This comedic piece centers on a trio of sisters—Rei Okamoto, Nahomi Oka, and Tamaki Katsura—whose personalities are nothing if not intense. Working as hostesses, they put their bodies on the line to make money, ultimately rising to the top by capitalizing on a very particular "special talent."
桂たまき
Fumie
丘ナオミ
Akemi
岡本麗
Fumie Kawahara
Reiko Akitsu
Junko
長弘
Yazaki
Yuriko Hirota
Tamako
Sanae Jô
Mayumi
川越たまき
Haruko
小松方正
Bunkichi Yoshioka
This comedic piece centers on a trio of sisters—Rei Okamoto, Nahomi Oka, and Tamaki Katsura—whose personalities are nothing if not intense. Working as hostesses, they put their bodies on the line to make money, ultimately rising to the top by capitalizing on a very particular "special talent."
Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.
Rei is a college student in the midst of finding a job. She confesses her love to Mikio, a senior whom she admires. Mikio soon demands that she perform perverted acts.
While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings years back, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
การใช้ชีวิตในบาร์บี้แลนด์คือการมีชีวิตที่สมบูรณ์แบบในสถานที่ที่สมบูรณ์แบบ เว้นแต่คุณจะมีปัญหาทางอารมณ์หรือว่าคุณคือเคน
Misaki Amemiya is an assistant inspector for the Metropolitan Police Department's Community Safety Bureau who becomes ensnared in a trap while investigating a mysterious illegal video website called "Babylon". Soon, she's bound and tortured along with Shizuko and an oversexed housewife named Ruri.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.
18 years after the mysterious death of her mother, Maya takes religious vows to find out what terrible things happened to her mother inside the Sacred Heart Convent. As soon as the door closes to the nunnery, the nuns start torturing her. She also has to deal with a lecherous archbishops and a lesbian mother superior.
ติดตามเรื่องราวของกลุ่มเพื่อนเชื้อสายเอเชียน-อเมริกัน ที่รวมตัวกันเดินทางไปยังทวีปเอเชียเพื่อที่จะตามหาแม่ของเพื่อนคนหนึ่งในกลุ่ม