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The Castaways of the Fol Espoir

A film crew in the early twentieth century, the cabaret known as ‘Le Fol Espoir’ has been transformed into an amateur soundstage. The motion picture tells the story of a ship and its passengers – from the famous opera singer down to the petty criminal. The film is an optimistic political fable intended to educate the masses. There’s comedy aplenty – slapstick punches, custard pies and gags reminiscent of Buster Keaton and Fatty Arbuckle; there’s adventure, high drama moments of great bravura , and passionate love stories. The filming begins on June 28th 1914, the day of the Archiduke Franz Ferdinand’s assassination in Sarajevo, the gunpowder that sets Europe alight. It ends with news of another assassination – that of Jean Jaures on July 31st followed by the general conscription of August 1st, heralded by church bells across France. The allegory of the shipwreck is filmed at breakneck pace during the last five weeks before war breaks out.

The Castaways of the Fol Espoir

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Cry Wolfe

Cry Wolfe combines the work of veteran private eye Brian Wolfe and Investigation Discovery's signature dramatizations to create a hybrid reality/procedural-crime series. It's inspired by actual cases investigated by Wolfe and his assistant, Janine McCarthy, and whether the target is a cheating spouse, dishonest employee, or scammer, each half-hour episode follows the two from the initial client consultation to evidence-gathering stages and finally a confrontation with the accused. Wolfe, a no-nonsense guy with a thick Boston brogue, conducts field work using an arsenal of tried-and-true P.I. tricks; McCarthy picks up the data trail left on the Internet; and re-enactments give each case life, disclosing a shadowy world where things aren't always as they seem.

Cry Wolfe

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Bunkers Brutalism and Bloodymindedness

Two-part documentary in which Jonathan Meades makes the case for 20th-century concrete Brutalist architecture in an homage to a style that he sees a brave, bold and bloodyminded. Tracing its precursors to the once-hated Victorian edifices described as Modern Gothic and before that to the unapologetic baroque visions created by John Vanbrugh, as well as the martial architecture of World War II, Meades celebrates the emergence of the Brutalist spirit in his usual provocative and incisive style. Never pulling his punches, Meades praises a moment in architecture he considers sublime and decries its detractors.

Bunkers Brutalism and Bloodymindedness

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The Savage Line

The Savage Line examines the lives of experienced outdoorsmen, Cory Valdes, Jason Lesmeister, Rob Hardy, and Puma Ghostwalker, who traverse the world’s most remote places and work to protect the lives of men and women working in the backyard of nature’s fiercest predators. Their job takes them deep into the wild, demanding strong survival skills and a deep understanding of animal behavior. Utilizing non-lethal techniques, The Savage Line experts must brave both extreme weather and dangerous animal encounters to keep the peace between man and beast.

The Savage Line

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