Chocolat
On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.
On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.
Isaach de Bankolé
Protée
Giulia Boschi
Aimée Dalens
François Cluzet
Marc Dalens
Jean-Claude Adelin
Luc
Laurent Arnal
Machinard
Jean Bédiébé
Prosper
Jean-Quentin Châtelain
Courbassol
Emmanuelle Chaulet
Mireille Machinard
Kenneth Cranham
Jonathan Boothby
On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.
I found there something really quite erotic about parts of this drama as we reminisce with “France” (Mireille Perrier) as she returns to the now independent Cameroon where she grew up. Her father “Marc” (François Cluzet) is a well-meaning colonial administrator in an out of the way province and that’s where she lives with her mother “Aimée” (Giulia Boschi) and their local and stunningly handsome factotum “Protée” (Isaach De Bankolé). With her papa frequently away on some form of business, her mother is left to run their plantation and she heavily relies upon their butler-cum-plumber/fixer/housekeeper. With the assistance of their erratic chef - who was really only comfortable cooking Yorkshire Pudding, they lead a comfortable enough life but with “Aimée” and “Protée” there is a palpable sexual tension that neither act upon, but that positively smoulders. He is a proud man who carries out his somewhat menial responsibilities with grace and dignity, even though he receives little in return - and that delicate equilibrium is sorely tested when a group of visitors arrive and are forced to stay whilst an aircraft is summoned to take them on their way. Now, the presence of the obnoxiously provocative and arrogant “Luc” (Jean-Claude Adelin) merely adds to the already simmering scenario but perhaps he might just prove to be the catalyst that causes this particular kettle to finally over-boil? It’s told largely from the child’s eye and Cecile Ducasse plays her role as the indulged but decent young girl quite engagingly. She, too, is fond of her tall and powerful protector and in that role, I found De Bankolé managed to marry his character’s innate pride and bearing with a sense of purpose that was probably demeaning, but it was his job and he didn’t believe in half-measures. Amidst all the heightened melodrama, there is some humour (usually from the tempestuous cook) and although it clearly identifies the iniquities of colonialism, that’s not really the point I thought it was is trying to make. In many ways, I felt it more about learning and keeping respect - and on that front both actors played their roles quite sensitively.
An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.
Young Violetta and her mother Hannah are a peculiar couple. Ten-year-old Violetta lives a quiet life with her grandmother, while her mother Hannah is an unpredictable photographer who lives off of the generosity of others. When Hannah forces her daughter to pose as a model, Violetta finds her life with her loving grandmother turned upside down.The resulting pictures quickly become a sensation for the trendy 70's Paris art scene, and Violetta finds herself caught in between her new stature as an art muse and her dull childhood.
The true story of Saartje Baartman, a black South African worker who moves to London with her master in the early 19th century. Although she dreams of being an artist, once in Europe she is exploited as a sideshow attraction due to her large buttocks and genitalia.
Based on the true story of a black girl who was born to two white Afrikaner parents in South Africa during the apartheid era.
The inspiring true story of Seretse Khama, the King of Bechuanaland (modern Botswana), and Ruth Williams, the London office worker he married in 1948 in the face of fierce opposition from their families and the British and South African governments. Seretse and Ruth defied family, Apartheid and empire - their love triumphed over every obstacle flung in their path and in so doing they transformed their nation and inspired the world.
A successful photographer gives up everything to devote himself to writing and discovers poverty.
The story of a young writer's transformation when her past invades her present.
เดวีย์ กอร์ดอน นักมวยชาวนิวยอร์กที่กำลังจะหมดสัญญาอาชีพ ตกหลุมรักกลอเรีย ไพรซ์ นักเต้น แต่ความสัมพันธ์ที่กำลังเบ่งบานของพวกเขากลับต้องสะดุดลงเมื่อวินเซนต์ ราปัลโล เจ้านายจอมรุนแรงของกลอเรีย ผู้มีสายตาจับจ้องกลอเรีย ทั้งสองตัดสินใจหนีออกจากเมือง แต่ก่อนที่พวกเขาจะทำได้ วินเซนต์และพวกอันธพาลก็ลักพาตัวกลอเรียไป และเดวีย์ถูกบังคับให้ออกตามหาเธอในมุมที่เสื่อมโทรมที่สุดของเมือง โดยมีศัตรูซ่อนตัวอยู่ในเงามืด
Camille, is the eldest of a large family. One day, her parents enter a religious community which gradually, regimentation becomes sectarian and Camille will have to fight to assert her freedom and save her brothers and sisters.
Mélanie, 16 years old, lives with her mother. She likes going to school, her friends, playing the cello, and she wants to change the world. But when she meets a boy on the Internet and falls in love with him, her world changes as she is gradually recruited by Daesh. Sonia is 17 years old, and she almost did something irrevocable to “guarantee” her family a place in paradise. These teenage girls might be called Anaïs, Manon or Leila, and one day they all might go some way down the recruitment process. But can they ever come back from it?