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Sarina Nihei's graduation film from Tama Art University.
Sarina Nihei's graduation film from Tama Art University.
Sarina Nihei's graduation film from Tama Art University.
Five stories, five maestros, five styles and one common denominator: maximum creativity. Studio 4°C, the coolest label on the planet, invites us for the second time to an exclusive reunion of a talents with a group film, full of freedom and ingenuity, that goes from Mahiro Maeda's classic anime, to Kazuto Nakazawa's intricate urban sketches, Shinya Ohira's bedlam of color and Tatsuyuki Tanaka's animated cyberpunk. And as if that wasn't enough, Koji Morimoto, the studio big boss, is charge of putting the icing on the cake with fantafabulous piece of abstract poetry that would make a VJ die of ecstasy. The party of the year.
Three unlikely heroes - Nachi, a free-spirited coati; Xochi, a fearless monarch butterfly and Pako, a hyperactive glass frog - embark on an adventure to stop wicked coral snake Zaina from destroying their rain forest homeland.
High school students Miho and Shouta are preparing for college entrance examinations. Miho comes from an island without even one cram school, while Shouta lives in Tokyo and works a part-time job. Both are striving to pass exams so they can enter college. The pair enroll in Z-Kai's correspondence education courses, and their lives cross before they realize it.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
แอ็คชั่นคาเมนมาที่โลกของชินจังเพื่อขอความช่วยเหลือจากชินจังเพื่อปราบปีศาจไฮกุเระ จากนั้นการผจญภัยของชินจังและครอบครัวก็เริ่มต้นขึ้น
ครอบครัวที่ยากไร้ นักพัฒนาอสังหาฯ ที่ร้อนใจและเจ้าของที่ดินที่เหลือทนกับปัญหาสารพัดต้องมาพัวพันกับบ้านพิศวงต่างยุคต่างสมัยในภาพยนตร์อนิเมชั่นตลกร้ายเรื่องนี้
2500 years ago, in India, Siddhartha was born as a prince of the Shakya clan, but he gives up his position as a prince to see the world. He meets a strange boy named Assaji, who can predict the future, a monk with only one eye and Depa. Siddhartha continues traveling. Siddhartha is overwhelmed by the sufferings he witnesses around him. Meanwhile, Prince Ruri of Kosara begins his attack on the Shakya clan. Second Buddha movie from Tezuka Productions.
A cat named Lorenzo is dismayed to discover that his tail has developed a personality of its own.
Two recap specials that focus on Team Urameshi's matches in the Dark Tournament and four separate volumes focusing around one of the main characters; Yusuke, Kurama, Hiei, or Kuwabara.
Nishi is a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, he journeys to heaven and back, and ends up trapped in an even more unlikely place.