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The Kindred

"John's got a half brother... half human... half something else!"

Amanda's deathbed request to her son, John, was for him to destroy all the lab notes etc. from her last experiment. She also blurts out he had a brother. At the funeral John meets Melissa, who claims to be his mother's biggest fan. Together with some of John's friends they go to Amanda's house, but none are prepared for what they find there.

Top Cast

  • David Allen Brooks

    David Allen Brooks

    John Hollins

  • Rod Steiger

    Rod Steiger

    Dr. Phillip Lloyd

  • Amanda Pays

    Amanda Pays

    Melissa Leftridge

  • Talia Balsam

    Talia Balsam

    Sharon Raymond

  • Kim Hunter

    Kim Hunter

    Amanda Hollins

  • Timothy Gibbs

    Timothy Gibbs

    Hart Phillips

  • Peter Frechette

    Peter Frechette

    Brad Baxter

  • Julia Montgomery

    Julia Montgomery

    Cindy Russell

  • Bunky Jones

    Bunky Jones

    Nell Valentine (as Bunki Z)

Overview

Amanda's deathbed request to her son, John, was for him to destroy all the lab notes etc. from her last experiment. She also blurts out he had a brother. At the funeral John meets Melissa, who claims to be his mother's biggest fan. Together with some of John's friends they go to Amanda's house, but none are prepared for what they find there.

Rating

6.0 / 10
80 Reviews
1 Popular

1 Reviews

  • Wuchak
    Wuchak
    5 Dec 19, 2024

    **_A rural house on the coast of SoCal and the genetic mutations thereof_** A doctor in Los Angeles (David Allen Brooks) is instructed by his dying mother, a revolutionary geneticist, to destroy her work at the family homestead. So, he leads a team up there, but their stay is interrupted by some… thing. "The Kindred" (1987) is similar in spirit to “The Boogens” from six years prior and the soon-to-come “Slugs.” It mixes HP Lovecraft with horror bits from “Halloween,” “Alien” and “Jaws.” For instance, there’s an aged doctor in the periphery who’s reminiscent of Donald Pleasence’s Dr. Loomis, just less noble (Rod Steiger). It’s okay, but seems off somehow and therefore is the least of these, which explains its obscurity. The female cast is decent with Talia Balsam (Sharon), Amanda Pays (Melissa) and Julia Montgomery (Cindy), but the director evidently didn’t know how to shoot women. While it won’t strike you at first, the movie ends up being a cabin-in-the-woods flick. It delivers the goods just enough if you’re in the mood for such a film but, like I said, it’s not exactly great or even really good. It needed another rewrite to flush out more entertainment. It runs 1 hour, 33 minutes, and was shot at Laird International Studio in Culver City, but also nearby Los Angeles (the hospital) and Mentryville (Amanda’s house), which is an hour’s drive northwest of the city, just west of Santa Clarita. GRADE: C

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