2001: A Space Odyssey
"An epic drama of adventure and exploration."
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
"An epic drama of adventure and exploration."
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
Keir Dullea
Dr. David Bowman
Gary Lockwood
Dr. Frank Poole
William Sylvester
Dr. Heywood Floyd
Douglas Rain
HAL 9000 (voice)
Daniel Richter
Moonwatcher
Leonard Rossiter
Dr. Andrei Smyslov
Margaret Tyzack
Elena
Robert Beatty
Dr. Ralph Halvorsen
Sean Sullivan
Dr. Roy Michaels
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
This is the most pretentious crap ever made - but is it an amazing film? No. But it is an amazing _**piece of art**_. This is worthy of the label of film, but the label of film is not worthy of this. Kubrick has crafted a stellar and surreal experience, one of the greatest **_pieces of art_** ever made. Why, you ask, do I obtain from referring to this as a film? Because it is simply not, it is an overpowering sensory experience, not a film. If I seem to be losing my point, here is it straight. It’s too good to be a film. I wouldn’t say this is enjoyable, or entertaining, but it is a stunning experience. One of the greatest **_pieces of art_** ever made. I only lost a point because it’s not a film. Kubrick is often critiqued for his icy cold view of human emotion, and this is no different. The most affecting and human sequence in the film comes ironically (spoilers) from the death of a machine. Check this out, it may not be entertaining, but it IS worth it.
Pleasing on a technical level, even with barely anything to grasp story-wise. '2001: A Space Odyssey' looks and sounds exquisite, it really is seriously impressive in that regard for a film from 1968. That is, however, the only reason that this gets a passing rating from me if I'm to be totally truthful. The plot itself is rather disappointing, with not much meat on the bones. I get it's evidently going for the more artsy approach, made clear by the lack of dialogue/bona fide narrative alongside plenty of ambiguity. It's a Stanley Kubrick film after all, not that I've seen much of his work (this be the first, in fact); moreso what I've heard through the grapevine down the years. There are also a lot of long held, empty-feeling (as intended, I'd imagine) shots that bothered me throughout. It just didn't entice me, that's all. I can still respect it. Given the aforementioned, the cast are basically nonentities - as harsh as that may sound. Douglas Rain does a good job, in fairness, and William Sylvester is alright. I can't say I blame those onscreen all that much, as they aren't exactly given much opportunity to showcase themselves. As has been the case with a couple of other movies down the years, I'm certainly content to file this one with the 'I clearly didn't get it and I'm cool with that' tag. I'm still glad I watched it. I do appreciate it, if only technically, and naturally love that others love it.
Seeing _2001: A Space Odyssey_ on the big screen for the first time is an eye-opener. The vastness of space, the eerily precise shots of the spacecraft, and the careful pacing all come to life in a way a TV could never match. The immersive sound design, from the opening hum to the famous orchestral music, and in particular the equally orchestrated silence filling the cinema, makes you feel like you're part of the journey. Details that might seem faint on a smaller screen are clear and striking here: the textures of the spacesuits, the contrast in colours, and the scale of Kubrick's vision. This unique visual and auditory experience in a cinema is a must for any film enthusiast, as it genuinely lets the film's grandeur and mystery sink in.
This is the second Stanley Kubrick movie I've seen that I didn't enjoy. The first was The Shining, which I found painfully slow and uninteresting. It annoyed me. And it's not because it was bad, but because everyone treats it like a masterpiece. I expected brilliance, tension, something gripping. I got none of that. And this space movie is no different. I'll give credit where it's due. The movie is well made. The visuals and cinematography are stunning. The effects and the music are genuinely impressive. You can clearly see how other movies like Star Wars, Interstellar, and Inception took inspiration from it. But that's where the praise ends. The movie is pointless, painfully slow, and filled with way too many long drawn out shots. The opening title alone takes over four minutes. Four minutes of just music and a black screen. What was the point of that? Then we spend twenty minutes watching a bunch of monkeys in the wilderness. Later, we're stuck with two characters silently eating and watching an expositional video on their tablets for what feels like an eternity. There are no characters worth mentioning or even remembering. The story goes nowhere, and by the end, it feels like the movie had absolutely nothing to say. I expected this movie to at least have a story, something to hold on to. I don't think I'll be watching any more of Kubrick's movies. I don't care how highly praised they are. I'm done.
From an artistic point of view, I can certainly see the appeal of this movie. From its influence on media, as well. But, to me personally, that's about it. Very short summary: - Very artistic movie that has very nice visuals, great use of classical music and use of sound or lack of sound to create an ominous atmosphere - But sadly, extremely slow...everything. Which would be fine if it would lead to a satisfying, surprising conclusion. But ultimately the conclusion, also, is just an artistic one, and all possible story elements around HAL that could've been used...stay unused. -- Longer: The visuals, especially considering its age, are impressive. Little details, especially in the beginning, that show us how communication, food and such things work in this vision of future are quite interesting and made me optimistic to where it would lead to. Sure, the pacing was slow from the very beginning, I'm certain the first hour would be handled in today's age in 20 minutes, but hey, I don't mind a slow start and I'm used slower pacing from older films. Then the middle part, everything involving HAL, which, I assume, is the most well-known part of the movie, even to those that haven't watched it. It's slow, but interesting. So much potential: Does HAL make mistakes? Is everything planned? If he makes mistakes: why? What's his agenda? And is it HIS agenda? Very much potential along with his natural question in an unnatural, calming, constantly calm tone. Many interesting things could come from this. But sadly...they don't. The possibly dangerous parts are resolved quickly, the "secrets" are more confusing than shocking and the last 20 - 30 minutes of the movie are basically just an art piece you'd expect from a museum or theater. In both, good and bad ways. As said in the beginning, from an artistic point of view, I like this movie. Really nice designs, lovely and strong use of classical music and the sound, or more often, lack of sound, creates a really interesting atmosphere fitting to the "vast emptiness of space" mood. If that is what you want, it's quite impressive. But if you want a story, twists and possibly complicated or interesting revelations...I don't see any of it. Everything about HAL and the monolith had potential for so many stories, but in the end the creators decided to end the movie on an artistic yet confusing scene that offers no real resolution of anything and a very long drawn-out way to reach it. It's a pity, I would've liked more story around HAL. So...watch it if you're into art and movie artistry, but don't expect to be moved by the story, if you are like me.
It's not for general entertainment and the audience is movie industry/enthusiasts. Movie critics and the people find effort to leave a review for it happen to be in the niche, therefore it has a high score. Sure, it this movie might have made some breakthrough in the industry. But I, like other general audience, didn't find it greatly entertaining.
When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
Amid a future war between the human race and the forces of artificial intelligence, a hardened ex-special forces agent grieving the disappearance of his wife, is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war—and mankind itself.
A team composed of an aerospace scientist, an ex-Air Force general, and an industrialist conceives an ambitious plan to land Americans on the moon. From their base in the Mojave Desert, they construct and successfully launch a spacecraft named "Luna" that contains a cargo of four astronauts. But a critical miscalculation of needed power to escape the moon's gravitational pull may put the astronauts' lives in danger.
On a post-apocalyptic Earth, a robot, built to protect the life of his dying creator's beloved dog, learns about life, love, friendship, and what it means to be human.
In Los Angeles, a wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.
When an alien race and factions within Starfleet attempt to take over a planet that has "regenerative" properties, it falls upon Captain Picard and the crew of the Enterprise to defend the planet's people as well as the very ideals upon which the Federation itself was founded.
A mysterious force knocks the moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it.
The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test.
An alien similar to Ra appears out of the Stargate, killing five soldiers and kidnapping another, a year after the original Stargate mission. A new team is assembled, including some old members, and they go in search of the missing soldier in order to find out how Ra could still be alive. Meanwhile, the alien Goa'uld kidnap Sha're and Skaara, implanting them with symbiotes and making them Goa'uld hosts.
When the first manned mission to Mars meets with a catastrophic and mysterious disaster after reporting an unidentified structure, a rescue mission is launched to investigate the tragedy and bring back any survivors.