Dead End
"THE GREATEST GANGSTER THRILLER THAT EVER EXPLODED FROM THE SCREEN!"
The lives of a young man and woman, an infamous gangster and a group of street kids converge one day in a volatile New York City slum.
"THE GREATEST GANGSTER THRILLER THAT EVER EXPLODED FROM THE SCREEN!"
The lives of a young man and woman, an infamous gangster and a group of street kids converge one day in a volatile New York City slum.
Sylvia Sidney
Drina
Joel McCrea
Dave
Humphrey Bogart
"Baby Face" Martin
Wendy Barrie
Kay
Claire Trevor
Francey
Allen Jenkins
Hunk
Marjorie Main
Mrs. Martin
Billy Halop
Tommy
Huntz Hall
Dippy
The lives of a young man and woman, an infamous gangster and a group of street kids converge one day in a volatile New York City slum.
OK, so this is definitely not the cheeriest of stories but Bogart and Joel McCrea are on good form throughout this gritty drama of hardship and depravity on the East Side of New York. "Baby Face Martin" - who, to be fair, maybe benefits a bit optimistically from the moniker - returns to his childhood home to reunite with his mother and childhood sweetheart. His mother wants nothing to do with him and his ex "Francie" (Claire Trevor) turned to prostitution and hasn't long to go before syphilis does for her. Meantime his friend, aspiring/struggling architect "Dave" (McCrae) is juggling his romantic interests between sweet but rather dreary "Drina" and "Kay" (Wendy Barrie) who already has a rich boyfriend. All of this misery is made all the more poignant by the fact that this ghetto is overlooked by the apartments of the wealthy that have relocated to new properties that overlook the adjacent East river. When Bogart decides that he wants to re-assert himself in the community by organising a high-profile kidnapping, he and his erstwhile friend find themselves on opposite sides of the plot! The crime drama is there, but it is comparatively weak compared with the pretty blatant social commentary from Lillian Hellman's screenplay that draws attention, unashamedly, to the stark contrast between the standards of living (and dying) of those just yards apart.
An attorney defends a hoodlum of murder, using the oppressiveness of the slums to appeal to the court.
Reformed parolee Steve Lacey is caught in the middle when a wounded former cellmate seeks him out for shelter. The other two former cellmates then attempt to force him into doing a bank job.
A woman fights to convince the police that she witnessed a murder while looking out her bedroom window.
After being framed for a policeman's murder, a criminal escapes prison and sets out for revenge.
An ex-con trying to go straight must face a crazed criminal out for revenge.
James “Brick” Davis, a struggling attorney, owes his education to a mobster, but always has refused to get involved with the underworld. When a friend of his is gunned down by a notorious criminal, Brick decides to abandon the exercise of the law and join the Department of Justice to capture the murderer.
Childhood chums Rocky Sullivan and Jerry Connelly grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood.
A corrupt D.A. with governatorial ambitions is annoyed by an investigative reporter's criticism of his criminal activities and decides to frame the reporter for manslaughter in order to silence him.
A brash young lawyer takes a short-term, high-paying job as bodyguard for a slick business exec being threatened by a former partner, and quickly realizes he may be in over his head.
Ruthless Italian-American banker Gino Monetti is engaged in a number of criminal activities. Three of his four grown sons refuse to help their father stay out of prison after he's arrested for his questionable business practices. Three of them take over the business but kick their father out. Max, a lawyer, is the only son that remains loyal.