Cinematic Era: 1969 Vintage

Presents the game in which El Salvador classified to the 1970 FIFA World Cup in Mexico.

Prepared and shot with a group of young workers, schoolchildren, the unemployed, etc., in a neighborhood of Le Havre, On voit bien qu'c'est pas toi inaugurates a series of "collective" films, in a neighborhood of Le Havre, On voit bien qu'c'est pas toi inaugurates a series of "collective" films, inspired by the impetus of 1968, which helped to make our filmmaking activity (somewhat) better known. The young people chose the documentary form to show their lives as they wanted them to be seen, that is, on a daily basis, in their premises, at work, on the town, with their families, on wild camping trips... In this way, they drew up a precise and detailed self-portrait of a milieu hitherto almost totally absent from the screens.

'It's so absolutely beautiful, so perfect, so like nothing else. Forms, geometry, lines movements, light, very basic, very pure, very surprising, very subtle.' - Jonas Meka

Bollywood 1971

A subversive and experimental film from Otmar Bauer and Günter Brus.

Scenes of Meadowbank Stadium and Traquair House.

‌A young man and woman are in love, but a wealthy older man comes between them. Through various schemes and deceptions, he eventually succeeds in marrying the young woman. The young man refuses to give up, and after a series of events, he finally succeeds in winning back the woman he loves.

Documentary about the work of the first free Dutch radio station in liberated territory.

In this take on the classic fairy tale, instead of being devoured by a wolf, Little Red Riding Hood is devoured by a greedy rich man. To save her life, she uses her wings made from her own blond hair.

After tyrannical Commander Jabbir kills his father, Mehmood, along with his brother, Mehboob; sister, Yasmin; friend, Badru, and others decide to become bandits and loot the rich. Mehmood, now known as Baghdad Ka Chor, falls in love with Shehzadi Rukhsana, who detests him, and sets out to hunt him down after she finds out that he has abducted her brother. She does locate her brother, finds out that Mehmood had actually rescued him from unknown assailants and falls in love instead. Their lives will soon be turned upside down when Mehboob decides to sexually molest Rukhsana; betrays Mehmood, has him arrested and sentenced to be hanged; while Commander Jabbir makes himself magically immortal and indestructible, takes over the kingdom, imprisons the emperor, the Shehzada, and abducts and holds Rukhsana in a secret location.

A mother comes to visit her son at his pre-military academy in kibbutz Sha’ar HaGolan. They spend a day together, just like old times when he was a boy.

About Kamchatka and its inhabitants.

Three poor young men fall in love with girls who later turn out to have a wealthy father…

Short film by Japanese filmmaker Jun’ichi Okuyama.

While commissioned to create this promotional film for Outward Bound, an organization dedicated to connecting young people with outdoor experiences, Fulton used extra time and footage to edit together a collection of three films (Ahnameke, Huie Whitewater and Oriana), closer to his style of personal filmmaking. This is the commercial work.

A sponsored film from DuPont that provides a history of printing and the printing press. Its focus is primarily the changes that modern technologies have introduced into the process.

An encapsulation of the beat generation and its attempts to break out portrayed through collages

The violinist fell for a beautiful woman, and they got married. But his boss wasn’t happy about it because he had liked her long before. Out of spite, the boss manipulated him into becoming an alcoholic. From there, his life started to spiral into chaos.

A film by Fritz André Kracht

“Should one turn to high culture, dive into the armed underground, or rather enjoy life?” A perplexing dilemma between art, war, and sex, filmed in 1969 on the stage of the auditorium at the Hamburg University of Fine Arts; the two main actresses were the university's nude models.

A historical account of the postal service through the centuries, from early communication to the late 1960s.

Otto Kellner, Norbert Stratmann and Joseph Beuys step inside the already filming camera of Lutz Mommartz inside his apartment. Lutz Mommartz without a word exposures the visitors to the audience.

Basu calls his psychiatrist to tell him a singular adventure. In a ruined abbey, he witnesses an unusual wedding in the presence of a tribunal. He runs away with the young bride. After a fleeting happiness, he returns alone. He thinks he dreamt of this, but there is a memory left.

Life is full of setbacks; even when doing something as simple as going to the station by bike. But our protagonist won’t give up so easily. Line drawings in Vaseline.

Images of everyday life: a walk, the village fair with the carousel and children playing alternate with scenes in which the young couple kisses passionately in a little church, spied by the indiscreet eye of the camera.

Cutout animated advertisement for the "Mamaia" fruit nectar, distributed by Conservexport București.

Documentary film by Jorge Solé and Carlos Rebolledo.

This film explores how the conflict with the North affects "South Vietnam's traditional culture, and seeks to explain why the South Vietnamese people still have the will to fight. Included in the film are a funeral procession, family life scenes, fishermen and farmers at work, soldiers moving single file along a dike, and a wedding procession" (US National Archives). A binational production between the United States and the (former) Republic of South Vietnam.

"This film deals with South Vietnam's "Open Arms" program, designed to encourage communist defectors. The film presents three defectors who tell how Chieu Hoi leaflets persuaded them to desert the North. Their stories offer a candid and telling testimonial against the Viet Cong. The film was produced and directed by William Bayer" (US National Archives).

A mysterious object code named "Meatball" has appeared in orbit around the Earth. When the Military sends an android pilot in a new super spaceship to destroy it, it chickens out and sends amiable stoner Zero Bluitt instead.

Short promotional clip of the legendary Athenée Palace, Leonard Suciu’s film plays out as a pop-infused showcase of the venue’s nocturnal temptations. Scantily clad dancers, sweaty singers, and all sorts of bacchic attractions—seasoned with a psychedelic soundtrack—recreate a Western-style atmosphere where spectators (both men and women) lounge in the cigarette-smoked chiaroscuro, while the performers lay themselves bare to indiscreet, hungry gazes in search of exotic thrills.

Tidy your shit up fool

Pelican Crossing public information

An appealing portrait of the McCormick players, one of the last travelling theatre groups in Ireland in the late 1960s. Terence McDonald captures their variety show of songs, sketches and puppetry, along with interviews with the family members, most of whom were born into the business and have been on stage from as young as three years old. The audiences are diminishing due to the rise in television and showbands, but the family’s passion for the stage still burns brightly. RTÉ had scheduled this documentary for broadcast in 1967 but postponed transmission after the Apollo 1 explosion due to the unintended new context of one of Bert’s songs You’ll Never Reach the Moon. The film concludes with a song wishing the family goodbye with a final curtain call, with the family credited as Colm McCormick, Betty, Bert Patterson, Coral Patterson, Queenie White and Joe.

Вахта (watch/observation, or a short working contract) was released in 1969. It received a diploma and the "Tulpar" prize for the best short documentary at the festival of Central Asia and Kazakhstan in Alma-Ata, as well as the prize of the First VKF films about the working class in Sverdlovsk in 1970.

It was made quickly, in a student-style way, to be shown at a student drama festival. In the main sequence, we continue to explore the nature of perception in relation to cinema: six- or nine-frame shots of the 270 festival participants appearing like flashes on the screen as they announce their names. (Arthur Cantrill & Corinne Cantrill)

Made from image fragments from Will Spoor's footage, it was our first direct foray into the relationship between cinema and visual perception. It has two parts: Retina Imprints, an experiment on the persistence of vision, stretching and reorganizing movement in time, and Memory Imprints, fragments of strange images that remain impressed on the memory. (Arthur Cantrill & Corinne Cantrill)

An educational film profiling the work of the Catalan architect Antoni Gaudi. Concerned principally to show this Catalan artist as a great pioneer of modern architecture. Records the most important buildings, showing the relationship between artistic tradition and craftsmanship, and his intense religious devotion.

Will Spoor is a Dutch performer, working in the abstract side of movement and mime. He has considerable knowledge of the potential of film and his intention was to extend his work into realms that were impossible for live theatre. We used a combination of animation and in-camera superimpositions to create structures of body movement. Our work on sound composition came to a head in this film with organically and electronically complex sounds. It was the most valuable collaboration we had done with another artist since Larry Sitsky; an intense concentration of our energies and skills and of his energies and skills. (Arthur Cantrill & Corinne Cantrill)

A little man walks through an Escher-esque forest.

Cartoon for children, consisting of two parts, based on the fairy tales "The Centipede" and "Bubble, Bast and Straw".

George and Betty face an uncertain future as he prepares to go away to college, forcing them to consider whether their relationship can endure a prolonged separation.

In 'Looking Around Piece', the performer stands before a fixed camera, which records his eye and head movements as he follows a moving object outside the frame. In 'Starting Piece', the performer starts too far away to be captured by the camera; as he walks down the hill, he gradually enters the frame. In 'Catching Up', the performer and cameraman walk side by side across a field. Sometimes the performer falls as the camera continues its pace; the performer must make an effort to catch up and return into the frame.

A 22 minute Warholian two-screen silent film featuring Syd Barrett along with other friends of Kevin Whitney.

Discussion between the critics André S. Labarthe, Jean Domarchi and director Marc'O, on a film of Murnau.

The 7th Avant Garde Festival was presented in 1969 on two islands, Wards and Mill Rock, in the East River. Here Yalkut's rare documentation records performances on Wards Island, beneath one of Buckminster Fuller's famous geodesic domes.

This film documents a moose hunt conducted by the Trout Lake Cree.

Written and directed by the filmmaker Jesús Almendros, 'Miradas' recreates the geographical, social and cultural environment of Vicente Ameztoy at a very early stage of his artistic career. It was filmed in San Sebastian and in the painter's family home in Villabona (Gipuzkoa), with the collaboration of several of his friends, including the painter Juan Luis Goenaga.

The mole goes to the zoo.