Aurelia

Three characters' misadventures in semi-deserted, summertime Rome: a dim-witted mama's boy falls for a tourist; a would-be womanizer struggles to find company for his sex tourism trip to Kraków; a hippie is drawn into his father's schemes to bring him back into polite society.

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

In Pietrasanta all are excited for the annual party of summer end. Here we find four characters: Merigo, a naive guy passionate of bike; Pierre, son of the mayor; Simone, a pestiferous kid; Mario, lifeguard of "Bagnomaria".

A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.

A wealthy broker, Federico Picchioni, within two days forfeits his partner and work, finishing well to living with two children and granddaughter (abandoned by her father). He is, at this point, in the face of many difficulties of adjustment but finds comfort in the help of his neighbor.

ความสัมพันธ์ของหญิงสาววัย 27 ปีที่กลัวการผูกมัดต้องพบกับการทดสอบเมื่อเธอและแฟนหนุ่มเข้าร่วมงานแต่งงาน 7 งานในปีเดียวกัน

ผลกระทบจากการสูญเสียคุณพ่อ ทำให้ อลัน (แซก กาลิเฟียนาคิส) มีอาการน่าเป็นห่วง ฟิล (แบรดลีย์ คูเปอร์) สตู (เอ็ด เฮล์มส์) และ ดั๊ก (จัสติน บาร์ธา) จึงตัดสินใจที่จะพาเขาไปเยียวยาจิตใจ แต่ระหว่างทางพวกเขากลับถูกทำร้ายและดั๊กถูกลักพาตัวไป หนทางเดียวที่จะช่วยชีวิตดั๊กไว้ได้คือออกตามหา โจว (เคน จอง) เท่านั้น

The story of a father and a son. An on the road trip from South to North.

An anthology presents three storylines, all set in the Italian town of Treviso: A husband pretends to be impotent as a cover for having an affair; a bank clerk abandons his wife for his mistress, but the rest of the town's husbands become jealous and unite to conspire against them; and local men all seduce a promiscuous young woman, but when her father eventually reveals that she is underage, they all face prosecution for statutory rape.

In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.