Sur la piste d'Alto Backdrop Blur
Sur la piste d'Alto Poster
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Sur la piste d'Alto

This film brings to life, thanks to unknown footage from the great American director William Wyler, an important period in the history of Corsica during World War II. In 1944, the Alto base near Folelli was home to both a group of fighter-bombers from the U.S. Army Air Force (the 57th Fighter Group) and the famous French Lafayette fighter group. Day after day, the young pilots of these two units took off from the Alto runway in their P-47 Thunderbolts to attack, strafe, and bomb the German troops who, in Italy, had halted the Allied advance at Monte Cassino and participated in the Provence landings in August 1944. Isabelle Clarke and Daniel Costelle tracked down the pilots, and sixty years later, these pilots are reunited...

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This film brings to life, thanks to unknown footage from the great American director William Wyler, an important period in the history of Corsica during World War II. In 1944, the Alto base near Folelli was home to both a group of fighter-bombers from the U.S. Army Air Force (the 57th Fighter Group) and the famous French Lafayette fighter group. Day after day, the young pilots of these two units took off from the Alto runway in their P-47 Thunderbolts to attack, strafe, and bomb the German troops who, in Italy, had halted the Allied advance at Monte Cassino and participated in the Provence landings in August 1944. Isabelle Clarke and Daniel Costelle tracked down the pilots, and sixty years later, these pilots are reunited...

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Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Workers Leaving the Lumière Factory

6.7 1895
Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014
Shoah

Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories – survivors, bystanders, and perpetrators – Lanzmann presents testimonies from survivors of the Chelmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka.

Shoah

8.2 1985