrid, where his film director father lives with his new, younger lover, Alicia, and his bisexual actor friend, Dante.
In a desperate attempt to reach Europe and crouched before an airstrip in Cameroon, a six-year-old boy and his older sister wait to sneak into the holds of an airplane. Not too far away, an environmental activist contemplates the terrible image of an elephant, dead and fangless. Not only do you have to fight against poaching, but you will also have to meet the problems of your newly arrived daughter from Spain. Thousands of kilometers to the north, in Melilla, a group of civil guards prepare to face the furious crowd of sub-Saharan people who have begun the assault on the fence. Three stories linked by a central theme, in which none of its protagonists know that their destinies are doomed to cross and that their lives will no longer be the same.
In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).
Ana and her two best friends, Maria and Paula, navigate life in their oppressive countryside village. Whilst their families struggle in the poppy fields harvesting opium, the girls try to grow alongside the creeping terror of their cartel oppressors.
เมื่อผู้คุมกฎมาเฟียระดับแนวหน้าของไมแอมีพบว่าหัวหน้าสาวแสนร้ายกาจของเขาเริ่มทำการค้ามนุษย์ในโลกไซเบอร์ เขาจึงตัดสินใจเสียสละทุกอย่างเพื่อช่วยชีวิตวัยรุ่นไร้บ้านคนหนึ่ง
17-year-old Ainara is a student at a Catholic secondary school, and is about to take her final year exams and choose her future university course. To everyone’s surprise, this brilliant young girl announces to her family that she wants to take part in an induction period at a convent in order to embrace the religious life. Nobody was expecting this. While her father seems to be won over by his daughter’s aspirations, for Maite, Ainara’s aunt, this unexpected vocation is the manifestation of a deeper problem.
พี่น้องฝาแฝดคู่หนึ่งจากอีสต์แอล.เอ. เลือกที่จะใช้ชีวิตแตกต่างไปจากเดิมและลงเอยอยู่คนละฝั่งของกฎหมาย
Recently escaped from reformatory, Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other's arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.
A motley crew of young boys in Colombia lives only for one passion: soccer. But when their precious new ball rolls into a minefield, their dreams are suddenly on hold. Even as the village becomes the center of a tug-of-war between right-wing paramilitary groups and leftist guerrillas, the idea of a rescue attempt is too tempting to resist.