La vie brève de la flamme

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

เจาะลึกเบื้องหลังความละเมียดละไมและความทุ่มเทตลอดหลายปีของพี่น้องดัฟเฟอร์ ในการสร้างซีรีส์ระดับตำนานเรื่องนี้ในซีซั่นสุดท้าย

แฟรนหลงทางอยู่บนชายฝั่งออริกอนที่น่าเบื่อหน่าย เธอพบความสงบในห้องทำงานของเธอ โดยฟังเสียงพึมพำของเพื่อนร่วมงานตลอดเวลา และบางครั้งก็เพ้อฝันเพื่อฆ่าเวลา เธอใช้ชีวิตแบบล่องลอย ไม่สามารถหลุดจากกรอบความคิดเดิมๆ ของตัวเองได้ เมื่อเพื่อนร่วมงานใหม่ที่เป็นมิตรอย่างโรเบิร์ตพยายามเข้าหาเธออย่างต่อเนื่อง แม้ว่ามันจะขัดกับทุกอณูของร่างกายเธอ แต่เธอก็อาจต้องให้โอกาสผู้ชายคนนี้

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

A French woman mourning over the death of her husband three years prior is courted by a Swedish co-worker.

Grégoire Canvel has everything a man could want. A wife he loves, three delightful children, and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema-free and true to life-is precisely his reason for living. Yet his prestigious production company, Moon Films, is on its last legs.

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.

In the seedy domain of Miami’s criminal underbelly, a seasoned hitman embarks on the relentless pursuit of his next target. As shot entirely through thermal lens, he navigates a twisted world where violence and madness reign supreme. Tensions unravel, leading to a psychedelic journey that blurs the lines between predator and prey.

In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)

An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.