Lucía
"Lucía" is an Argentine-American evangelist propaganda color film directed by Dick Ross that was filmed in 1963 but was never released commercially in Argentina. The film was processed in Hollywood and also filmed in an English-spoken version.
"Lucía" is an Argentine-American evangelist propaganda color film directed by Dick Ross that was filmed in 1963 but was never released commercially in Argentina. The film was processed in Hollywood and also filmed in an English-spoken version.
Fernanda Mistral
Lucía De Carlo
Zelmar Gueñol
Enrique De Carlo
Jorge Barreiro
Señor Martin
María Esther Daguerre
Marita
Orestes Soriani
Empleador Lucía
Rosángela Balbó
Billy Graham
Él mismo
"Lucía" is an Argentine-American evangelist propaganda color film directed by Dick Ross that was filmed in 1963 but was never released commercially in Argentina. The film was processed in Hollywood and also filmed in an English-spoken version.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
In a desperate attempt to reach Europe and crouched before an airstrip in Cameroon, a six-year-old boy and his older sister wait to sneak into the holds of an airplane. Not too far away, an environmental activist contemplates the terrible image of an elephant, dead and fangless. Not only do you have to fight against poaching, but you will also have to meet the problems of your newly arrived daughter from Spain. Thousands of kilometers to the north, in Melilla, a group of civil guards prepare to face the furious crowd of sub-Saharan people who have begun the assault on the fence. Three stories linked by a central theme, in which none of its protagonists know that their destinies are doomed to cross and that their lives will no longer be the same.
After having a nearly fatal drug overdose, 19-year-old Argentine Martin is sent to Madrid, where his film director father lives with his new, younger lover, Alicia, and his bisexual actor friend, Dante.
Tepito is a neighborhood of Mexico City, where the dreams of many destitute people become real. But Tepito is also run by organized crime and corrupt politicians, impunity reigns and justice is non- existent. Here will take place the story of two foolishly proud young men, who were once best childhood friends, and now are blinded by greed and turn against each other. Their intentions are to destroy their families and eventually their own lives.
Ana and her two best friends, Maria and Paula, navigate life in their oppressive countryside village. Whilst their families struggle in the poppy fields harvesting opium, the girls try to grow alongside the creeping terror of their cartel oppressors.
A noir thriller set in Miami, the film follows an enforcer who discovers his femme fatale boss has branched out into cyber sex trafficking, putting a young runaway he’s befriended at risk. He sacrifices everything to save the young girl from the deadly organization he’s spent his life building.
In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).
A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. Although in an open marriage, their relationship begins to crumble when Esther falls in love with an American horsebreaker and Juan is unable to control his jealousy.
17-year-old Ainara is a student at a Catholic secondary school, and is about to take her final year exams and choose her future university course. To everyone’s surprise, this brilliant young girl announces to her family that she wants to take part in an induction period at a convent in order to embrace the religious life. Nobody was expecting this. While her father seems to be won over by his daughter’s aspirations, for Maite, Ainara’s aunt, this unexpected vocation is the manifestation of a deeper problem.
Recently escaped from reformatory, Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other's arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.