Don't Talk to Strange Men
"What did your Mother always tell you?"
An innocent girl is "groomed" over the telephone, and nearly becomes the victim of an attacker.
"What did your Mother always tell you?"
An innocent girl is "groomed" over the telephone, and nearly becomes the victim of an attacker.
Christina Gregg
Jean Painter
Cyril Raymond
Mr Painter
Gillian Lind
Mrs Painter
Conrad Phillips
Ron
Janina Faye
Ann Painter
Dandy Nichols
Molly
Gwen Nelson
Mrs. Mason
Robin Hunter
Young Man
Bernadette Woodman
Girl
An innocent girl is "groomed" over the telephone, and nearly becomes the victim of an attacker.
You are adorable Samantha. Released as the support feature to The Loneliness of the Long Distance Runner, Don't Talk to Strange Men is a very effective creeper that is worthy of a larger audience. Clocking in at just over an hour in running time, film thrives on tension building and mood without having to spill a drop of blood. Story effectively is about a teenage girl called Jean (Christina Gregg), who whilst waiting for her bus on a secluded country lane, answers the phone ringing at the phone box situated by the stop. The voice on the phone is a charming and well spoken man, he strikes up a conversation with the intrigued girl and it's not long before the two of them are arranging to speak to each other at the same time tomorrow, and the next day Jean begins fantasising about the man, conjuring up images of the perfect male. They are destined to meet up, does she not know these are dangerous times? Where young ladies fall prey to predatory monsters. The settings are perfect, Jean and her family live in some idyllic country village, the phone box and bus stop that houses the verbal "grooming" is at the junction of two pretty country lanes, and even the pub where Jean goes to help out is the kind of petite "off the beaten track" variety. It's these locations that give off a false sense of security, a normality of easy going life where nothing can go wrong, But as we know all too well these days, nowhere is safe and parents constantly live in fear for their children. With that, Don't Talk to Strange Men is something of a film ahead of its time, substitute naive Jean's phone box "relationship" with that of today's Internet groomers of youngsters, and, well, you get my point I'm sure. Neatly directed by Pat Jackson (The Feminine Touch), the film is structured in such a way that we the audience get fretful as each day, and each phone conversation, passes. Where once was this attractive young lady framed by countryside and the old fashioned value of the red phone box, now is replaced by surroundings that are too quiet and a big red beacon of impending doom! It's an astute turning of the table, a testament to good writing and excellent directional pacing. And how nice to report that the ending, too, has something up its sleeve to reveal. The cast is minimal but very effective, with Gregg doing well to convince us of her love yearning naivety, Dandy Nicholls (Hue & Cry) memorable (wasn't she always?) as the wise bus conductor and Janina Faye (The Horror of Dracula) stealing the film as Jean's younger, politico activist in waiting, sister. A lesson in how to get the maximum unease from such a simple premise, Don't Talk to Strange Men comes highly recommended. 8/10
Christine Gregg is really quite effective in this short drama. Her character "Jean" works part-time in the local pub then hops the last bus home from the phone box on the corner. One night, it rings - she answers it - and is soon captivated by the charming voice of the man at the other end. Soon, she becomes addicted to his calls and as we discover, simultaneously, that young girls are being lured by a mysterious attacker, we begin to suspect that she is being lined up as his next victim. Fortunately for her, she confides her newfound infatuation in her far more grown up younger sister "Ann" (Janina Faye) who warns her of the dangers and, when push comes to shove - shows considerable maturity. Watching this almost 60 years after it was made, it still has a certain menace to it and Pat Jackson manages to pack quite a lot into an hour. It's easy to sit in judgement on the irresponsibility and naivety of the young girl (and her family) as depicted here, but it still resonates well in a time when phones are such more prevalent, much less public - and children every bit as susceptible to charms and dreamy love.
เคธี่ แม็กโกเวิร์นเป็นนักแสดงที่ดิ้นรนต่อสู้และอาศัยอยู่กับสามีและน้องชายที่เป็นนักเรียนซึ่งมาเยี่ยมเยียน เธอเข้าร่วมการออดิชั่นที่เธอพบในหนังสือพิมพ์ และได้รับเลือกให้ถ่ายวิดีโอสั้น ๆ ซึ่งจะส่งไปให้ผู้กำกับเพื่ออนุมัติ มิสเตอร์เมอร์เรย์ ชายที่จัดการออดิชั่น อุ้มเคธี่ขึ้นและพาเธอไปที่คฤหาสน์ห่างไกลที่พวกเขาถ่ายทำวิดีโอ เคธี่ได้รับเลือกให้มาแทนที่นักแสดงนำคนก่อนในภาพยนตร์ที่ดูเหมือนเธอมาก อย่างไรก็ตาม ในไม่ช้า สิ่งต่าง ๆ ก็เริ่มดูเหมือนว่ามันไม่ใช่สิ่งที่เห็น เคธี่ตระหนักได้ในไม่ช้าว่าเธอตกอยู่ในอันตรายและพยายามหลบหนี
A university teacher gets caught shoplifting by a security guard, who won’t let him go. He becomes his new best friend and says ‘I won’t call the cops if you come and have a pint with me’. From there a twisted romance of sorts unfolds.
A gang of four professional criminals kidnaps a wealthy teenage girl from an airport in Paris in a meticulous plan to extort money from the girl's wealthy father. Holding her prisoner in an isolated beach house, the gang's scheme runs perfectly until their personal demons surface and lead to a series of betrayals.
เขาคือวอร์ไดรเวอร์: แฮ็กเกอร์ที่ขโมยเงินจากธนาคาร ไม่ใช่จากคน—จนกระทั่งเขาถูกจับได้ ตอนนี้เงินกลับกลายเป็นเรื่องรุนแรง และผู้หญิงที่ตกอยู่ในวังวนนี้อาจช่วยเขาหรือฆ่าพวกเขาทั้งคู่ได้
Two women—Diana, a flamboyant and ruthless thief, and Evie, a seemingly innocent young woman with a troubled past—become embroiled in a series of horrific murders on the island of Malta.
When a teenage girl is miraculously saved by a heart surgeon, the doctor begins to flirt with her. Her father doesn’t believe her and unbeknownst to all, the doctor is obsessed with the girl.
A deranged man hides in the attic of a new house and becomes obsessed with the unsuspecting family that moves in.
เรื่องราวความรักและความรุนแรงเมื่อชายคนหนึ่งซึ่งกำลังสิ้นหวังได้พบกับผู้ช่วยชีวิตที่กำลังเต้นรำอย่างเย้ายวนในคลับเปลื้องผ้าที่ทรุดโทรม และชีวิตที่กำลังจะตกหน้าผาก็เปลี่ยนไปอย่างสิ้นเชิง เพราะทุกสิ่งทุกอย่างล้วนมีค่าพอที่จะยอมตายเพื่อแลกกับชีวิต
An ex-con's attempts to live a quiet life are derailed when the daughter of the woman sheltering him is the victim of a vicious attack.
หลังจากต้องพักรักษาตัวเพราะถูกทำร้ายจนทำให้ตาบอด อดีตนักไวโอลินเกิดความรู้สึกเคลือบแคลงใจในพฤติกรรมของผู้คนรอบข้างที่ดูไม่ชอบมาพากล