for every sunset we haven't seen
This moving-image work was shot on Super-8 film and transferred to digital video and then projected in a continuous loop onto a curtain to give the illusion of a window.
This moving-image work was shot on Super-8 film and transferred to digital video and then projected in a continuous loop onto a curtain to give the illusion of a window.
This moving-image work was shot on Super-8 film and transferred to digital video and then projected in a continuous loop onto a curtain to give the illusion of a window.
สารคดีตอนพิเศษที่จะพาคุณไปพบกับการกลับมาของโอบีวัน เคโนบี, อนาคิน สกายวอล์คเกอร์ และเรื่องราวยิ่งใหญ่สุดเร้าใจที่เชื่อมมหากาพย์ภาพยนตร์เข้าไว้ด้วยกัน
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.
Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction.
A two-bit promoter tries to take a women's wrestling team to the top.
เบื้องหลังการทำงานเหล่าแอนิเมเตอร์ ผู้อุทิศเวลาอันยาวนานเพื่อปลุกปั้นนิทานที่มีเอกลักษณ์เฉพาะตัว ผ่านฟุตเทจและภาพไทม์แลปส์ที่เผยกระบวนการสร้างงานศิลปะอันน่าทึ่ง
เรื่องราวเกี่ยวกับชีวิตสมัยใหม่และความไม่สมดุลกันอย่างน่าตกใจที่ถูกทำเป็นภาพยนตร์เป็นเรื่องราวแรกในภาพยนตร์ไตรภาคก่อนเรื่องโพวาคัทสึ