A chronicle of the different reactions of a girl when she finds that her boyfriend decides to end their relationship.
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A chronicle of the different reactions of a girl when she finds that her boyfriend decides to end their relationship.
The only surviving footage from Herk Harvey’s unfinished follow-up to Carnival of Souls. Based on a short story by sci-fi author James Gunn, the recovered work print—found in Harvey’s personal collection—offers a rare glimpse into the director’s unrealized vision, despite missing audio.
Duke Henry XI of Liegnitz, a "drunkard" and "glutton", slaps his wife Sophia in the face because she calls his mistress a whore. When the Duchess then flees to her brother, the Margrave of Ansbach, Henry fears that the population and his brother will take up arms against him. He leaves Leignitz and travels to Prague to dissuade his brother Frederick from his plan to sue him before the emperor. However, Heinrich gets a rebuff and is placed under arrest. Eventually, however, he is released...
A Superman flying beyond imagination: the Bucalo-Niosi-Scaramozzino trio's masterpiece parody.
A 20-minute hymn to "unseen Paris" which incorporates soaring aerial shots of the Parisian skyline accompanied by commentary written by Roger Glachant and narrated by Jean Piat. Shot using Lamorisse's "Helivision," a technique involving fitting a camera to the front of a helicopter for smooth tracker of locations.
Designed to promote the National Cycling Proficiency Scheme: an N.C.P.S. student competes with another boy in a private cycling competition, organised and judged by pop singer, Peter Noone.
Pretty Aninka is terribly lazy, she just wants to sleep, her mother tries in vain to get her to do any work. Even Toník, her boyfriend, cannot convince her that she cannot just lie in her blankets all the time. There is a storm coming, everyone is trying to get hay under the roof, but Aninka is lying under a tree and would rather go to the Thunderclaps than toil here. And that morning the Thunderclaps took her to their heavenly chamber. There the poor girl has to serve them. One of them, Tlučhrom, even wants to marry her. But Toník, her sweetheart, and his mother search for her all over the world and with the help of good people they even get to the Thunderclaps' kingdom. The cooper hid them in the barrels that the Thunderclaps had come for so that they could roll them around the sky in joy. It won't take them much trouble to outwit the stupid hulks and get Aninka back among the people. And now that Aninka was in her wedding dress, she could go to the altar with Toník.
Inspired by the life of Rishi Aurobindo, it’s a Bengali classic portraying the life of Sri Aurobindo Ghosh beginning from his return to India in 1892 to his life in Pondicherry in 1910. This film shows a detailed narration of his early life, marriage, interaction with Sister Nivedita, contributions in India’s freedom struggle and activities in Jugantar, Alipore bomb blast case, and the subsequent trial.
Elliott was a loser who robbed the bank only to land in jail. In prison, he encounters homosexuality as every inmate wants to turn Elliott into a mate!
Operation Holtsauga was a Nazi plan to destroy Soviet ships and aircraft approaching Murmansk, which was carried out in 1942. Near Bezymyanny Island, a Soviet ship struck a mine and sank, and engineer Okulich, who miraculously survived, was taken prisoner. However, he managed to escape and even took German officer Ritter with him. During a week of difficult travel to the mainland, he learns from the German about the Holzaug plan. Thirty years later, an explosion occurs on Bezymyanny Island during the construction of an astrophysical station. Now Okulich must uncover all the details of the old operation in Munich...
In an island town, a professor pensioned before his time, together with his wife, takes care of the hundred year old Maddona Makantuna, a dispossessed land owner.
Originally commissioned by the city of Algiers to promote tourism, Mohamed Zinet’s Tahia ya Didou blends documentary with fiction to create a poetic, acerbic and rapturous portrait of the director’s native city. The camera travels freely, through the port, market, streets and cafés, capturing everyday people, some of whom recur frequently enough to seem like protagonists. The nominal plotline follows a French tourist couple’s leisurely visit to the city, the man having previously served in the army during the Algerian war. As they walk around, his comments betray his mindset’s racist colonial prejudices, while his wife reiterates asinine clichés. Their unhurried wandering is interrupted when he comes across a blind man and realises that he tortured him during his army service. The film is punctuated with punchy sequences that show a poet named Momo delivering verse as an elegy for Algiers.
This German language film is said to be loosely based on a story by Edgar Allen Poe. It is difficult to say, as there is no story to be discerned in this non-stop pastiche, heavy with symbolism but with no other distinguishing features. It was, however, a German entry in the 1971 Cannes Film Festival.
Two days before Christmas. Zuzanka and Tomás, friends from a kindergarten wander off during a walk. They admire toys and decoration in shop-windows. Zuzanka shall receive a sledge as a Christmas present and Tomás even a desired little brother. At a shooting gallery Tomás aims at a target on the trunk of a blue elephant which can call in Christmas. The impatient Zuzanka pushes to her friend and he shoots directly to the elephant's red eye. Things which the owner of the shooting gallery warned about happened: the sun popped on the sky, the snow melted and all Christmas shopping has stopped. Both pushful children decide to get a new eye for the elephant so that everything can be set right.
Football crazy, football mad. Don’t watch this off-beat jukebox cartoon expecting any conventional soccer action. Equal parts Disney, Dali and Duchamp, this abstract mix of black and white photos and alternative comix style animation is accompanied by a medley of doo-wop classics and documentary soundbites. The film is certainly an extreme departure for those familiar with the more conventional output of the Halas & Batchelor studio, best known for their feature-length version of George Orwell’s Animal Farm (1954). Paul Vester was one of a number of sixties art school graduates that brought a mix of pop art and illustration influences to the company whilst it was undergoing a brief change in its ownership. As a warning, in keeping with its progressive, adult style there is some brief nudity at the end of the film.
Chytilová was not allowed to direct films between 1969 and 1976. The sole exception was the made-for-TV film Kamarádi, now virtually unknown.
The filmmakers spoke to ex-political prisoners who had been tortured by the military government who were at that point supported by the US government.
In the 70s, in the Goutte d'or district, three friends of Algerian origin: Poulou, a failed boxer, Amar, the clumsiest of thieves, and Jibé, a public writer for illiterate compatriots whose lives he knows in detail. As he betrays none of their secrets, he enjoys great prestige in the bistros where he works. The three of them lead a casual life, raising money by illicit means. It's only when Poulou and Amar leave that Jibé understands his isolation and marginalization. The images as well as the sounds help to reinforce the feeling that Paris is a city where he is both at home and a terrible stranger.
A famous movie star filming on location in Buenos Aires becomes involved with a Manson-like cult. Years after this flopped at the box office, it was purchased by Michael Findlay and became the backbone for the notorious film Snuff (1975).
Mary, a nurse in a hospital, narrates the tale of how Mother Mary helped Kamakshi and her son Sundaram in Velankanni village and turned an atheist landlord to a believer by appearing before him.
A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.
Half of the movie was edited from "Il diario proibito di Fanny" (Italy 1969) directed by Sergio Pastore. The rest is new material directed by Heinz Gerhard Schier in 1970/1971 for Gopa-Film Baden-Baden.
The actress, who is starring in a successful theatre production, is offered a big film role by an Italian director. She decides to leave her current certainties behind and throw herself into the whirlwind of a tempting opportunity, only she doesn't count on the fact that not every expectation will actually come true as she had ideally hoped...
A relatively amateurish horror film that still works. Based on a short story by William Faulkner.
Jack Romanti runs a theater company that offers sexual therapy as well as a break in the movie business to insecure and inexperienced young new talents. This boils down to them being pimped out to sponsors but they all benefit from it.
The movie "Clown Face" offers a very rare glimpse into the backstage private world of Circus Clowns. Here, you can look behind the curtain. You will see the clowns in their backstage habitat, Clown Alley, preparing for a circus performance
A documentary about socialising and society in early 1970s New Zealand.
"In his first venture into serious ballet, Pat Rocco presents Brian Reynolds in a soul-searching story of birth, life, and love. With exceptionally beautiful choreography by Lynn MacMurrey, we see Brian "being born" in an array of multi-colored patterns, finally bursting forth into life by discovering himself alone on top of a mountain. Upon seeing himself for the first time in a clear mountain pool, he becomes keenly aware of his loneliness and ventures forth in search of love. Dancing nude up and down streets, he finally comes upon Erik Carlson. Immediately the scene changes to an all black background as the two perform a pas de deux of love and lovemaking that must be seen to be truly appreciated. This is the first known nude ballet performed by two males that has ever been presented on the screen - and it promises to be one of the most successful films to ever come from Pat Rocco's Bizarre Productions."
A writer attempts to blackmail a publisher into printing his latest book
Architect William Sommer wants to organize his life in a practical and sensible way. Yet it is falling apart. His ex-wife will not settle for a check. His new, young girlfriend has a young man in tow. William feels sick to his stomach. He numbs the pain with alcohol. He feels like doing something violent. The nice man is about to explode...
A young virgin escapes the clutches of an evil step dad and is 'rescued' by two seasoned prostitutes. They show her the ropes and begin making some money, until the 18 carat virgin starts earning more than the seasoned veterans.
A short sexploitation film involving a psychiatrist and his female patient.
Short adaptation of Ray Bradbury's Dandelion Wine.
A masked fighter kills members of the Dragon clan who were practicing a rare form of martial arts in the monastery and took the secret manual now hunt is on to retrieve the manual and bring the killer to justice.
A producer of erotic / pornographic pictures would like very much to win the Golden Banana at the 13th Danish Festival of Pornographic Pictures. He tries to spy what the other studios are filming...
Two blind swords women come to the aid of a swordsman tracking down a ruthless martial arts master.
A poor music student Madhavan seeks accommodation in Menon's house. Menons daughter Malathi and Madhavan are drawn to each other.
Semi-documentary film, about logging. Both the procedures and the problem of wood theft. Tells the love story between Parta, a logging officer and Anna, a nurse.
This period compilation of documentaries shot with a Portapak camera from the early era of video experimentation offers an immediate view of the independent New York art scene (concerts and theater perfomances on the streets and in the clubs of downtown). It is a sort of summary of Steina and Woody Vasulka's first creative period, a period of fascination with the more bizarre aspects of "new American decadence". Thanks to the video camera and its revolutionary implications, the creators were able to penetrate into spheres where the documentarians of more classical media were neither allowed nor interested to enter, thereby helping to expand the ideas of documentary possibilities. Steina has remarked that she learned the craft of camerawork as documentarian thanks to these celebratory, countercultural scenes of the "sexual avant-garde"-- Participation also features a pulsing light show projection at the Fillmore East, and a scene from Off-Broadway drag theater.
Leonardo is a singer with huge success in Argentina and abroad. He is happy, but his tranquility is not enough as he can't find love and is possessed by sadness.
Five inmates escape Death Row and hole up with their women in the ruins of an abandoned hacienda.
The film tells the story of Ali, a detective who tries to solve a murder committed by a blackmailer. Kazım blackmails people with the photos he takes to make money. On his way back from Rome, the plane he boards crashes and he disappears. Those who are working with Kazım mistake Ali, a detective who happens to be involved in these events, for Kazım. However, only Kazım's girlfriend notices this. After these events, a woman asks Ali, whom she believes to be Kazım, for photos of her brother. There are photos of the woman's brother in Kazım's house. The woman's brother has been murdered. Upon learning this, Ali takes action to solve the murder.
This story depicts the relentless determination of a wife seeking revenge after her husband is drawn into a conspiracy and murdered. Based on the novel of the same name by Giichi Fujimoto.
Ombre mobili from 1971 was my first video work; a first test born from my environmental art project, an exhibition that could be made with lamps and lights that were supposed to stand out against the white walls of Studio 74, the constantly moving shadows of the audience present.
During the Second World War, the Germans hunt an Italian partisan who is trying to blow up a chemical weapons laboratory.
Burma-based widow, Parvati, along with two sons, Prem and Rajesh, re-locates to Bombay to live with her late husband's friend and widower, Sewakram, and his two daughters, Shanti and Durga. He returns some cash and jewelery to her that was entrusted to him, and she re-locates to live in a big bungalow. Shortly thereafter, Prem and Rajesh get married to Shanti and Durga respectively. The entire family live harmoniously until Parvati is told by Mrs. Pereira that Prem has been physically abusing his pregnant wife. Parvati and Rajesh undertake to rein-in Prem - and it this overture that will not only shatter their idyllic lifestyle but force both brothers to take up arms against each other.
Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.