Qu'on se le dise!

In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)

A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.

ศิลปินที่โศกเศร้าจากการสูญเสียสามีซึ่งเป็นนักเขียนชื่อดัง มุ่งหน้าสู่ปารีสพร้อมเพื่อนซี้อีก 2 คน ในการเดินทางที่จะเผยความลับอันยุ่งเหยิงและความจริงที่ยากจะทำใจ

A woman watches time pass beside the suitcases of her ex-lover (who is supposed to come pick them up but never arrives) and a restless dog who doesn't understand that his master has abandoned him.

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.

พ่อแม่ผู้โศกเศร้าเผชิญเส้นทางชีวิตที่เปล่าเปลี่ยวระทมทุกข์ เพราะอาลัยลูกรักที่จากไปในเหตุกราดยิงโรงเรียนสุดสะเทือนขวัญ

Estranged siblings reunite after years apart, forced to confront unresolved tensions and reevaluate their strained relationships with their emotionally distant parents.

Pansy is a woman so full of rage that every interaction she has devolves into lashing out, whether at her utterly cowed husband and son, or random strangers who have the temerity to address her. In contrast, her younger sister Chantelle lives with her two vivacious daughters and plies a successful trade as a hairdresser, putting clients at their ease all day long. Yet beneath Pansy’s abrasive exterior are hints of a more fragile psyche, one motivated by fear and damaged by repressed pain.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

The wife of a famous composer survives a car accident that kills her husband and daughter. Now alone, she shakes off her old identity and explores her newfound freedom but finds that she is unbreakably bound to other humans, including her husband’s mistress, whose existence she never suspected.