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The Web

A brash young lawyer takes a short-term, high-paying job as bodyguard for a slick business exec being threatened by a former partner, and quickly realizes he may be in over his head.

Top Cast

  • Ella Raines

    Ella Raines

    Noel Faraday

  • Edmond O'Brien

    Edmond O'Brien

    Bob Regan

  • William Bendix

    William Bendix

    Lt. Damico

  • Vincent Price

    Vincent Price

    Andrew Colby

  • Maria Palmer

    Maria Palmer

    Martha Kroner

  • John Abbott

    John Abbott

    Charles Murdock

  • Fritz Leiber

    Fritz Leiber

    Leopold Kroner

  • Howland Chamberlain

    Howland Chamberlain

    James Nolan (as Howard Chamberlin)

  • Tito Vuolo

    Tito Vuolo

    Emilio Canepa

Overview

A brash young lawyer takes a short-term, high-paying job as bodyguard for a slick business exec being threatened by a former partner, and quickly realizes he may be in over his head.

Rating

7.1 / 10
48 Reviews
1 Popular

1 Reviews

  • John Chard
    John Chard
    7 Aug 23, 2015

    I'm a lawyer not a bodyguard. The Web is directed by Michael Gordon and collectively written by William Bowers, Bertram Millhauser and Harry Kurnitz. It stars Edmond O'Brien, Ella Raines, William Bendix and Vincent Price. Music is by Hans J. Salter and cinematography by Irving Glassberg. A good and solid film noir from one of the golden years of the film making style. Plot pitches O'Brien as a small time lawyer, who after impressing crafty businessman Vincent Price with his commitment to his work, gets hired as a minder since Price is worried about an old associate who has apparently issued a death threat. Sure enough all is not as it seems and before long O'Brien finds himself under scrutiny for the death of the associate. The writing isn't great as per the twists and turns, they are all signposted and lit up in bold letters, yet this is a small complaint because the fun is in the characterisations and the scripted dialogue. O'Brien has the quips and bravado, Raines the sexy smoulder and Price the weasel machinations. Bendix as a good cop is a little too out in the periphery of things to truly impact on the narrative in the way his fans would like, but his scenes with O'Brien are a joy and sparkle with prickly sarcasm, while Gordon and Glassberg bring the film noir style via the requisite amount of shadow play and camera tilts (love those slats and balustrades). Nifty noir tech credits cosy up with a likable hero, a sassy femme, a slimy villain and big bad Billy Bendix = Score! 7/10

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