"Be afraid. Be very afraid."
When brilliant, eccentric scientist Seth Brundle makes a huge technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.
Jeff Goldblum
Seth Brundle
Geena Davis
Veronica Quaife
John Getz
Stathis Borans
Joy Boushel
Tawny
Leslie Carlson
Dr. Cheevers
George Chuvalo
Marky
Michael Copeman
2nd Man in Bar
David Cronenberg
Gynecologist
Carol Lazare
Nurse
When brilliant, eccentric scientist Seth Brundle makes a huge technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.
_**Slowly turning into a monster, aka slowly succumbing to age**_ An eccentric scientist living in a warehouse laboratory in a big city in the Northeast (Jeff Goldblum) discovers how to teleport objects, which draws the attention of a journalist (Geena Davis). Everything is going fine until he foolishly uses his invention on himself and a pesky fly inadvertently teleports with him. John Getz is on hand as the woman’s editor while Joy Boushel has a notable small role as Tawny. "The Fly" (1986) has a lot of devotees presumably because of director/writer David Cronenberg, but I found it less effective compared to the 1958 version with Vincent Price. Despite the gory state-of-the-art effects, it’s just not as compelling or horrifying (especially that final scene in the original). The one-dimensional locations are also a turn-off: Excluding the great bar scene the whole movie takes place in a grungy lab or a swank office building. The cast trilogy is exceptionally tall. While Goldblum (6’4½”) is serviceable and gives it his all, he’s not leading man material, although he’s fine in secondary roles. And I was never big on Davis, but she’s a’right I guess. At least the two absolutely look & act like they were meant for each other. In its favor, the movie is a metaphor for how aging & disease slowly destroys the body. Despite the sickening visuals, it’s heartbreaking and tragic, which you might not expect in a sci-fi flick about a guy who morphs into a fly. It thankfully avoids the rut of camp and melodrama. The film runs 1 hour, 36 minutes, and was shot in Toronto with studio work done in nearby Kleinburg. GRADE: B-/C+
Nobody could ever call Jeff Goldbum a versatile actor, but here he is very much in his element as "Brundle". A madcap scientist, he dreams of being able to teleport things just like Willy Wonka does in 1971. He is almost as keen on journalist "Veronica" (Geena Davis) and so offers her exclusive access to follow and film his research. That all goes remarkably well - first a scarf, then more animated objects before, finally, himself. Snag is - well a fly just happened to sneak into the pod before the transferal and next thing he and his new dipteral cousin start a journey to the symbiotic relationship from Hell. He can crawl on the ceiling; fly and most impressively - dissolve his victims in his own vomit! David Cronenberg is having great fun with this as is Goldblum. The dialogue is entertaining and there is the most bizarre degree of chemistry between him and Davis who turns in one of her career defining performances. The visual and make-up effects - especially towards the end - offer a fitting denouement to this gory and frequently amusing sci-fi horror film that is nearly, but not quite, as good as the version from 1958. Certainly worth watching on a big screen if you can - somehow it just looks so much better there.
What was his electric bill and how did he not blow out every fuse in his building? Telepods must suck up a lot of juice. Anyway, it's fun. It is the typical 80s flick, with a plot that takes all of 5 minutes to get rolling and a cast that was talented and still cheap enough to throw in a sci-fi horror flick. But, you know, it's also mindless fun, it's not exactly deep, it's about science, and about the dangers of it, that never really manages to actually examine the dangers of science in any significant way... it's more along the lines of Kafka's Metamorphosis, which has already been examined. But it doesn't matter, because you are watching it for mindless entertainment.
The Fly is so good. Successful futurism. Seems the Fallout games benefitted. The physical effects are amazing and fun. Do not watch if gore sensitive. Why not build a smaller machine first to test on...flies, instead of going straight to human-sized machines and testing on baboons? They gotta be expensive. Mice? The ridiculous nature of the film is a delight. The performances entertain while enhancing the story (narrative). That guy is such an amazing douchebag. The film entertains and engages. Rare. I'm high on science. Gena Davis is beautiful. Would bang if Brundleflymly.
David Cronenberg’s The Fly is a grotesque, tragic, and strangely beautiful descent into body horror. What begins as a high-concept sci-fi romance slowly mutates much like its protagonist into something far more disturbing and unforgettable. One of my favorite movies!
Amanda's deathbed request to her son, John, was for him to destroy all the lab notes etc. from her last experiment. She also blurts out he had a brother. At the funeral John meets Melissa, who claims to be his mother's biggest fan. Together with some of John's friends they go to Amanda's house, but none are prepared for what they find there.
A disease carried by common cockroaches is killing Manhattan children. In an effort to stop the epidemic an entomologist, Susan Tyler, creates a mutant breed of insect that secretes a fluid to kill the roaches. This mutant breed was engineered to die after one generation, but three years later Susan finds out that the species has survived and evolved into a large, gruesome monster that can mimic human form.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalised wife, amidst a series of brutal murders.
A Victorian scientist returns to London with his paleontological bag-of-bones discovery from Papua New Guinea. Unfortunately, when exposed to water, flesh returns to the bones, unleashing a malevolent entity on the scientist's family and friends.
Elsa and Clive, two young rebellious scientists, defy legal and ethical boundaries and forge ahead with a dangerous experiment: splicing together human and animal DNA to create a new organism. Named "Dren", the creature rapidly develops from a deformed female infant into a beautiful but dangerous winged human-chimera, who forges a bond with both of her creators - only to have that bond turn deadly.
A baby alligator is flushed down a toilet and survives by eating discarded lab animals that have been injected with growth hormones. The now gigantic animal escapes the city sewers and goes on a rampage, pursued by a cop and a big-game hunter.
Mad scientist turns a man into an electrically-controlled monster to do his bidding.
In the middle of a routine patrol, officer Daniel Carter happens upon a blood-soaked figure limping down a deserted stretch of road. He rushes the young man to a nearby rural hospital staffed by a skeleton crew, only to discover that patients and personnel are transforming into something inhuman. As the horror intensifies, Carter leads the other survivors on a hellish voyage into the subterranean depths of the hospital in a desperate bid to end the nightmare before it's too late.
In Arborville, California, three high school students try to protect their hometown from a gelatinous alien life form that engulfs everything it touches.
When researchers rescue a fellow scientist who survived a meteorite strike in the Arctic, they discover she may not be who they think she is. Is she some-how changed?