"Quick- Treacherous- And Deadly To Anyone Who Tried To Cross Them!"
Giuliano Gemma stars as a cool, cocky mercenary enlisted by a sheriff to infiltrate a ruthless gang of outlaws. Ennio Morricone provided the score to this early spaghetti western hit.
Giuliano Gemma
Ringo
Fernando Sancho
Sancho
Lorella De Luca
Miss Ruby
Nieves Navarro
Dolores
Antonio Casas
Maj. Clyde
José Manuel Martín
Pedro
Manuel Muñiz
Tim
Juan Cazalilla
Mr. Jenkinson - Bank director
Pablito Alonso
Chico - Mexican boy
Giuliano Gemma stars as a cool, cocky mercenary enlisted by a sheriff to infiltrate a ruthless gang of outlaws. Ennio Morricone provided the score to this early spaghetti western hit.
Somebody has come for Christmas! Una pistola per Ringo (A Pistol for Ringo) is directed and predominantly written by Duccio Tessari. It stars Giuliano Gemma, Fernando Sancho, Lorella De Luca, Nieves Navarro and Antonio Casas. Music is by Ennio Morricone and cinematography by Francisco Marin. When a gang of bandit bank robbers hole up at a rich family's hacienda - taking all who reside there as hostages - the authorities free the gunman known as "Angel Face" from prison to ingratiate himself into the bandit horde. His mission is to destroy from within and free the innocent... Filmed in Technicolor/Techniscope out of the familiar Spaghetti Western stomping grounds of Almeria in Spain, A Pistol for Ringo is a very enjoyable piece of pasta. From the quirky sight that greets us at pic's beginning, where our anti-hero gunman with the baby face plays hopscotch with children - then quickly dispatching four enemies enemies in the blink of an eye - to the wholly satisfying finale, it's quirky yet dramatic entertainment. Set at Xmas time, Duccio enjoys dallying with the season's motifs as part of the narrative, and even Morricone gets in on the act, imbuing his varied score with seasonal strains (the Silent Night section simply wonderful). Gemma is very likable in the lead role, helped enormously by a screenplay that introduces a character that uses cunning whiles that are as deadly as his pistol skills. He is also very athletic (no doubt boosted by the calcium from all the milk he drinks), which brings some energy to the narrative. What action there is is brisk and zippy, with heaps of horse and stuntman felling going on, and little stabs of humorous violence (the bell shot oh my) induce smiles. Add in a couple of verbally jousting babes (Luca and Navarro) and Sancho as a bulky and moody bastardo, and yer good to go for one of the better Spags of the time. 7/10
เรื่องราวเกิดขึ้นในเมืองเล็กๆเชื่อโดเฮอร์ตี้ เมื่อธนาคารถูกปล้นเงินไป 100,000 ดอลล่าร์ หลังจากผ่านไป 7 วัน ซาบาต้าได้จัดการกับผู้ร้ายไปทีละคนแล้วนำศพทั้ง 7 ยัดลงไปในรถเข็น แต่เรื่องราวกับตาลปัด เมื่อทั้ง 7 ศพไม่ใช่ผู้ร้ายตัวจริง แล้วใครเป็นผู้บงการอยู่ข้างหลัง...การปล้นธนาคารครั้งนี้
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
Two black bounty hunters ride into a small town out West in pursuit of an outlaw. They discover that the town has no sheriff, and soon take over that position, much against the will of the mostly white townsfolk.
A grizzled ex-sheriff helps a man framed for murder to confront the powerful trio of brothers who want him dead.
A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.
Passing through a border town, a man is caught up in a Mexican's murder of a member of the town's most powerful family.
A trio of unemployed silent film actors are mistaken for real heroes by a small Mexican village in search of someone to stop a malevolent bandit.
Jake Remy leads a gang of outlaw cutthroats making their escape toward Mexico from a successful robbery. Barring their way is a river--crossable only by means of a ferry barge. The barge operator, Travis, refuses to be bullied into providing transport for the gang and escapes across river with most of the local populace--leaving Remy and his gang behind, desperately seeking a way across. A river-wide stand-off begins between the gang and the townspeople, both groups of which have left people on the wrong side of the river.
El Chuncho's bandits rob arms from a train, intending to sell the weapons to Elias' revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unware of his true intentions.
Lean, mean Texas Ranger Jack Benteen locks horns with a former friend, Cash Bailey, now a ruthless drug kingpin. Though they're on opposite sides of the law, they share a love interest in the sensual Sarita. When a crew of rogue soldiers descends upon the border town for an off-the-books mission, all roads lead to a bloody, to-the-death showdown, as loyalties shift and the lines between good and evil are blurred.