Cinematic Era: 1999 Vintage

Experimental film by Yosuke Okawado.

"The Brunner File: Story of a Mass Murderer" is a 1999 British made-for-TV documentary about the 1989 case of serial killer and mass murderer Werner Knödler.

For the 1999 Venice Biennale, Alÿs created an unofficial performance for the occasion, titled Duett. The piece begins with Alÿs entering Venice by train while fellow Belgian artist Honoré d’O landed at the airport, and each man is carrying one half of a tuba. After drifting through the labyrinth of streets, they eventually met three days later and reassembled the musical instrument. The work is emblematic of Alÿs’s exploration of estranged or misplaced halves striving for reconciliation.

The Haircut is a brief but searing satire on New Labour’s rise to power.

Aliens invade Earth, and it's up to some average joes to save the planet.

a CGI-Animated short film

Bloody cartoons, hallucinogenic images of technotronic wars, the impersonal reality of the flesh open to the outside, a new awareness of the secret life of iron mechanisms.

Examining the Indian educations system in a short animated documentary.

Working Like Crazy is a fresh look at the struggles and victories of some former mental health patients who work in businesses owned and run by other psychiatric survivors.

In the last four days of his life, fear took over the figure of the poet Federico García Lorca.

Join legendary screenwriting teacher Syd Field in this video version of his famous course. Useful for first-timers and experienced writers who need some tips, this film will allow you to complete a screenplay and confidently submit it to film companies and studios.

The documentary Path of the Bees demonstrates, with its ethnographic restlessness, an orthodox point of view in the staging and in the final result. The way in which he portrays the native people of the Chiapas jungle, disregarding the explanatory voiceover and getting carried away by a visual narrative made of details; It makes me perseverantly document the vegetation of the place, the constructions, the gestures and the looks of those who inhabit it.

The film, which has a paradoxically ironic author's commentary, echoes the classic film production of Dziga Vertov "Three Songs about Lenin".

An untitled 1999 film by Luis Recoder

A devoted and loving couple attempt to rekindle the fire between them. A simple and topical cautionary tale.

This is the story of Thavro Phim, who came of age under the Pol Pot regime and lost his father, brother, and grandfather to the blood thirsty Khmer Rouge. What kept him whole after the ordeal was his Buddhist faith and his dedication to Cambodian classical dance where he performs the role of Hanuman, the magical white monkey. Now a Philadelphia-area resident, Thavro travels to the Kingdom of Cambodia, a country still in turmoil, We witness his bittersweet reunion with his remaining family and teachers. The film takes us back to the years 1975-79 when 90 percent of the dancers were executed or died of starvation or disease.

After eating Bavavia's pink pickles, a guy has a hard time digesting his food. He recomposes them. Become a scientific case, his life escapes him.

The death of a wicked little paper doll.

In 1968, Taitung Hongye Little League defeated Japan's Wakayama Little League 7-0, which was a legendary story of that era. The barefooted children of the Bunun tribe used stones as balls and sticks as sticks to win Taiwan the glory of defeating Japan. But what's the truth behind the legend? Where is the legendary young player now? This film goes into the fog of the premature death of more than half of the players, not only the stigma of impostor, but also the lament of underappreciated talent, and the baseball dream of the next generation of children.

Public vans provide the traditional and sole means of city transportation in Dakar, Senegal. In a frenzy of activity, from the outskirts to downtown, people from all walks of life as well as fruits, vegetables, chickens, etc. are transported daily in these public vans.

Early short film by László Nemes.

The Wen brothers, as director and photographer of the film, documented their 10 years of journey in Tibet, from 1989 to 1999. Their film investigates the social conditions, customs, and the spiritual life of Tibetans.

The sequel of "Heangdangdong People", a documentary about a struggle and dream for community of Heangdangdong people against the unfair removal of their housing. Heandangdong people in the removal region finally finished the struggle in the victory after the 3-year-struggle against the removal and they are now settled in the provisional residential building. They have gradually overcome poverty and have been establishing a local community through a production cooperative and a credit cooperative to materialize their dreams. Headangdong people's story with their successful community suggests a concrete way and hope about an alternative life.

Men in disguise arrive at a square where the last survivors of Carnival are ending a night of excess in style. Daybreak approaches. Véronique, Xavier, and Jochen may well get their wings burned...

Four second-generation space explorers, born in space, are approaching Earth for the first time.

This documentary captures the Korean film industry's campaign to maintain the screen quota system, in opposition to the government and Hollywood's plot to overtake the film market. Images of them shaving heads and going on hunger strikes reveal oppressed state they are in and their willingness to fight. Currently, they are waging a campaign for international solidarity among filmmakers.

Children in a garden of outsize fruit dream of food and love, then grow up to have unhappy office affairs in the glamorous Manhattan of the late 1950s.

A trip to Russia by two filmmakers in 1990, forms the bulk of this twin-screen projection, finished some 9 years later; Their super-8 footage mixed in with archival material (and a sprinkling of the classics such as Vertov and Eisenstein).

Short art film based on a performance

16mm film (b&w/color)

Filmed in Patmos in May 1999, this is Robert Lax’s last year in Greece, roughly his last year of life. For 21 minutes you see only Lax’s head and his right hand, which holds a wooden staff of sorts (a walking stick or ... a broomstick?!). He wears a navy blue knit hat. The only movement is in his eyes, and ever so slight movements of his head. Lax does not look at the camera, his eyes are mostly downcast, but he is awake and aware, watching and waiting, and you are drawn into his profound stillness. All of those who were able to meet Lax during his lifetime consider it a particular stroke of fortune. They say that from that point on he became part of their bodies and souls, as though they had met a true saint. My Eye Your Eye is like being in the presence of holiness. For 20 minutes. Watching and waiting. I've always wanted to know better what Bob Lax was like - how he was. This film does it.

Integrating archival sources with pseudo-documentary fabrications, Jesse Lerner’s Ruins delves into the tangled legacies of Mesoamerican antiquarianism, revealing how archaeologists, art historians, and museum curators have, for centuries, fashioned various theories about pre-Columbian civilizations from the stuff of colonialist fantasies and ingenious forgeries. Structured around five key vignettes in this history, Lerner’s film combines travelogues, newsreels, and educational films to examine the claims of various experts like early-20th century “dean of the Mayanists” Sylvanus G. Morley and archaeologist Michael Coe, longtime curator of Yale’s Peabody Museum of Natural History.

Marcos, blind and deaf, learned to speak in the institute for the blind run with an iron fist by Guadalupe. Saul, commissioned by the director to interview the one who is presented as a young miracle, befriends him. Saul's mission is to interview Marcos, a young blind and deaf man who learned to speak at an institute for the blind in Guadalajara, run by Guadalupe. A miracle that hides certain mysteries, and a strong friendship that is created between the two young people.

Three elves with the Devilhelm threaten to summon hell one earth, and three ninjas must stop them.

A symbol of British stability, courage and nobility, the Queen Mother lived the entirety of the 20th century, and her legacy is undeniable. This revealing portrait goes to great lengths to showcase the life and times of this iconic woman. Born in 1900, the Queen Mother was seen as the pillar of British womanhood during her reign, and even after her death in 2002, she remains one of Britain's most beloved figures.

Film starring Sadashiv Amrapurkar, Milind Gunaji and Jatin Kanakia

Ten years have passed since we made the film “Crossroad Street”, about a small street in the suburbs of the city of Riga. Now we’ve come back. Perhaps it was a sense of duty, perhaps nostalgia that brought us back – who knows? Perhaps it was both. Daiga, Aldis, Osis – they’re all our people. The first film had an impact on both the filmmakers and the residents of Crossroad Street. We found friends whom we want to meet again and again. Society has become more prosperous, several value systems coexist side-by-side. People often live in these systems as though they were in different worlds that never meet. We felt that the world inhabited by our people is sinking into oblivion, and so we wanted to show that it still has its own turbulence, that Crossroad Street resembles Latvia’s palm – the place where a fortune teller can see the lines of its destiny.

This is a compilation of TV commercials, interviews and propaganda regarding the cigarette and tobacco industry.

A documentary on the lives of children of the Holocaus.

Written by Ferhan Şensoy, Şu An Mutfaktayım (I'm in the Kitchen Right Now) is his 30th play, conceived for Derya Baykal as a one-woman show. Baykal's everyday life, as seen through Şensoy's eyes, gradually becomes generalized, offering a satirical view of contemporary Turkey through Şensoy's lens. The play bridges the local and the universal, engaging the audience in playful banter through its musical comedy.

Tatlong makasalanan: Directed by Johnny Cruz. With Rita Magdalena, Aya Medel, Ana Capri, Roy Rodrigo.

Shot in Venice by the sea at night, struck by a thousand lights.

Mercyful Fate at Teatro Providencia, Santiago, Chile Intro - Lucifer Evil Doomed by the Living Dead Nightmare Desecration of Souls Burn in Hell The Oath Melissa Last Rites Satan's Fall Legend of the Headless Rider A Dangerous Meeting Black Funeral Come to the Sabbath

A small creature travels through a well, hanging on a bubble and encountering various other strange life-forms.

Featuring footage from their cradledays and early formation in Orebro, Sweden when four melancholy, skateboarding punkerkids with burning musical ambitions and wheels of fire started the band in 1992, 'til 500 shows later finish their worldwide "For Monkeys-tour" in Buenos Aires, Argentina August 1998. Meet the four monkeys filmed during six years on five different continents. Meet their audience and meet the reality of a young unexpecting band being shaped by harsh massive 'get in the van-styled' touring, full-speed-ahead chanting record labels, publishers, booking agents and overwhelming fans. Get a close look at success, appreciation, home-sickness and frustration as we welcome you all to the first episode of Millencolin & the Hi-8 adventures, and the bands mysterious world of softcore...

Retropolis is a city where the dust never settles and the last few light bulbs are fighting for survival. Transforming London into a modern Sci-Fi landscape, a fast moving journey takes us through destruction and chaos fuelled by an electrically charged soundtrack.

De Kom's grandfather was a slave; as a child, he heard stories about what the white Dutch had done to the Black Surinamese during the time of slavery. Throughout his life, he resisted the stigma of inferiority. He was active in the anti-colonial movement, married a white Dutch woman, and, after his forced emigration to the Netherlands, joined the resistance in 1940–1945. Through the life story of Anton de Kom, aided by conversations with his children among others, an unknown part of the history of Suriname is told.

Live at Azusa 3: Reminding the Saints of the Hope is a powerful, high-energy gospel concert recording led by Bishop Carlton Pearson, featuring a 350-voice choir. Recorded live at the Mabee Center at Oral Roberts University in Tulsa, Oklahoma, this performance serves as a passionate, uplifting worship experience, combining traditional hymns with contemporary gospel fervor.

Around 1515, Master Mathis added painted panels arranged as double wings to a sculpted altarpiece created twenty years earlier for the convent-hospital of Isenheim in Alsace. Dedicated to Saint Anthony the Abbot, the work was intended for patients afflicted by ergotism—the “St. Anthony’s fire”—a scourge of poorly nourished Europe that the Order of the Antonines sought to combat under the spiritual protection of their healing patron saint.

Shitao, one of the most skilled painters of his time, was deeply imbued with Buddhist spirituality, as he was forced to take refuge in monasteries from a very young age. His painting relies on the simplicity of line and the pure white of the paper. Here, a mountain landscape is rendered in ink on rice paper mounted on a silk scroll. Beneath the apparent simplicity of the subject unfolds a whole universe of hidden correspondences that one must learn to decipher.

Biopic about the life of Jose Carlos Mariategui.