Hell Drivers
"Roaring Down the World's Deadliest Roads!"
An ex-con trying to go clean ends up working for a crooked trucking company swindling money.
"Roaring Down the World's Deadliest Roads!"
An ex-con trying to go clean ends up working for a crooked trucking company swindling money.
Stanley Baker
Tom Yately
Herbert Lom
Gino Rossi
Peggy Cummins
Lucy, Hawlett Trucking Secretary
Patrick McGoohan
C. 'Red' Redman
William Hartnell
Cartley, Hawlett Manager
Wilfrid Lawson
Ed, Hawlett Mechanic
Sidney James
Dusty, Truck Driver
Jill Ireland
Jill, Pull In Waitress
Alfie Bass
Tinker, Truck Driver
An ex-con trying to go clean ends up working for a crooked trucking company swindling money.
Unless I'm pushed that is. Ex-convict Tom Yately snags himself a job driving for haulage company Hawletts. The drivers are paid per trip, something that spurs the men on to drive faster and be more reckless than your average employee. Making few friends at Hawletts, Tom uncovers shifty dealings between brutal foreman, Red, and Hawletts manager, Cartley. Something that ups the stakes considerably more as Tom and Red clash on and off the road. A true British hard boiler is Hell Drivers, a pic that is chocked full of machismo. Who would have thought that a film about lorry drivers transporting gravel could be so exciting? Directed by Cy Endfield (Zulu), Hell Drivers has something of the quintessential working class about it, which is good to see and is no bad thing at all. Gritty in texture, piece, although a crime film in essence, has good character substance. Tom, played by the criminally undervalued Stanley Baker, is a guy trying to move on with his life, his past misdemeanours hang heavy with him, courtesy of a nice family thread that exists within the picture. But here he is trying to earn a hard days pay, only to find that crime, through no fault of his own, wont leave him be. There's also a crucial thread of bullying, essayed by the hulking and fabulous Patrick McGoohan. And of course there's the women caught up in this macho world, observers to daily recklessness, coming to terms with affairs of the heart as much as the daily grind. Set to a back drop of cafés, boarding houses, village dances, disused quarries and tight winding roads, Endfield and his crew have the working class atmosphere spot on. For sure it's the roaring trucks that bring the excitement, but it's the working class everyman (and woman) heart that drives Hell Drivers along. Be that as it may mind, it's the trucks, and the men behind the wheels, that Hell Drivers is most remembered for. Endfield shoots the road beasts from front and rear, which really puts us out on the road with them. That we are involved with the characters and their surroundings, for better or worse, really aids the experience, such is the authentic feel that Endfield has crafted. A roll call of Great British talent lines up alongside McGoohan, who may have been born in America, but was an honorary Brit due to his work on TV show The Prisoner. Into the Baker led beef stew comes Sean Connery, Sid James, William Hartnel, Alfie Bass, Wilfrid Lawson, David McCallum and Gordon Jackson. With Herbert Lom adding a continental aspect as the crucial, and emotionally driven Gino Rossi. The girls are played by Peggy Cummins, Jill Ireland and Marjorie Rhodes, with Cummins particularly standing out in amongst this hairy knuckled world. On release the film garnered mixed reviews, but with each passing decade Hell Drivers has broken free of its cult only status. To which it now stands tall as a true British classic, one that thankfully got a DVD treatment in 2007 to finally do it justice. 9/10
Stanley Baker is at the top of his game in this drama. Recently released from prison, "Tom" struggles to find decent work until he alights on an haulage company run by "Cartley" (William Hartnell) who doesn't care so much about formalities and history, just about deliveries - the more and quicker the merrier. He joins a disparate group of colleagues where he befriends "Gino' (Herbert Lom) and antagonises the head honcho "Red" (Patrick McGoohan). As the story develops, he and the latter man become more and more competitive with increasingly perilous consequences. Cy Endfield and Geoffrey Unsworth work well together to create an intense and well photographed story of a rivalry that is lively and mobile for most of the film. Whilst some of that is a little repetitive, we are still moving at what seemed like break-neck speed, with a solid cast of regulars, until a conclusion that was both fitting and quite exciting. Gritty and well worth a watch.
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อุบัติเหตุรถยนต์ท่ามกลางการจราจรในชั่วโมงเร่งด่วน ส่วนใหญ่มักจะไม่ได้ส่งผลทำให้ใครต้องเสียชีวิต แต่ในวันนี้ครั้งนี้ อุบัติเหตุรถชนกันธรรมดา จะทำให้คนแปลกหน้าที่ไม่เคยรู้จักกันเลย กลายเป็นคู่อาฆาตกัน แม้ว่าวิธีการที่ทั้งสองใช้ห้ำหั่นกันและกันอาจแตกต่าง แต่เป้าหมายของทั้งสองนั้นเหมือนกัน นั่นคือต่างพยายามอย่างยิ่งที่จะทำลายชีวิตของอีกฝ่ายเพื่อชดเชยสิ่งที่ตน เองต้องสูญเสียไป เก-วิน บาเน็ค (เบน อัฟเฟล็ค) ทนายความผู้ทรงอิทธิพล กำลังขับรถซอกแซกไปตามถนนที่การจราจรคับคั่งเพื่อไปศาลให้เร็วที่สุด เพราะเขากำลังจะสาย ในอีกเลนหนึ่ง ดอยล์ กิ๊บสัน (แซมมวล แอล. แจ็คสัน) พ่อคนหนึ่งที่ศาลกำลังจะตัดสินว่าเขาจะมีสิทธิ์ได้พบ หน้าลูกๆอีกหรือไม่ และเขาไม่มีเวลาอีกต่อไปแล้ว ในด้านหนึ่ง บาเน็ค และกิ๊บสันคือชายสองคนที่แตกต่างกัน คนหนึ่งต่อสู้เพื่อให้ไปถึงจุดสูงสุดของอาชีพของตน ส่วนอีกคนกำลังพยายามไปให้พ้นจากสภาพที่ตกต่ำสุดขีด แต่อุบัติครั้งนี้ จะนำให้คนแปลกหน้าสองคนนี้ไปสู่จุดพลิกผันของชีวิต และพิสูจน์ให้เห็นว่าความหุนหัน ทำให้คนทั้งสองที่แม้จะอยู่คนละสภาพ สามารถแสดงออกถึงความชั่วร้ายได้อย่างเท่าเทียมกัน
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
เดวีย์ กอร์ดอน นักมวยชาวนิวยอร์กที่กำลังจะหมดสัญญาอาชีพ ตกหลุมรักกลอเรีย ไพรซ์ นักเต้น แต่ความสัมพันธ์ที่กำลังเบ่งบานของพวกเขากลับต้องสะดุดลงเมื่อวินเซนต์ ราปัลโล เจ้านายจอมรุนแรงของกลอเรีย ผู้มีสายตาจับจ้องกลอเรีย ทั้งสองตัดสินใจหนีออกจากเมือง แต่ก่อนที่พวกเขาจะทำได้ วินเซนต์และพวกอันธพาลก็ลักพาตัวกลอเรียไป และเดวีย์ถูกบังคับให้ออกตามหาเธอในมุมที่เสื่อมโทรมที่สุดของเมือง โดยมีศัตรูซ่อนตัวอยู่ในเงามืด