"Time wasted is time given to the enemy..."
Conquer by the Clock was a short dramatic propaganda film produced by the RKO Pathé in 1942 to encourage wartime industrial production. It was nominated for an Academy Award for Best Documentary Feature in 1943.
Conquer by the Clock was a short dramatic propaganda film produced by the RKO Pathé in 1942 to encourage wartime industrial production. It was nominated for an Academy Award for Best Documentary Feature in 1943.
I’m not sure the clock actually manufactures time nor am I sure that the overly laboured message here would achieve much more than a society of exhausted, nervous wrecks. The premise is that every second counts, and so if you sneak out for a cigarette or go to a ball game on your day off, or even go to the toilet, then you are essentially a saboteur! Yes, the message is ridiculously over-delivered and actually quite dangerous as many of the tasks it uses as examples could not be safely carried out by people who are seeing double whilst standing for hours on end with sore feet and fatigue. There is plenty of industrial archive included to illustrate just how joined up everything is, and just how inter-dependant production and distribution can be, but a couple of folks dying because their lifeboat didn’t have enough tins of corned beef seems to put the blame a little disproportionally on the stockist rather than the Nazi with his finger on the torpedo. Still, it does remind us all that time wasted helps no one. Just be thankful they didn’t extend that philosophy to this film, else we might still be watching it live!
A documentary about the life and films of director John Ford.
สารคดีที่เล่าเรื่องราวของเบื้องหลังความเป็นมาของนักเตะดาวดังที่ประสบความสำเร็จมากที่สุดของรุ่น ในยุคที่ฟุตบอลอังกฤษถือเป็นจุดสูงสุด โดยเฉพาะเด็กหนุ่มยอดนักเตะดาวรุ่งพุ่งแรง 6 คนจากชนชั้นกลางที่ได้เข้ามาอยู่ร่วมทีมกันในสโมสร แมนเชสเตอร์ ยูไนเต็ด อันได้แก่ เดวิด เบ็คแฮม, นิคกี้ บัตต์, ไรอัน กิกส์, แกรี่ เนวิลล์, ฟิล เนวิลล์ และ พอล สโคลส์
Behind the scenes look at fight choreography and action training.
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
In this documentary, recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it therefore to be his rightful property.
Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.
A documentary about the sport of boxing, as seen through the eyes of champions Mike Tyson, Evander Holyfield and Bernard Hopkins.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.