"Ride together. Die together."
Marcus and Mike are forced to confront new threats, career changes, and midlife crises as they join the newly created elite team AMMO of the Miami police department to take down the ruthless Armando Armas, the vicious leader of a Miami drug cartel.
Will Smith
Mike
Martin Lawrence
Marcus
Vanessa Hudgens
Kelly
Alexander Ludwig
Dorn
Charles Melton
Rafe
Paola Nuñez
Rita
Kate del Castillo
Isabel Aretas
Nicky Jam
Zway-Lo
Joe Pantoliano
Captain Howard
Marcus and Mike are forced to confront new threats, career changes, and midlife crises as they join the newly created elite team AMMO of the Miami police department to take down the ruthless Armando Armas, the vicious leader of a Miami drug cartel.
It was very fun and entertaining to watch. I was laughing all the time.
Yeah....... IDK. I thought the first one was brilliant, and the second was an OK action/comedy but didn't have as many subtle spoofs, but still was a decent action movie. This one, on the other hand I'd only give one star because I do an all or nothing thing... but it was better than Lethal Weapon 4 wasn't it? It was better than Kingdom of the Crystal Skull. It was better than Coming Two America. It was better than most of the made it far too late where the original cast was far too old sequels that plague Hollywood like remakes. It lacks the action fun that II had, it lacks the layers of humor that I had, Martin looks like he couldn't be bothered to get in shape... but it was a lot better, a LOT better, than like films. So I guess I'll give it 10 stars because if Hollywood is going to make a sequel way too late for a sequel, this is sort of how you would want them to do it. There's nothing I can say I really love about it, but there is also nothing I can say I hate about it, and for a sequel that should either have never been made or should have been made a decade earlier, it's not a bad film. And that sort of makes it great in today's everything is humorless and political era.
Not as good as the others. Martin Lawrence's character just didn't seem like he gave a 100% of his role in this movie. Kind of thrown off the chemistry they once had. It was still an ok movie.
**Bad Boys 3: A Fun but Forgettable Ride That Lacks Its Old Spark** The question on my mind is: What are you doing? Sometimes, simplicity is golden—it doesn’t need complications. Take the Bad Boys series, for example. for note Watching this latest version doesn’t require seeing the previous films. I didn’t like the movie at all, though it has its funny moments. Some scenes are amusing, but not laugh-out-loud hilarious. The action sequences are straightforward, reminiscent of 90s films, but I realized that such scenes need a strong director who truly understands action. That’s not to say the action was bad—it was decent—but it could have been much better. I suspect this film will divide audiences. Some will love it, while others will dismiss it as mediocre. The chemistry between Will Smith and Martin Lawrence is still solid, but the movie doesn’t leave a lasting impression. The heroes have aged, and it shows—they lack the energy they brought to the first two films. Martin Lawrence tries hard to deliver humor, and Will Smith still has the physicality, but neither matches their peak performances from the earlier installments. There’s even speculation that a stunt double handled some of Smith’s faster-paced action scenes. The direction has many flaws, which made me lose enthusiasm for future Bad Boys movies. The biggest issue, however, is the weak storyline—it felt like watching a low-budget Indian action flick. The director approached this as a purely commercial project, with little thought put into it, which was disappointing. After watching this, I suggest Will Smith fire his agent and hire a new one. Lately, his film choices haven’t been great—case in point, Gemini Man (2019).
**Bad Boys 3: A Fun but Forgettable Ride That Lacks Its Old Spark** The question on my mind is: What are you doing? Sometimes, simplicity is golden—it doesn’t need complications. Take the Bad Boys series, for example. for note Watching this latest version doesn’t require seeing the previous films. I didn’t like the movie at all, though it has its funny moments. Some scenes are amusing, but not laugh-out-loud hilarious. The action sequences are straightforward, reminiscent of 90s films, but I realized that such scenes need a strong director who truly understands action. That’s not to say the action was bad—it was decent—but it could have been much better. I suspect this film will divide audiences. Some will love it, while others will dismiss it as mediocre. The chemistry between Will Smith and Martin Lawrence is still solid, but the movie doesn’t leave a lasting impression. The heroes have aged, and it shows—they lack the energy they brought to the first two films. Martin Lawrence tries hard to deliver humor, and Will Smith still has the physicality, but neither matches their peak performances from the earlier installments. There’s even speculation that a stunt double handled some of Smith’s faster-paced action scenes. The direction has many flaws, which made me lose enthusiasm for future Bad Boys movies. The biggest issue, however, is the weak storyline—it felt like watching a low-budget Indian action flick. The director approached this as a purely commercial project, with little thought put into it, which was disappointing. After watching this, I suggest Will Smith fire his agent and hire a new one. Lately, his film choices haven’t been great—case in point, Gemini Man (2019).
**Bad Boys 3: A Fun but Forgettable Ride That Lacks Its Old Spark** The question on my mind is: What are you doing? Sometimes, simplicity is golden—it doesn’t need complications. Take the Bad Boys series, for example. for note Watching this latest version doesn’t require seeing the previous films. I didn’t like the movie at all, though it has its funny moments. Some scenes are amusing, but not laugh-out-loud hilarious. The action sequences are straightforward, reminiscent of 90s films, but I realized that such scenes need a strong director who truly understands action. That’s not to say the action was bad—it was decent—but it could have been much better. I suspect this film will divide audiences. Some will love it, while others will dismiss it as mediocre. The chemistry between Will Smith and Martin Lawrence is still solid, but the movie doesn’t leave a lasting impression. The heroes have aged, and it shows—they lack the energy they brought to the first two films. Martin Lawrence tries hard to deliver humor, and Will Smith still has the physicality, but neither matches their peak performances from the earlier installments. There’s even speculation that a stunt double handled some of Smith’s faster-paced action scenes. The direction has many flaws, which made me lose enthusiasm for future Bad Boys movies. The biggest issue, however, is the weak storyline—it felt like watching a low-budget Indian action flick. The director approached this as a purely commercial project, with little thought put into it, which was disappointing. After watching this, I suggest Will Smith fire his agent and hire a new one. Lately, his film choices haven’t been great—case in point, Gemini Man (2019).
Detectives Marcus Burnett and Mike Lowrey of the Miami Narcotics Task Force are tasked with stopping the flow of the drug Ecstasy into Miami. They track the drugs to the whacked-out Cuban drug lord Johnny Tapia, who is also involved in a bloody war with Russian and Haitian mobsters. If that isn't bad enough, there's tension between the two detectives when Marcus discovers that playboy Mike is secretly romancing Marcus’ sister, Syd.
A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
Marcus Burnett is a henpecked family man. Mike Lowrey is a footloose and fancy free ladies' man. Both Miami policemen, they have 72 hours to reclaim a consignment of drugs stolen from under their station's nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.
After their late former Captain is framed, Lowrey and Burnett try to clear his name, only to end up on the run themselves.
Trust frays when a team of Miami cops discovers millions in cash inside a run-down stash house, calling everyone — and everything — into question.
Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.
Two veteran New York City detectives work to identify the possible connection between a recent murder and a case they believe they solved years ago; is there a serial killer on the loose, and did they perhaps put the wrong person behind bars?
A noir thriller set in Miami, the film follows an enforcer who discovers his femme fatale boss has branched out into cyber sex trafficking, putting a young runaway he’s befriended at risk. He sacrifices everything to save the young girl from the deadly organization he’s spent his life building.