赤線地帯

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

Prostitutes in burnt out Tokyo ghetto of post-WWII Japan peddle their flesh and save one-third of their money for a proposed dancehall to be named Paradise. The hookers live in a bombed-out building, but they accept the precarious situation with typical resolve.

Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.

After living a traumatic experience in Tokyo, Yukiko returns to Kyoto, where Hatsuko, her mother, runs a brothel, which upsets Yukiko very much.

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

When Muraki, a porn magazine editor, watches a blue film depicting a gang rape in a school, he becomes obsessed with the lead actress. Quite by chance, whilst looking to reserve a location for a shoot, he happens to encounter her at a love hotel where she works as a receptionist. Her name is Nami and she reluctantly agrees to speak with him, and confesses that it was her in the film. Then, Muraki tells Nami that he wants her to model for him.

The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.

In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.