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An aging soccer fanatic faces down the reality of his past while struggling to give himself and a young follower very different futures.

Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.

The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.

A homicide detective goes undercover as a patient to investigate a psychotherapist he believes is linked to a strange double murder. As his therapy sessions continue the line between fantasy and reality begins to blur.

In this story inspired by real characters, three girls from America, Nigeria and India are trafficked through an elaborate global network and enslaved in a Texas brothel, and must together attempt a daring escape to reclaim their freedom.

ภาพที่น่าสะพรึงกลัวของตระกูลซัดดัม ฮุสเซน กลายเป็นความจริงผ่านสายตาของชายผู้ถูกบังคับให้กลายเป็นตัวแทนบุตรชายซาดิสต์ของฮุสเซน

Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.

A former special forces contractor is forced out of retirement as an avocado farmer in Mexico when local gangsters try to force him and his family off their farm.

ไทเลอร์ (แบรด พิทท์) กล่าวว่า ทุกสิ่งทุกอย่างที่คุณครอบครองอยู่นั้น ท้ายที่สุดแล้วพวกมันก็จะครอบงำคุณเสีย แต่ถ้าหากคุณสูญสิ้นทุกสิ่งเมื่อใด คุณก็จะกล้าทำอะไรต่อมิอะไรได้อย่างไร้กังวลตลอดไป ซึ่ง Fight Club เปรียบได้กับอิสรภาพแบบนั้น "

Franco Elica is a film director casting a remake of a pious melodrama in Rome. He's melancholy, heading south for a break. On a beach, he meets a man who films weddings and is roped into helping film the wedding of the daughter of a severe and imperious prince. The wedding is one of convenience - the prince needs money, the groom is a mama's boy. Elica is attracted to the bride, Boda, and tries to convince her not to marry. No matter how outrageous his behavior, the prince keeps Elica on as the wedding director. As the wedding approaches, what's real blurs with Elica's imagination. Is he mad?