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左手化虹

Inspired by documentaries on queer figures in early Hollywood horror, this project traces the hidden presence of queer characters in early Chinese cinema. Drawing on traditional opera and martial arts novels, it uncovers images that carried queer potential into film. In the left-wing literature of the 1920s, queer narratives had already emerged, though once adapted for the screen, they became more veiled. Within these films, certain female characters reveal subtle queer traits, shaping an undercurrent often overlooked in history. This ​​tradition/strain of imagery​​ ​​has endured, quietly evolving into a vital thread running through contemporary Chinese queer cinema.

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Inspired by documentaries on queer figures in early Hollywood horror, this project traces the hidden presence of queer characters in early Chinese cinema. Drawing on traditional opera and martial arts novels, it uncovers images that carried queer potential into film. In the left-wing literature of the 1920s, queer narratives had already emerged, though once adapted for the screen, they became more veiled. Within these films, certain female characters reveal subtle queer traits, shaping an undercurrent often overlooked in history. This ​​tradition/strain of imagery​​ ​​has endured, quietly evolving into a vital thread running through contemporary Chinese queer cinema.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014