C'etait il y a quatre ans
The nostalgia of an African student in Paris for Africa. Graduation film by Paulin Soumanou VIEYRA, one of the pioneers of African cinemas.
The nostalgia of an African student in Paris for Africa. Graduation film by Paulin Soumanou VIEYRA, one of the pioneers of African cinemas.
The nostalgia of an African student in Paris for Africa. Graduation film by Paulin Soumanou VIEYRA, one of the pioneers of African cinemas.
มาเดียกลับมาอีกครั้ง เตรียมเฮได้เลย งานนี้เธอจะไม่ทน ต่อให้เกิดเรื่องดราม่าบ้านแทบแตก กลางงานฉลองจบการศึกษาของเหลนชายก็ตาม
On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
A widowed professor living in Paris develops a special relationship with a younger French woman.
Lola is a striking teenaged girl who is on the cusp of adulthood and longs to rush into the adult world of independence, freedom and sexual exploits, but is tenaciously held back by her mother.
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction.
While Aya has dreams of becoming a doctor, her two best friends, Adjoua and Bintou, just like to hang out and spend their evenings dancing, drinking and flirting with boys. Their ambition is to follow Plan C: Combs, Clothes and Chasing Men! But big trouble comes to town when Adjoua realizes she’s pregnant, and the baby’s father is the spoiled son of one of the richest and most feared men in the whole country.
In a forgotten pocket of Southern Ohio where American manufacturing and opportunity are drying up, a determined young woman finds a ticket out when she is accepted to college. Alongside her older brother, Ruth Avery joins a dangerous scrap metal crew in order to pay her way. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the once thriving factories by night. With her goal in sight, Ruth finds that the ultimate cost of an education for a girl like her may be more than she bargained for, and she soon finds herself torn between a promising future and the family she would leave behind.
After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.