Class of '09 - Miniseries

The year is 2048. By mandate, every cop must partner with a robot. Detective John Kennex returns to work after waking up from a 17-month coma. As he adjusts to working with his new partner, Dorian, a discontinued android with unexpected emotional responses, John also must learn to get along with his new colleagues.

Dr. Jacob Hood is a brilliant biophysicist and special science advisor to the government who investigates scientific crises and oddities. His crusade is to protect the substance of science against those who would abuse and misuse scientific discoveries for their own gain.

A drama centered on a high-tech intelligence operative who is enhanced with a super-computer microchip in his brain, and the director of the elite government cyber-security agency who supports him.

Former British soldier Jonathan Pine navigates the shadowy recesses of Whitehall and Washington where an unholy alliance operates between the intelligence community and the secret arms trade. To infiltrate the inner circle of lethal arms dealer Richard Onslow Roper, Pine must himself become a criminal.

Alex Cross is a brilliant but flawed homicide detective and full of contradictions. A doting father and family man, Cross is single-minded to the point of obsession when he hunts killers. He is desperate for love, but his wife’s murder has left him too damaged to receive it.

Total Recall 2070 is a science fiction television series first broadcast in 1999 on the Canadian television channel CHCH-TV and later the same year on the American Showtime channel. It was later syndicated in the United States with some editing to remove scenes of nudity, violence and strong language. The series was inspired by the 1990 film Total Recall, based on Philip K. Dick's short story "We Can Remember It for You Wholesale", and by Dick's novel Do Androids Dream of Electric Sheep?, with a visual style heavily influenced by the film Blade Runner, itself very loosely based on the same novel. However, other than the Rekall company and the concept of virtual vacations, the series shares no major plot points or characters with any of these works. Philip K. Dick is not credited in any way on the series main or end titles. The series was filmed in Toronto. It was a Canadian/German co-production. Only one season, consisting of 22 episodes, was produced.

Recruited out of law school by the CIA, a daredevil young attorney leaps unprepared into the dangerous world of international espionage.

Set in a dystopian America ruled by a totalitarian political party, the series follows several seemingly unrelated characters living in a small city. Tying them all together is a mysterious savior who’s impeccably equipped for everything the night throws at them. As the clock winds down with their fates hanging in the balance, each character is forced to reckon with their pasts as they discover how far they will go to survive the night.

A detective chief inspector from 2006 is investigating a serial killer when he is knocked over by a speeding car. Waking up, he finds himself mysteriously transported back in time to 1973. Initially struggling to come to terms with his situation, he has to come to terms with the old-fashioned technology and attitude of the day, while figuring out how he came to be trapped in the past.

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.