Till We Meet Again
"They need to find themselves before they can find each other"
Follows a couple through their completely different journeys in Thailand and simultaneously reveals their past in New York through flash backs.
"They need to find themselves before they can find each other"
Follows a couple through their completely different journeys in Thailand and simultaneously reveals their past in New York through flash backs.
John Matton
Erik
Linnea Larsdotter
Joanna
Emrhys Cooper
David
Astrea Campbell-Cobb
Miranda
Timothy Ryan Hickernell
Jamie
Elly Han
Cecile
วิทยา ปานศรีงาม
Surachai
Rachel Rossin
Laura
James Kacey
Sam
Follows a couple through their completely different journeys in Thailand and simultaneously reveals their past in New York through flash backs.
**A relations getting ready to face its ultimate fate!** This is a US-Thai collaboration. Ninety-nine per cent of the film was shot in Thailand, but full of American cast. They are not well recognisable cast. Precisely to say, a B movie. And we all know the first rule watching such film, that never expect anything. But if it serves, even least would be a good achievement. Sometimes they do surprise us too. In this case, it was not. It was average, though not bad as you might have heard. Yep, it was very slow. Especially in the opening segment. A bit confusing as well. Within 10-15 minutes, that problem was solved. Yet the pace of the story posed a great annoyance. So if you get over with that, then you might find it an okay film. As I said, for a such small film, the effort was not bad. That includes the actors. Except the story. Very familiar theme, characters and the whole scenario. You could predict most of the parts, but you know when there's a diversion, you can't say which way particularly it Would head. That's I'm saying because of the ending. Erik, Joanna, David and Miranda are the central characters. But primarily it focused on the relationship between Erik and Joanna. They are an average young American couple. It all starts when Joanna concerned about her work project. She needs to go to Thailand, and as per the plan, Erik meets her later as what the title meant. So there will be a few weeks gap between them. That's where the tale takes a twist. Being parted, their relationship put to a test. So when finally they meet up again, what will be their position regarding their relationship, is what discloses to us. > ❝You were just accidentally funny.❞ Very challenging first quarter to watch, and so the following one. But once you passed that, its a watchable film. Worth a watch too, though not a must see or for everyone. As I always say, if you had seen plenty of films themed romance and relationship, then this will be in some way another boring repetition. But if you watch films rarely, then you need to be patience, in order to enjoy or like it. In the end, I'm saying it again that is not a bad film, they just did not make it in a right way. Trimming a few scenes to make it a quick and shorter film would have made a trick. As for the story, I feel sorry for Joanna. Of course she did not handle the given situation. But she had a professional pressure. And while fully engaged in that, the people took advantage of it. Then, if you think of Erik, it was mostly a case of misunderstanding and self-discovery. So any tale, especially in romance and relationship, these things are the basic ingredient to lay a platform. The writers should have seen beyond that and tried to add a little fresh perspective. I hope the director had learnt a lesson. This is his first feature film and I felt he was good, except he did not get best screenplay. I mean the basic story was good, but the screenplay lacks for the production level. What it needed was a bit cheerful. Because the entire stretch was so serious. All it talks about the relations, tried to develop even in a small gap. What I meant was, the narration has a flashback. Not a single flashback, but pieces that attached throughout the film. Those flashback pieces come into play only when the story was going other direction, to remind us with the previous account, how it was before to this point. A big disadvantage watching it was the intentional scenes and its dialogues. You predict them or not, but surely they have deliberately done them in that way. Particularly in the scenes of jealous, misunderstanding, taking advantages. After watching the whole story, at that point when it reached the final stage, minutes away to conclude, you could still anticipate or curious to know how it's going to end. But that's not a twist or even close to one. For a poor start and average middle part, the final act was fine. Just fine. I would say a fitting end. I always happy to give a try the B movies, and so I did the same for this. But blaming things around it is unnecessary, if you knew the risk you're taking, otherwise don't watch it. _6/10_
Newly widowed Frank Fogle embarks on a journey to Ireland to scatter his late wife’s ashes. His estranged son, Sean, recently released from prison, agrees to join only when his father promises that they’ll never see each other again following the trip. After revelations surface about an old flame of Frank’s wife and a charming hitchhiker with plans of her own intervenes, father and son find themselves drawn together in unexpected ways.
In feudal India, a warrior who renounces his role as the longtime enforcer to a local lord becomes the prey in a murderous hunt through the Himalayan mountains.
อดีตเจ้าหน้าที่ DEA และอดีตเจ้าหน้าที่ลับกลับมาทบทวนความรักของพวกเขาอีกครั้งในช่วงสุดสัปดาห์ที่เป็นชะตากรรมในไทเป โดยไม่รู้ถึงผลที่ตามมาอันตรายจากอดีตของพวกเขา
ชายผู้ไร้ความทรงจำออกตามหาความจริงเกี่ยวกับอดีตของตน แต่หนทางกลับพาเขามาพบกับการเผชิญหน้าที่ชี้เป็นชี้ตายกับศัตรูที่แข็งแกร่ง
ในช่วงหลังสงครามโตเกียวแชมป์ Masahiro (Yusuke Ogasawara) ชาวญี่ปุ่นผู้พ่ายแพ้ได้ฝึกฝนรถไฟในถิ่นทุรกันดารฤดู หนาวเพื่อการแข่งขันที่จะเกิดขึ้นกับผู้ท้าชิงชาวอเม ริกัน Clint Sullivan (Tyler Wood) เมื่อคลินต์รู้ถึงอิทธิพลของยากูซ่าที่มีต่อการแข่งข ันความทรงจำเกี่ยวกับสงครามและลูกชายที่ยังไม่เกิดทำ ให้เขากลัวที่จะสูญเสียทุกสิ่ง ท่ามกลางความตึงเครียดทางการเมืองการเดินทางคู่ขนานข องนักสู้จะทดสอบขีด จำกัด ของวิญญาณมนุษย์
พี่ชายกับน้องสาวที่รักกันแต่ไม่เชื่อใจกัน ไปล่องแก่งกับกลุ่มเล็กๆ รวมถึงเพื่อนสมัยเด็กอดีตนักโทษของสองพี่น้องที่กลายเป็นตัวอันตราย
กังเกิง การแข่งขันโบราณที่ผู้ชนะได้ทุกสิ่งซึ่งนักสู้ที่อันตรายที่สุดจากทั่วโลกใช้ทักษะศิลปะการต่อสู้ที่น่าตื่นตาตื่นใจที่สุดเท่าที่เคยมีมาเพื่อคว้ามังกรทองอันล้ำค่า แต่ทักษะการต่อสู้เพียงอย่างเดียวไม่เพียงพอสำหรับคริสที่จะเอาชนะศัตรูที่น่าเกรงขามเหล่านี้
นักสู้ MMA หนุ่มลงแข่งขันครั้งแรกโดยหวังว่าจะทำตามรอยพ่อผู้โด่งดังของเขาซึ่งเป็นแชมป์กีฬาชนิดนี้ แต่วงจรอุบาทว์แห่งความโหดร้ายที่พ่อของเขาสนับสนุนกลับกลายเป็นจุดเปลี่ยนที่ลูกชายของเขาไม่อาจกลับได้ และความปรารถนาที่จะค้นหาหนทางของตัวเอง
เจ้าหน้าที่คนสุดท้ายที่ประจำการ ณ ฐานทัพป้องกันขีปนาวุธอันห่างไกล เอาชีวิตเข้าแลกเพื่อขัดขวางกลุ่มก่อการร้ายที่หมายจะโจมตีสหรัฐฯ ด้วยขีปนาวุธนิวเคลียร์ 16 ลูกที่ปล้นมา
On the Arabian Peninsula in the 1930s, two warring leaders come face to face. The victorious Nesib, Emir of Hobeika, lays down his peace terms to rival Amar, Sultan of Salmaah. The two men agree that neither can lay claim to the area of no man’s land between them called The Yellow Belt. In return, Nesib adopts Amar’s two boys Saleeh and Auda as a guarantee against invasion. Twelve years later, Saleeh and Auda have grown into young men. Saleeh, the warrior, itches to escape his gilded cage and return to his father’s land. Auda cares only for books and the pursuit of knowledge. One day, their adopted father Nesib is visited by an American from Texas. He tells the Emir that his land is blessed with oil and promises him riches beyond his wildest imagination. Nesib imagines a realm of infinite possibility, a kingdom with roads, schools and hospitals all paid for by the black gold beneath the barren sand. There is only one problem. The precious oil is located in the Yellow Belt.