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В поисках счастливого конца

In the late 1980s, an era of great hopes and great disasters for Russia, art proved to be a social barometer, predicting the imminent political upheavals. This film's screenplay was written overnight in February 1991, soon after the World Economic Forum, where Olga Sviblova was asked the question, "What will happen to Russia?", and answered: "A putsch."

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  • Дмитрий Пригов

    Дмитрий Пригов

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In the late 1980s, an era of great hopes and great disasters for Russia, art proved to be a social barometer, predicting the imminent political upheavals. This film's screenplay was written overnight in February 1991, soon after the World Economic Forum, where Olga Sviblova was asked the question, "What will happen to Russia?", and answered: "A putsch."

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014