Me & My Girl - Season 2

After the death of his wife, Danny enlists his best friend and his brother-in-law to help raise his three daughters, D.J., Stephanie, and Michelle.

Ben Harper is a moderately successful family man and dentist. He is also undergoing a mid-life crisis and trying to cope with the bizarre reality of raising teenage children. His wife Susan seems quite happy, enjoys her job as a London tour guide, however at home her ability to find her way around a cookbook or pantry is less successful. Their three children Nick, Janey, and Michael are as different as chalk and cheese. Nick (19) is on his gap year, but doesn't get much further than the sofa or job centre, Janey is as sharp as a tack and 16 going on 25, while Michael is a very bright, computer-nerdish 12 year old who is just discovering girls.

James "Jimmy" Chance is a clueless 24-year-old who impregnates a serial killer during a one-night-stand. Earning custody of his daughter after the mother is sentenced to death, Jimmy relies on his oddball but well-intentioned family for support in raising the child.

This English follows the East End working-class Garnett family, headed by patriarch Alf, a reactionary working-class man who wields racist and anti-Socialist views. His long-suffering wife Else manages to keep things in control... for the most part. Their progressive daughter Rita lives with them, as does her Irish husband Mike, who, with an array of liberal worldviews, often quarrels with his father-in-law. It inspired the American show "All In The Family" and several other international variations on the same theme.

Only Fools and Horses.... Is a British sitcom created and written by John Sullivan. Seven series were originally transmitted on BBC One from 1981 to 1991, with sixteen sporadic Christmas specials aired until 2003. In working-class Peckham in south-east London, ambitious market trader Derek 'Del Boy' Trotter and his younger half-brother Rodney, explore their highs and lows in life, in particular their attempts to get rich. Initially not an immediate hit and receiving little promotion early on, it later achieved consistently high ratings, and the 1996 episode "Time on Our Hands" (originally billed as the series finale) holds the record for the biggest UK audience for a sitcom episode, attracting 24.3 million viewers. The series bears a significant influence on British culture, contributing several words and phrases to the English language.

As a single father of five teenage boys, Nick Savage faces the daunting challenge of trying to control the mayhem. A career firefighter, he finds running into a burning building a relaxing break from his parental duties.

A fresh and funny take on modern friendship and what one urban family will do to stay friends after the perfect couple who brought them all together break up on their wedding day. The failed wedding forces them all to question their life choices. Then there are Alex and Dave themselves, who strike a truce and must learn to live with the changes their breakup has brought.

Jim is the typical all-American guy — a macho "everyman" — with a soft spot for his beautiful wife and children. Jim's boyish bravado and humorous antics keep a certain level of turmoil in their home, but there's never a doubt that this "opposites attract" couple are in their marriage for keeps!

Steptoe and Son is a British sitcom written by Ray Galton and Alan Simpson about a father and son played by Wilfred Brambell and Harry H. Corbett who deal in selling used items. They live on Oil Drum Lane, a fictional street in Shepherd's Bush, London. Four series were broadcast by the BBC from 1962 to 1965, followed by a second run from 1970 to 1974. Its theme tune, "Old Ned", was composed by Ron Grainer. The series was voted 15th in a 2004 BBC poll to find Britain's Best Sitcom. It was remade in the US as Sanford and Son, in Sweden as Albert & Herbert and in the Netherlands as Stiefbeen en zoon. In 1972 a movie adaptation of the series, Steptoe and Son, was released in cinemas, with a second Steptoe and Son Ride Again in 1973.

A former professional baseball player, along with his preteen daughter, moves into New York advertising executive Angela Bower's house to be both a housekeeper and a father figure to her young son. Tony 's laid-back personality contrasts with Angela's type-A behavior.