Jean-Claude is a loud-mouthed, know-it-all and full time boor who is best friends with Stef, a self-styled lady killer who would do better with the fairer sex if he could work up the ambition to wake up in the morning. Stef has decided that he may need some help in finding the woman of his dreams, and embracing loyalty rather than logic he turns to Jean-Claude for advice.
Jean-Luc Couchard
Jean-Claude
Mélanie Laurent
Natacha
François Damiens
Claudy
มาริยง โกติยาร์
Nadine
Dominique Pinon
Stef
Jérémie Renier
Greg
Florence Foresti
Le commissaire Laurence
Catherine Jacob
Sylvie
Marie Kremer
Fabienne
Jean-Claude is a loud-mouthed, know-it-all and full time boor who is best friends with Stef, a self-styled lady killer who would do better with the fairer sex if he could work up the ambition to wake up in the morning. Stef has decided that he may need some help in finding the woman of his dreams, and embracing loyalty rather than logic he turns to Jean-Claude for advice.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
In New York, Felix, a neurotic news writer who just broke up with his wife, is urged by his chaotic friend Oscar, a sports journalist, to move in with him, but their lifestyles are as different as night and day are, so Felix's ideas about housekeeping soon begin to irritate Oscar.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
Two blue-collar buddies search the underworld for a winning lottery ticket lost in a nightclub holdup.
Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and inactive. Just a dog is occupied to carry food and newspapers to him.
Alphonse Tram is unwittingly involved in several murders despite having no memory of committing the crimes. His confusion lead him to confess to his neighbour, Inspector Morvandieu. Alphonse and Morvandieu become the axis around which murders occur.
เจ้าหน้าที่เอฟบีไอสองนายได้รับมอบหมายให้คุ้มกันสาวสังคมสมองกลวงสองคนจึงต้องปลอมตัวเป็นสาวผิวขาวรักสนุกเพื่อกำจัดพวกที่จะมาลักพาตัว
พวกเขากลับมากันอีกแล้ว เดล เคิร์ต และนิค สามเพื่อนซี้ที่พยายามกำจัดบอสนิสัยแย่ๆในภาคก่อน จนทำเงินกวาดเสียงฮาและรายได้ไปเยอะ ครั้งนี้พวกเขาตกลงใจขอเป็นบอสในธุรกิจของตัวเอง แต่ทุกอย่างก็ไม่เป็นไปตามแผน เมื่อผู้ลงทุนตัวแสบ (คริสทอฟ) ตุ๋นพวกเขาซะเปื่อย งานนี้ทั้งสามจึงวางแผนลักพาตัวลูกชายของเขา (คริส) เพื่อเรียกค่าไถ่เป็นการล้างแค้น
Chronic serial womanizer Stephane Margelle drops his wife Sophie off at the airport so she can go away for Easter weekend. He immediately picks up beautiful young Julie, who has just had a fight with her married boyfriend. He gets her back to his apartment and is preparing for a sexy weekend, when his wife suddenly returns home. He makes up a bizarre, on-the-spot, spur-of-the-moment story that the gorgeous girl is actually his long-lost daughter. Julie plays along, but this leads to a whole series of increasingly ridiculous lies and comical situations (such as when her real mother shows up).
Jean-Pierre Costa is a football manager upon whom fate appears not to be smiling. First, a friend, Annabelle, dumps a pet Labrador named Didier on him whilst she goes off to make a report in Los Angeles. Next, one of his star players is injured, leaving him one player short for a crucial match. As if things could not get any worse, Costa wakes up one morning to find that that Didier has been transformed into a man...