After a year abroad, seventeen-year-old Alf returns to his Catholic boys' school, only to find that no longer relates to his mates, who are popular and athletic. He finds himself drawn to new classmate Oliver, but in an attempt to dispel rumours, Alf bonds with his old friends and ends up committing a crime to prove he still belongs.
Andrés Revo
Alf
Joaquin Emanuel
Oliver
Emilio Puente
Laker
Pablo Delgado Márquez
María Aura
Margarita
Mai Elissalt
Pauline
Tomás Rojas
Alfredo
Moisés Arizmendi
Roberto
Norma Pablo
Nancy
After a year abroad, seventeen-year-old Alf returns to his Catholic boys' school, only to find that no longer relates to his mates, who are popular and athletic. He finds himself drawn to new classmate Oliver, but in an attempt to dispel rumours, Alf bonds with his old friends and ends up committing a crime to prove he still belongs.
Teenage “Alf” (Andres Revo) has returned to his wealthy parent’s home in Mexico after a gap year in the USA, but he is unsettled. He yearns to go back, even though his lifelong friends welcome him enthusiastically. We start to get an idea as to what is bothering him when he encounters the younger ukulele player “Oliver” (Joaquín Emanuel) whom his friends rather disparagingly, if accurately, refer to as a gay stoner. He has a cousin “Diana” (Arianna Hermosillo) who takes quite a shine to “Alf”, but it’s becoming clear his interests lie elsewhere and that, in any case, one of his friends “Borja” (Héctor Kuri Hernández) is keen on her too. Then, in best “I Know What You Did Last Summer” tradition, a drink-induced and brutal tragedy follows that requires the school-friends to rally around each other and that puts enormous pressure on the relationship between “Alf” and the now distraught “Oliver”. What happens by way of conclusion from this point is both rushed and rather unsatisfactory as the emphasis shifts from telling us a story of two boy’s burgeoning, and somewhat forbidden, affection to something altogether more politically convenient, inconclusive and frankly disgusting. It does spotlight disappointingly homophobic attitudes amongst a generation that one might have hoped would be more mature by 2024, and it proves that there is plenty of work still to be done to promote tolerance and acceptance, but those are more philosophical points that don’t really emanate from anyone’s on-screen performances as we progress. The acting is all fine, but the story lacks for much plausibility and cohesion and left me wondering just what auteur Alejandro Andrade wanted us to take from this.
นี่คือเรื่องจริงของบ็อบบี้ เคนท์ เด็กวัยรุ่นผู้ชอบรังแกผู้อื่นในชานเมืองฮอลลีวูด รัฐฟลอริดา ในที่สุด เพื่อนสนิทและแฟนสาวของเขาก็ร่วมมือกับเด็กคนอื่นๆ ที่เบื่อหน่ายกับการถูกเขาทำร้าย ซึ่งหนึ่งในนั้นก็คือลิซ่า คอนเนลลี เด็กวัยรุ่นเจ็ดคนร่วมกันล่อบ็อบบี้ให้เข้าไปในหนองบึงลึกๆ โดยสัญญาว่าจะมีเซ็กส์และยาเสพย์ติดให้ และเมื่อไปถึงที่นั่น พวกเขาก็ตีบ็อบบี้จนตายด้วยไม้เบสบอล...
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