Nečakaj ma už nikdy

Lonely Agáta experiences a special relationship with her plants and an old gramophone in her garden shed. Dialogues with inanimate objects, which come to life in her presence, gradually reveal her inner world—balancing on the edge between the grotesque and horror. When a stranger enters the space, the shed becomes a place of phantasmagorical defense. At its core, the film is a melancholic study of loneliness and the defense mechanisms that people create in order to survive.