Charmants Garçons

Stanley Ford leads an idyllic bachelor life. He is a nationally syndicated cartoonist whose Bash Brannigan series provides him with a luxury townhouse and a full-time valet, Charles. When he wakes up the morning after the night before - he had attended a friend's stag party - he finds that he is married to the very beautiful woman who popped out of the cake - and who doesn't speak a word of English. Despite his initial protestations, he comes to like married life and even changes his cartoon character from a super spy to a somewhat harried husband.

While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings years back, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.

ริคกี้ เจอร์เวส ปั่นกระแสดราม่าด้วยมุมมองที่มีต่อการระวังคำพูดคำจา และประเด็นที่อ่อนไหวเกินเหตุ ในผลงานสแตนด์อัพคอมเมดี้ฉีกขนบที่กล้าพูดถึงจุดจบของมนุษยชาตินี้

เมื่อโลกเริ่มเพี้ยนจนกู่ไม่กลับ นักแสดงตลกตัวพ่ออย่างเดฟ ชาพเพลล์ จึงกลับมารัวความจริงตีแสกหน้าและปล่อยมุกฮาเหลือร้าย ในสแตนด์อัพสเปเชียลที่เล่นแรงไม่สนหน้าไหน

A recorded live performance of ventriloquist Jeff Dunham portrays a comedian whose revival of an old-fashioned art has made ventriloquism more relevant to modern societal concerns. Starring his six main characters, from Bubba Jay, a Nascar-obsessed hick, to Peanut, a flamboyant gay monkey, Dunham’s puppets have dirty but inoffensive senses of humor that mock the American Dream.

Bill Hicks tells us how he feels about non-smokers, blow-jobs, religion, war and peace, and drugs and music.

On his 50th birthday, a man who's been watching his weight, health and temper all his life suffers a heart attack. He's been doing everything he was told he should do and it still didn't help. He decides to turn the page and let loose.

ริคกี้ เจอร์เวสพูดถึงชีวิต ความตาย และสถานการณ์บนโลกในการแสดงสุดพิเศษที่ตรงไปตรงมาแบบไม่มีกั๊ก กระทั่งความตายของตัวเอง

The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.

A 15-year-old girl incites chaos among her friends and a media frenzy when she accuses her drama teacher of sexual harassment.