Shoot the Moon
"There's one thing about marriage that hasn't changed... The way you hurt when it begins to fall apart."
After fifteen years of marriage, an affluent couple divorce and take up with new partners.
"There's one thing about marriage that hasn't changed... The way you hurt when it begins to fall apart."
After fifteen years of marriage, an affluent couple divorce and take up with new partners.
Albert Finney
George Dunlap
ไดแอน คีตัน
Faith Dunlap
Karen Allen
Sandy
Peter Weller
Frank Henderson
Dana Hill
Sherry Dunlap
Viveka Davis
Jill Dunlap
Tracey Gold
Marianne Dunlap
Tina Yothers
Molly Dunlap
George Murdock
French DeVoe
After fifteen years of marriage, an affluent couple divorce and take up with new partners.
The “Dunlap” family are living out the dregs of the marriage of novelist “George” (Albert Finney) and “Faith” (Diane Keaton) before he ups sticks and leaves her and their four daughters to take up with “Sandy” (Karen Allen) - herself recalibrating after a failed relationship and a woman completely in love with him. “George” is a bit of a selfish man, and though he certainly wants his mistress, he also wants his family, his home and essentially - his cake and eat it. Why, thinks “Faith” should she just sit at home waiting for him to grow up? Surely it’s time for her to do a little exploring of her own? Well an opportunity arises when the man who was supposed to be installing her tennis court turns up. She hasn’t his $1000 to pay him, but when he hears of her predicament “Frank” (Peter Weller) agrees to try and work something out. So now the scene is set, she is making some headway and he has his “Sandy”. Satisfaction? Well no. It’s fair to say that he hadn’t really considered the impact of his actions on himself, certainly, but nor had he on his children and his elder daughter “Sherry” (Dana Hill) swiftly makes it clear that she wants nothing to do with her errant father. This is something he can’t accept, and coupled with his soon to be ex-wife’s ability to seemingly get on with her life, his troubles start to have a toxic effect on not just “George”but on pretty much everything he touches. Tantrums and fits of rage ensue and Finney is very much in his element as his character gradually loses the plot, but it’s really the more subtle but forceful effort from Keaton that stands out here. She exudes a palpable degree of frustration and anger as well as a stoicism borne from her need to care for her children and a strength to try to find a life for herself, too. There is also a fairly compelling effort here from the young Hill who delivers well struggling to come to terms with why her family is being torn asunder. It has dated a bit, and the story itself is nothing especially new nor is much of the route it takes for a couple of hours of dramatic family dysfunction but the performances do merit watching and the denouement offers a degree of catharsis that only a film set (with lots of insurance) could supply.
Dr. Archie Bollen is having a midlife crisis. He's just divorced his wife and is establishing a new life for himself. One night, he catches the eye of Petulia Danner, a charming, free-spirited young woman. Petulia's vibrant personality hides her fear of her abusive husband, David, whose father is a powerful society figure. As Petulia and Archie's feelings for each other grow, they must decide what it is they truly want.
ในช่วงทศวรรษที่ 1950 พี่น้องเจซีย์และดัก โฮลต์ ซึ่งมาจากเมืองเล็กๆ ทางตอนกลางของอเมริกาที่ยากจน ต่างแข่งขันแย่งชิงความรักจากพี่น้องตระกูลแอบบอตต์ที่ร่ำรวยและสวยงาม เจซีย์ผู้ฆ่าผู้หญิงสลับไปมาระหว่างเอลีนอร์และอลิซ โดยต้องการทำลายหัวใจของหญิงสาวผู้ร่ำรวย แต่ดั๊กผู้อ่อนไหวกลับมีความรักที่แท้จริงกับพาเมลา ซึ่งเจซีย์และลอยด์ หัวหน้าครอบครัวแอบบอตต์ ต่างไม่พอใจ
In a rural Utah town, David, a father of four, grapples with his separation from wife Nikki as she pursues a new relationship.
A perfect typical LA couple find their happily-ever-after life broken when the husband confronts his long-repressed attraction for other men.
จากวิสัยทัศน์ของผู้กำกับ Luca Guadagnino "ชาเลนเจอร์" แสดงนำโดย Zendaya เป็น Tashi Duncan จากนักเทนนิสมืออาชีพผู้เผชิญกับทุกศึกไม่ว่าจะนัดเล็กหรือใหญ่ผันตัวมาเป็นโค้ชให้กับสามีของเธอ เธอแต่งงานกับอดีตแชมป์ที่แพ้รวดหลายนัดติดกัน (Milk Faist), กลยุทธ์ของ Tashi นั้นออกแบบมาเพื่อให้สามีของเธอหวนกลับคืนสู่แชมป์อีกครั้ง แต่มันกลับต้องสดุดเมื่อเขาต้องมาเผชิญหน้ากับ Patrick (Josh O' Connor) - เขาคือเพื่อนสนิทและแถมยังเคยเป็นแฟนเก่าของ Tashi อีกด้วย เมื่ออดีตและปัจจุบันมาปะทะกัน ความตึงเครียดจนถึงขีดสุด Tashi ต้องกลับมาถามตัวเองอีกครั้ง เธอต้องสูญเสียอีกเท่าไหร่ถึงจะก้าวข้ามมันไปได้
After her stay-at-home husband leaves her, a workaholic lawyer finds that she is not completely up to the tasks of caring for her young son, ailing father and household all by herself.
Mabel Longhetti, desperate and lonely, is married to a Los Angeles municipal construction worker, Nick. Increasingly unstable, especially in the company of others, she craves happiness, but her extremely volatile behavior convinces Nick that she poses a danger to their family and decides to commit her to an institution for six months. Alone with a trio of kids to raise on his own, he awaits her return, which holds more than a few surprises.
Patrick returns to San Francisco for the first time in almost a year to celebrate a momentous event with his old friends. In the process, he must face the unresolved relationships he left behind and make difficult choices about what’s important to him.
โนอาห์วัย 18 ปี ย้ายจากอเมริกามาลอนดอนกับแม่ที่ตกหลุมรักวิลเลี่ยม นักธุรกิจชาวอังกฤษฐานะร่ำรวย โนอาห์พบกับนิค หนุ่มแบดบอยลูกชายของวิลเลี่ยม และในไม่ช้าทั้งสองก็รู้สึกได้ถึงแรงดึงดูดที่ไม่อาจต้านทาน ขณะที่โนอาห์ใช้เวลาช่วงหน้าร้อนในการปรับตัวเข้ากับชีวิตใหม่ อดีตอันเลวร้ายของเธอก็ตามมาหลอกหลอนในขณะที่เธอตกหลุมรักเป็นครั้งแรก
Widowed mother Mildred must suddenly redefine herself and find an outlet for her nurturing side when her adult daughter moves out of the family home. Though Mildred thinks she's found her purpose when her neighbor, overworked single mother Monica, asks her to look after her little boy, she has great difficulty learning to strike a healthy balance between giving selflessly to others and remembering to take care of herself.