素晴らしき日曜日
Two broke sweethearts wander war-scarred Tokyo on a single Sunday, stretching 35 yen as they chase housing, small pleasures, and a little hope.
Two broke sweethearts wander war-scarred Tokyo on a single Sunday, stretching 35 yen as they chase housing, small pleasures, and a little hope.
沼崎勲
Yuzo
中北千枝子
Masako
渡辺篤
Yamamoto
中村是好
Dessert Shop Owner
内海突破
Street Photographer
並木一路
Street Photographer
菅井一郎
Black-marketeer
清水将夫
Dance Hall Manager
小林十九二
Overweight apartment receptionist
Two broke sweethearts wander war-scarred Tokyo on a single Sunday, stretching 35 yen as they chase housing, small pleasures, and a little hope.
Shortly after the end of WWII, a young - and pretty broke - couple try to spend their Sunday together. "Yuzo" (Isao Numasaki) comes across more as the half half empty sort of fellow, but his girlfriend "Masako" (Chieko Nakakita) quite the reverse as they realise they have but ¥35 to last them an entire day! This is not a day just for frivolities. The two are determined to find somewhere where they can live together, and their budget (or lack of) sends them into bomb-damaged and less sanitary areas of their city that the they would ever be prepared to consider normally. An encounter with some baseball playing kids; some damaged cakes; a would-be landlord; an ideal new home they could never afford (that looks as if it is made of balsa wood!) and some dancing all work with two really strong and engaging lead performances to create an almost magical illustration of their day together. They fall out, make up, separate; it rains (always seems to in Kurosawa films) and there is a lovely accompaniment from Schubert to help knit the whole thing together. As with so many real relationships, the use of dialogue is sparing and the use of gesture and implied meaning proves especially effective as the love story moves along - at times earnestly, at times humorously. I wouldn't say the characters evolve, nor does their love - it is much the same at the end as it was at the beginning, and that's also quite enjoyable to appreciate. This isn't really a film about anything distinct actually happening, it's an observation of young love that is trying to blossom, but there just isn't quite enough sunlight yet.
In post-WWII Osaka, a middle-aged woman is forced to examine her dreary life and marriage when her husband's young and flirtatious cousin arrives for a brief stay to escape an arranged marriage.
In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.
A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.
A young salaryman and his wife struggle within the confines of their passionless relationship while he embarks on an extramarital affair.
หนังทริลเลอร์ฆาตกรรม ที่นำเสนอดราม่าสะท้อนชีวิตสังคมญี่ปุ่นผ่านมุมมองสาวตะวันตก ซะ 90% ผ่านการแสดงของ”อลิเซีย ไวแคนเดอร์” นางเอกหนังจากเกม Tomb Raider ซึ่งถ้าใครชอบเธอก็แนะนำให้ดูได้เลย แต่ถ้าไม่อินกับสังคมญี่ปุ่นหรือสนใจตัวนางเอก ก็ข้ามเรื่องนี้ไปเลยครับเพราะหนังเดินเรื่องเรียบๆ เรื่อยๆ มากกว่าจะเป็นหนังระทึกขวัญตามปกจริง
Follows five sex workers employed at a Japanese brothel while the nation debates the passage of an anti-prostitution law.
The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.
เรื่องราวของ โอซามุ นอกจากทำงานรับจ้างรายวัน เขายังลักเล็กขโมยน้อยเป็นอาชีพเสริมด้วย โดยมีลูกชาย โชตะ เป็นผู้ช่วย วันหนึ่ง ขณะทั้งคู่กลับจากการขโมยของ โอซามุ ได้เจอกับ ยูริ เด็กหญิงตัวน้อยอยู่ตัวคนเดียว เขาจึงตัดสินใจพาเธอกลับมาบ้านด้วย แม้ว่า โนบุโยะ ภรรยาของเขาจะไม่พอใจที่เขาพาเด็กที่ไหนมารู้มาอยู่อาศัยด้วย ถึงอย่างนั้นตัวเธอและรวมถึงสมาชิกคนอื่นๆ ในครอบครัวอย่าง อากิ น้องสาวของยูริ และคุณยาย ฮัตสุเอะ ก็ดูแลเด็กหญิงคนนี้เป็นอย่างดี ถึงแม้พวกเขาจะเป็นครอบครัวเล็กๆ จนๆ แต่พวกเขาก็เป็นครอบครัวที่มีความสุข ทว่าในช่วงเวลาที่ทุกอย่างกำลังไปได้สวย ความลับบางอย่างก็เปิดเผยออกมาทำให้ทั้งครอบครัวต้องสั่นคลอน
This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.