I Died a Thousand Times
"The Story Behind The Terrifying 60-Day Hunt For Desperado 'Mad-Dog' Earle!"
After aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring — by robbing a resort hotel.
"The Story Behind The Terrifying 60-Day Hunt For Desperado 'Mad-Dog' Earle!"
After aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring — by robbing a resort hotel.
Jack Palance
Roy Earle / Roy Collins
Shelley Winters
Marie Garson
Lori Nelson
Velma
Lee Marvin
Babe Kossuck
Pedro Gonzalez Gonzalez
Chico
Lon Chaney Jr.
Big Mac
Earl Holliman
Red
Perry Lopez
Louis Mendoza
Richard Davalos
Lon Preisser
After aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring — by robbing a resort hotel.
Famed Bandit, Former No 1 On FBI List, Pardoned After Eight Years. I Died a Thousand Times is directed by Stuart Heisler and adapted to screenplay by W.R. Burnett from his own novel High Sierrra. It stars Jack Palance, Shelley Winters, Lori Nelson, Lee Marvin, Pedro Gonzalez Gonzalez, Lon Chaney Junior and Earl Holliman. A CinemaScope/Warnercolor production, cinematography is by Ted McCord and music by David Buttolph. It will always be debatable if remaking the excellent High Sierra (Raoul Walsh 1941) was needed or wanted by a 1950s audience? Especially since Walsh had himself already remade it as a great Western with 1949 film Colorado Territory, but taken on its own terms, with great production value and Burnett's personal adaptation taken into consideration, it's a very enjoyable film. Set up is simple, it's one last heist for Roy "Mad Dog" Earle (Palance) before going straight, but as his attempts to break free from his emotional loner status fall apart, so does the heist and his future is written in blood right up there in the mountains. Heisler and Burnett put Earle up front for character inspection, easing in sympathetic tones whilst ensuring he remains a big physical threat. The air of fatalism is pungent enough and the finale is excitingly staged by Heisler. Cast performances are more than adequate if not comparing to the likes of Bogart and Lupino, while the Warnercolor is gorgeous and the photography around the Alabama Hills in Lone Pine is superb. While not in the same league as High Sierra or Colorado Territory, that doesn't mean this is a wash out, more so if you haven't seen either of the Walsh movies. If you have, like me (High Sierra is one of my favourite Bogart performances), then comparisons and a feeling of deja vu will obviously infiltrate your viewing experience. That said, there is more than enough here to make it worth your time regardless of comparison and familiarities. 7/10
Given a pardon from jail, Roy Earle gets back into the swing of things as he robs a swanky resort.
An escaped convict, injured during a robbery, falls in love with the woman who nurses him back to health, but their relationship seems doomed from the beginning.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
After being framed for a policeman's murder, a criminal escapes prison and sets out for revenge.
An armored-car guard must join a robbery after being caught with his ex-wife by her gangster husband.
Pursued by the big-time gambler he robbed, John Muller assumes a new identity—with unfortunate results.
A brash young lawyer takes a short-term, high-paying job as bodyguard for a slick business exec being threatened by a former partner, and quickly realizes he may be in over his head.
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?
An innocent man turns fugitive as he reconstructs events that implicate him for a murder and robbery he did not commit.
When an employee at an illegal gambling den dies suspiciously, her sister, Nancy, looks into the situation and falls for Johnny O'Clock, a suave partner in the underground casino. Selfish and non-committal by nature, Johnny slowly begins to return Nancy's affection and decides to run away with her, but conflict within his business threatens their plans. As Johnny tries to distance himself from the casino, his shady past comes back to haunt him.