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Chocolat Poster

Chocolat

On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.

นักแสดงนำ

  • Isaach de Bankolé

    Isaach de Bankolé

    Protée

  • Giulia Boschi

    Giulia Boschi

    Aimée Dalens

  • François Cluzet

    François Cluzet

    Marc Dalens

  • Jean-Claude Adelin

    Jean-Claude Adelin

    Luc

  • Laurent Arnal

    Laurent Arnal

    Machinard

  • Jean Bédiébé

    Jean Bédiébé

    Prosper

  • Jean-Quentin Châtelain

    Jean-Quentin Châtelain

    Courbassol

  • Emmanuelle Chaulet

    Emmanuelle Chaulet

    Mireille Machinard

  • Kenneth Cranham

    Kenneth Cranham

    Jonathan Boothby

เรื่องย่อ

On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.

คะแนน

6.9 / 10
116 รีวิว
1 ยอดนิยม

1 รีวิว

  • CinemaSerf
    CinemaSerf
    7 19 ก.ย. 2568

    I found there something really quite erotic about parts of this drama as we reminisce with “France” (Mireille Perrier) as she returns to the now independent Cameroon where she grew up. Her father “Marc” (François Cluzet) is a well-meaning colonial administrator in an out of the way province and that’s where she lives with her mother “Aimée” (Giulia Boschi) and their local and stunningly handsome factotum “Protée” (Isaach De Bankolé). With her papa frequently away on some form of business, her mother is left to run their plantation and she heavily relies upon their butler-cum-plumber/fixer/housekeeper. With the assistance of their erratic chef - who was really only comfortable cooking Yorkshire Pudding, they lead a comfortable enough life but with “Aimée” and “Protée” there is a palpable sexual tension that neither act upon, but that positively smoulders. He is a proud man who carries out his somewhat menial responsibilities with grace and dignity, even though he receives little in return - and that delicate equilibrium is sorely tested when a group of visitors arrive and are forced to stay whilst an aircraft is summoned to take them on their way. Now, the presence of the obnoxiously provocative and arrogant “Luc” (Jean-Claude Adelin) merely adds to the already simmering scenario but perhaps he might just prove to be the catalyst that causes this particular kettle to finally over-boil? It’s told largely from the child’s eye and Cecile Ducasse plays her role as the indulged but decent young girl quite engagingly. She, too, is fond of her tall and powerful protector and in that role, I found De Bankolé managed to marry his character’s innate pride and bearing with a sense of purpose that was probably demeaning, but it was his job and he didn’t believe in half-measures. Amidst all the heightened melodrama, there is some humour (usually from the tempestuous cook) and although it clearly identifies the iniquities of colonialism, that’s not really the point I thought it was is trying to make. In many ways, I felt it more about learning and keeping respect - and on that front both actors played their roles quite sensitively.

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