This is a 2 channel installation consisting of two separate films made by painting directly onto 35mm film and working with various chemical solvents. The two films are projected side by side and slightly out of sync, creating a type of 'visual stereo' as they make random juxtapositions. The soundtrack being slightly out of sync creates an echo, so as the audience moves around the installation the sound changes, creating an aural sense of the space.
This is a 2 channel installation consisting of two separate films made by painting directly onto 35mm film and working with various chemical solvents. The two films are projected side by side and slightly out of sync, creating a type of 'visual stereo' as they make random juxtapositions. The soundtrack being slightly out of sync creates an echo, so as the audience moves around the installation the sound changes, creating an aural sense of the space.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
The film goes behind the scenes of the 1999 sci-fi movie The Matrix.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
A group of teens discover secret plans of a time machine, and construct one. However, things start to get out of control.
A look behind the lens of Christopher Nolan's space epic.
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
It is just another evening commute until the rain starts to fall, and the city comes alive to the sound of dripping rain pipes, whistling awnings and gurgling gutters.
A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.
A comedy that pays tribute to the science fiction genre -- specifically, the sub-genre of time travel. But here the alternate reality is contemporary New York City where past and future experiences of trust, commitment and denial are cleverly put to the test. Just as Ruby is beginning to relish her first-ever healthy relationship, Sam begins muttering about being a time traveler from the year 2470.